F for Fake
(1973)
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F for Fake
(1973)
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| Complete credited cast: | |||
| Orson Welles | ... |
Himself
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Oja Kodar | ... |
The Girl
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| Joseph Cotten | ... |
Special Participant
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François Reichenbach | ... |
Special Participant
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Richard Wilson | ... |
Special Participant
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| Paul Stewart | ... |
Special Participant
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Alexander Welles | ... |
Special Participant
(as Sasa Devcic)
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Gary Graver | ... |
Special Participant
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Andrés Vicente Gómez | ... |
Special Participant
(as Andres Vincente Gomez)
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Julio Palinkas | ... |
Special Participant
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Christian Odasso | ... |
Special Participant
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Françoise Widhoff | ... |
Special Participant
(as Françoise Widoff)
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| Peter Bogdanovich | ... |
Special Participant
(voice)
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William Alland | ... |
Special Participant
(voice)
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Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). On the way, Welles plays a few tricks of his own on the audience. Written by Anonymous
"F for fake" stands for the last movie Orson Welles really directed and, as for many artistic legacies it's the final demonstration of the genius of the artist, becoming some kind of briefing of his entire career.
It's hard to explain this movie and why I really enjoyed because, as many other Welles's movies, it's full of surprises and twists.
Filmed as a Documentary, this film introduces us the personae of Elmyr, a painter who lives out of painting copies of famous pictures of Van Gogh, Picasso, Vlaminck and many others and making them look like they're the original one. Welles also introduces to us two more people; an actress and a biographer.
With many resemblances to Welles's own life, the director of such wonderful pieces as "Citizen Kane" and "Touch of Evil" plays with the audience some sort of magical trickery. What is real and what is not? If Elmyr is able to paint a perfect copy of a famous picture and fool the world greatest experts, is he as good artist as the originals he's copying?
Working as a perfect metaphore of Welles own experiences in art (he's not only been movie director but radio speaker and even painter) "F for Fake" remains as a perfect legacy of the ideas of one of the greatest and most gifted cinema artists. Don't miss it!