The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he's taken of his weird family become the latest rage in the art world. The young man is called "Pecker" ... See full summary »
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
John Waters' second film, shot on 8mm, and featuring Divine for the first time. Essentially a plotless collage of random incidents involving sex, drugs, religion and 'The Wizard of Oz', it ... See full summary »
The life and times of Dawn Davenport, showing her progress from loving schoolgirl to crazed mass murderer - all of which stems from her parents' refusal to buy her cha-cha heels for Christmas. She runs away from home, is raped, becomes a single mother, criminal and glamorous model before her inevitable rendezvous with the electric chair... Written by
Michael Brooke <firstname.lastname@example.org>
A scene was filmed in which Concetta (Cookie Mueller) burst into the courtroom in an attempt to rescue Dawn Davenport ('Divine'). According to John Waters, the scene was "technically bad" (visible boom mic, light poles, etc.) and not included in any released version. See more »
When Dawn returns home from hospital with the Dashers and unwraps the birdcage containing Aunt Ida, Donald instructs her to, 'Cut off the hand that threw the acid!' Dawn then chops off Ida's left hand. Ida, however, threw the acid with her right hand. See more »
Just get your hair done. That's what I always do when I get depressed.
Maybe I will.
I'll tell ya, the Lipstick Beauty Salon is the best. They only let, well, you know, 'special' girls in. You have to audition to even get your hair done!
AND, there's this guy that does hair there, MMMM MMMM. I'd suck the socks off him in a minute.
Yeah, Gater's his name, and you know what? He lives right next door.
Wonder what HIS story is? Maybe he's a... CHUBBY CHASER!
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For Charles Watson (the Manson Family member). Waters' prison visits to Watson inspired the "crime is beauty" theme of the film, and Waters used a toy wooden helicopter Watson made for him in the credits. See more »
Funnily enough, around the time that Divine sits in the crib with the pile of dead fish I started thinking about the words of the Bomb Squad's Hank Shocklee - "If they want noise, let's give them NOISE!" Yes, friends, Waters is the queer Public Enemy, tying identity to culture, cranking the most alienating elements of same to 11, and losing great chunks of his own demographic in the spectacular, chaotic process. This was made right off the midnight-movie success of "Pink Flamingos", and presumably this facilitated a budget, and presumably this led to the extra notch of competence that keeps the movie barreling forward from beginning to end - there's even an original theme song, plus thirty glorious seconds of Nervous Norvus singing "H-I-P". In most underground movies a scene featuring the lead actor, in two roles, raping himself for two full minutes - and THEN taking off his pants - would be the climax, not the inciting incident! And Edith "Flav" Massey yelling "NO I don't want any god damn eggs!" is an even better inversion than the new Bond's martini line. A triumphant cinematic masterpiece.
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