Faustrecht der Freiheit
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Fox and His Friends (1975) More at IMDbPro »Faustrecht der Freiheit (original title)

2015 | 2014 | 2011 | 2009 | 2008

2 items from 2015

Criterion Picks On Fandor: Fassbinder

29 September 2015 7:00 AM, PDT | CriterionCast | See recent CriterionCast news »

Each week, the fine folks at Fandor add a number of films to their Criterion Picks area, which will then be available to subscribers for the following twelve days. This week, the Criterion Picks focus on eight films from Rainer Werner Fassbinder.

Fall in love with a giant of New German Cinema with a selection of curated highlights from the prolific yet truncated career of iconoclast director Rainer Werner Fassbinder.

Don’t have a Fandor subscription? They offer a free trial membership.

Ali: Fear Eats the Soul

The wildly prolific German filmmaker Rainer Werner Fassbinder paid homage to his cinematic hero Douglas Sirk with this update of that filmmaker’s 1955 All That Heaven Allows. A lonely widow meets a much younger Arab worker in a bar during a rainstorm. They fall in love, to their own surprise, and to the outright shock of their families, colleagues, and drinking buddies. In Ali: Fear Eats The Soul, »

- Ryan Gallagher

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Criterion Collection: The Merchant of Four Seasons |Blu-ray Review

2 June 2015 10:00 AM, PDT | ioncinema | See recent ioncinema news »

“We’re all pigs,” remarks a character late in Rainer Werner Fassbinder’s 1971 classic The Merchant of Four Seasons, on observation one could apply to most of the desperate and disparate characters littered throughout the German New Wave master’s oeuvre. In this instance, the comment is made by the protagonist’s familial successor. Fassbinder’s flaccid fruit vendor shrinks into the shadows of his own periphery, a failed patriarch reduced to the general fate of mediocre men in times of societal resurgence, (here specifically in the 1950s, the post-war period of the German economic miracle) marked for replacement by a trusted friend, stepping in to pinch-hit. Regarded as one of Fassbinder’s best early titles, it is one of his most accessible Sirkian inspired melodramas earning notable critical applause during an impressively fruitful period, imbued with the director’s favorite themes concerning dwindling personas of those foolish enough to »

- Nicholas Bell

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2015 | 2014 | 2011 | 2009 | 2008

2 items from 2015

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