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Female Trouble (1974)

7.3
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Ratings: 7.3/10 from 4,792 users  
Reviews: 57 user | 35 critic

A spoiled schoolgirl runs away from home, gets pregnant while hitchhiking, and ends up as a fashion model for a pair of beauticians who like to photograph women committing crimes.

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Title: Female Trouble (1974)

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Edit

Cast

Cast overview, first billed only:
...
David Lochary ...
Mary Vivian Pearce ...
...
...
Cookie Mueller ...
Susan Walsh ...
Michael Potter ...
Ed Peranio ...
Wink
Paul Swift ...
Butterfly
George Figgs ...
Dribbles
...
Vikki
George Hulse ...
Teacher
Margie Skidmore ...
School Snitch
Berenica Cipcus ...
Mean Girl
Edit

Storyline

The life and times of Dawn Davenport, showing her progress from loving schoolgirl to crazed mass murderer - all of which stems from her parents' refusal to buy her cha-cha heels for Christmas. She runs away from home, is raped, becomes a single mother, criminal and glamorous model before her inevitable rendezvous with the electric chair... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Nice girls don't wear cha-cha heels. See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated NC-17 for explicit sexuality and nudity | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

28 March 1984 (France)  »

Also Known As:

Rotten Mind, Rotten Face  »

Filming Locations:

 »

Box Office

Budget:

$25,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (16 mm) | (original length)

Sound Mix:

(2001 re-release)|

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Although released in 1974 the copyright date at the end of the credits is MCMXCIX or 1999. See more »

Goofs

When Dawn, Concetta, and Chicklette are in the school bathroom complaining about school and Christmas, both Concetta and Chicklette hold up a can of hair spray to apply to their hairdos, but it is obvious no spray is coming out of the can nor does the can make a spraying sound. See more »

Quotes

Earl Peterson: [answering phone] Hello?
Dawn Davenport: Is Earl Peterson there? Earl Peterson! This is Dawn Davenport. Dawn Davenport... you made love to me Christmas morning.
[gasps]
Dawn Davenport: Well I just called to tell you I'm pregnant and I want money.
Earl Peterson: You stole my wallet, you fat bitch!
Dawn Davenport: So what if I did? I want money!
Earl Peterson: You'll never get any money from me, cow! Just cause you got them big udders don't mean you're somethin' special. Get the hook! Go fuck yourself for all I care. YEAH! Go fuck yourself!
[hangs up]
Dawn Davenport: Hello? Hello? UGH!
See more »

Crazy Credits

For Charles Watson (the Manson Family member). Waters' prison visits to Watson inspired the "crime is beauty" theme of the film, and Waters used a toy wooden helicopter Watson made for him in the credits. See more »

Connections

Referenced in Lady Divine (1975) See more »

Soundtracks

Wedding March
Performed by The 101 Strings Orchestra (as 101 Strings Orchestra)
Courtesy of Madacy Entertainment
under license from Madacy Special Markets
See more »

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User Reviews

 
9/10
27 November 2004 | by (Canada) – See all my reviews

God bless John Waters. He's made some of the best, crudest feel-good movies, and this is one of his crowning achievements. It's amazing how his film, ugly-looking and full of lipstick-smeared freaks, can feel positive and upbeat; while he's mocking everything in sight, he doesn't stand back and protect himself with irony or winks -- he jumps right in there, and that involvement, that energy, is easy to see and feel. It's amazing that he can feature masturbation with needle-nose pliers, beating a child with a chair, a game of "car accident," and Divine literally screwing himself and not have it be off-putting.

The very idea that Waters uses a fat transvestite with a beehive hairdo to illustrate his scorn for school shows he's not so interested in subtlety. And Divine is awesome, as always, his prissy, gravely scream -- a freak you want on your side. This is one of Waters' best satirical attempts -- there are digs at hippies and Hare Krishnas, and two scenes in particular are very prophetic: the gay encouraging, and the killing for art. Waters even mocks his own shameless exhibitionism in the testimony of the Dashers. 9/10


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