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Pedro Armendáriz Jr.
Rocco and his female accomplice, Angèle hijack a truck from a trucking company in the Saharan desert. The head of the trucking company, Castigliano hires Rocco's friend, Hervé and a newly ... See full summary »
Police inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
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When political thugs murder an opponent's volunteer and also kill a cop, chief inspector Verjeat believes the politician who hired them is as guilty as the murderous goon. Verjeat's pursuit... See full summary »
Frankreich 17.Jh: Landarzt Benjamin liebt die reizende Gastwirtstochter Manette. Doch Manette kennt ihn als unverbesserlichen Schürzenjäger und verlangt vor der Liebe die Heirat. Als ... See full summary »
Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him. Written by
Jean-Yves Simon <email@example.com>
This is one of the last good comedies Molinaro was able to make, before he got stuck in Cage aux folles-robotic entertainment. Pairing Lino Ventura and Jacques Brel was a wonderful idea: one is so dour and methodical, the other so emotional, helpless, a real loser.
The hotel scenes are very well set up; there is a claustrophobic feeling about the layout of the suites. The water seeping through the door into Ventura's suite from Brel's bathroom after the suicide attempt prevents Ventura from concentrating on assembling his rifle--very well handled by Molinaro. The clinic scene, with Ventura ending up in a strait-jacket is a marvelous four-way comic piece with Caroline Cellier and Jean-Pierre Darras joining the two principals.
Now, if someone will bring back La Mandarine (with an impressive Annie Girardot) and L'Homme pressé, two more great Molinaro pictures from the 70's, my happiness will be complete.
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