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Farewell, My Lovely (1975)

Los Angeles private eye Philip Marlowe is hired by paroled convict Moose Malloy to find his girlfriend Velma, former seedy nightclub dancer.

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Writers:

(screenplay), (novel)
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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
Jessie Halstead Florian
...
Laird Brunette
...
...
...
Nick
...
Jonnie
Kate Murtagh ...
...
Lindsay Marriott
Walter McGinn ...
Tommy Ray
Burton Gilliam ...
Cowboy
Jim Thompson ...
Judge Baxter Wilson Grayle
Jimmy Archer ...
Georgie (as Jimmie Archer)
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Storyline

This, the second adaptation of Raymond Chandler's novel, is much closer to the source text than the original - Murder, My Sweet (1944), which tended to avoid some of the sleazier parts of the plot - but still concerns private eye Philip Marlowe's attempts to locate Velma, a former dancer at a seedy nightclub and the girlfriend of Moose Malloy, a petty criminal just out of prison. Marlowe finds that once he has taken the case, events conspire to put him in dangerous situations, and he is forced to follow a confusing trail of untruths and double-crosses before he is able to locate Velma. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

I need another drink ... I need a lot of life insurance ... I need a vacation ... and all I've got is a coat, a hat, and a gun !


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

8 August 1975 (USA)  »

Also Known As:

Adiós, muñeca  »

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Box Office

Budget:

$2,500,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Playing private eye Phillip Marlowe was actor Robert Mitchum who was well known for his roles in many film noir, detective and crime fiction movies from the 1940s including the classic Out of the Past (1947). See more »

Goofs

When the boat captain, Marlowe, and Malloy are negotiating about the boat rental fee, the captain's cigarette suddenly disappears between shots. See more »

Quotes

Philip Marlowe: [answering door] Yeah?
Lt. Nulty: It's Snow White!
Philip Marlowe: With or without the dwarfs?
Lt. Nulty: Without!
See more »

Connections

Referenced in Kiss Kiss Bang Bang (2005) See more »

Soundtracks

Sunday
Words and Music by Jule Styne, Ned Miller, Chester Cohn, and Bennie Krueger (as Bennie Krueger)
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User Reviews

 
Chandler Without the CODE
10 August 2006 | by See all my reviews

When Dick Powell did his version of this Raymond Chandler classic Philip Marlowe story, he and RKO were laboring under the handicap of the motion picture code. Certain things like prostitution and homosexuality were simply not talked about in those times. Still with the changes that had to be made in the plot a really great version was done and it changed the career of Dick Powell forever.

Now back in those days, Robert Mitchum was getting started and would soon be doing many a noir film for RKO himself. In getting him for this version under the original title of Farewell My Lovely the producers certainly got themselves someone with whom the Philip Marlowe character fit like a glove.

Even with color, this version is remarkably evocative of the Forties style noir film. Charlotte Rampling steps nicely into the well trod path of people like Lauren Bacall and Lizabeth Scott.

For those who don't know the barebones of the story, Philip Marlowe is hired to find Velma Valento by her old gangster boy friend, a giant of a man named Moose Malloy who just finished doing a stretch in prison. Later on a man named Lindsay Marriott hires him to as a bodyguard and he's killed. The two cases are related and the how and why is what moves the plot.

John Ireland another forties veteran of many a noir film plays police lieutenant Nulty and my favorite in the film is Sylvia Miles who is the luckless dipsomaniacal Mrs. Florian.

I do marvel when I see this film at how well the spirit of the forties was captured in this film. Turn off the color on your set and its just like watching a great noir flick from that decade.


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