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A Pain in the Ass (1973)
"L'emmerdeur" (original title)

 -  Comedy  -  31 July 1975 (USA)
7.1
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Ratings: 7.1/10 from 1,741 users  
Reviews: 10 user | 3 critic

Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him.

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Cast

Complete credited cast:
...
Jacques Brel ...
Caroline Cellier ...
Louise Pignon
Jean-Pierre Darras ...
Fuchs
Nino Castelnuovo ...
Bellhop
Angela Cardile ...
La future maman
Michele Gammino
Xavier Depraz ...
Louis Randoni
François Dyrek
Jean-Louis Tristan ...
L'inspecteur de l'hôtel
André Valardy ...
L'auto-stoppeur
Jean Franval ...
Le routier
Pierre Collet ...
Le boucher
Arlette Balkis ...
La patiente
Jacques Galland ...
Maître Chamfort
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Storyline

Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him. Written by Jean-Yves Simon <simon@micro.ti.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

|

Release Date:

31 July 1975 (USA)  »

Also Known As:

A Pain in the A__  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Francis Veber:  [François Pignon]  features a likeable idiot called François Pignon. See more »

Connections

Featured in Une cellule pour deux (2006) See more »

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User Reviews

 
One of Veber's lesser efforts
3 December 2006 | by (London, England) – See all my reviews

If you ever wondered why Billy Wilder's last movie, Buddy Buddy was so weak despite a great cast and a great premise, checking out the Francis Veber-scripted/Eduardo Molinaro-directed French original L'Emmerdeur/A Pain in the Ass gives some pretty solid pointers – it's not very good either, seemingly too satisfied at the cleverness of the conceit to really mine it for all its worth. Lino Ventura is the mob hit-man whose attempts to set up for a hit for his unforgiving bosses are constantly interrupted by suicidal Jacques Brel in the next hotel room. Unfortunately the first 40 minutes are pretty flat scene setting, with the film taking forever to get into gear and then only cruising fairly gently with the occasional light smiles rather than belly laughs along the way. Veber at least would go onto do much better work.


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