| Divine | ... | Dawn Davenport / Earl Peterson | |
| David Lochary | ... | Donald Dasher | |
| Mary Vivian Pearce | ... | Donna Dasher | |
| Mink Stole | ... | Taffy Davenport | |
| Edith Massey | ... | Aunt Ida | |
| Cookie Mueller | ... | Concetta | |
| Susan Walsh | ... | Chicklette | |
| Michael Potter | ... | Gater | |
| Ed Peranio | ... | Wink | |
| Paul Swift | ... | Butterfly | |
| George Figgs | ... | Dribbles | |
| Susan Lowe | ... | Vikki | |
| George Hulse | ... | Teacher | |
| Margie Skidmore | ... | School Snitch | |
| Berenica Cipcus | ... | Mean Girl | |
| Betty Woods | ... | Dawn's Mother | |
| Roland Hertz | ... | Dawn's Father | |
| Ramsey McClean | ... | Baby | |
| Henry Bederski | ... | Drunk | |
| Hilary Taylor | ... | Taffy as a Child | |
| Cindy Chosky | ... | Stripper | |
| Laurel Douglas | ... | Telephone Company Girl | |
| Mark Lazarus | ... | Priest | |
| Anne Figgs | ... | Gater's Girlfriend | |
| Sally Albaugh | ... | Sally | |
| Lynn Russo | ... | Girl Who Won't Pay | |
| Bob Willis | ... | Doctor | |
| Valerie Stafford | ... | Nurse | |
| Bob Adams | ... | Ernie | |
| Channing Wilroy | ... | Prosecutor | |
| Al Strapelli | ... | Judge | |
| Seymour Avigdor | ... | Defense Lawyer | |
| Christine Mason | ... | Bailiff (as Chris Mason) | |
| Mumme | ... | Bailiff | |
| Pat Moran | ... | Bitch Prisoner | |
| Marina Melin | ... | Cheryll | |
| Elizabeth Coffey | ... | Earnestine | |
| George Stover | ... | Chaplin | |
| rest of cast listed alphabetically: | |||
| Cowboy Foulke | ... | Spectator at Strip Club in Beginning (uncredited) | |
| Mimi Lochary | ... | Juror (uncredited) | |
Directed by | |||
| John Waters | |||
Writing credits | ||
| John Waters | (written by) | |
Produced by | |||
| John Waters | .... | producer | |
| Jochen Breitenstein | .... | line producer (uncredited) | |
| Jimmy Hutzler | .... | associate producer (uncredited) | |
| James McKenzie | .... | associate producer (uncredited) | |
| Leroy Morais | .... | line producer (uncredited) | |
Cinematography by | |||
| John Waters | (filmed by) | ||
Film Editing by | |||
| Charles Roggero | |||
| John Waters | |||
Production Design by | |||
| Vincent Peranio | (uncredited) | ||
Art Direction by | |||
| Vincent Peranio | (uncredited) | ||
Costume Design by | |||
| Van Smith | |||
Makeup Department | |||
| David Lochary | .... | hair stylist | |
| Christine Mason | .... | hair stylist (as Chris Mason) | |
| Van Smith | .... | makeup artist | |
Production Management | |||
| Pat Moran | .... | production chief | |
Art Department | |||
| Vincent Peranio | .... | sets | |
Sound Department | |||
| Robert Maier | .... | sound (as Bob Maier) | |
Special Effects by | |||
| Ed Peranio | .... | special effects | |
Camera and Electrical Department | |||
| David Insley | .... | assistant camera (as Dave Insley) | |
| David Insley | .... | lighting (as Dave Insley) | |
| Elaine Jankonus | .... | still photographer | |
| Bruce Moore | .... | still photographer | |
| Mink Stole | .... | still photographer | |
Other crew | |||
| Randy Burman | .... | title designer | |
| Delores Delux | .... | assistant title designer (as Dolores Deluxe) | |
| Alan Rose | .... | title designer | |
| Steve Yeager | .... | production assistant | |
| Sally Albaugh | .... | double: Divine (uncredited) | |
| Pete Garey | .... | production advisor (uncredited) | |
Thanks | |||
| Charles Watson | .... | dedicatee | |
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| Freeway | Pink Flamingos | Desperate Living | American Beauty | Polyester |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
God bless John Waters. He's made some of the best, crudest feel-good movies, and this is one of his crowning achievements. It's amazing how his film, ugly-looking and full of lipstick-smeared freaks, can feel positive and upbeat; while he's mocking everything in sight, he doesn't stand back and protect himself with irony or winks -- he jumps right in there, and that involvement, that energy, is easy to see and feel. It's amazing that he can feature masturbation with needle-nose pliers, beating a child with a chair, a game of "car accident," and Divine literally screwing himself and not have it be off-putting.
The very idea that Waters uses a fat transvestite with a beehive hairdo to illustrate his scorn for school shows he's not so interested in subtlety. And Divine is awesome, as always, his prissy, gravely scream -- a freak you want on your side. This is one of Waters' best satirical attempts -- there are digs at hippies and Hare Krishnas, and two scenes in particular are very prophetic: the gay encouraging, and the killing for art. Waters even mocks his own shameless exhibitionism in the testimony of the Dashers. 9/10