A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Jonathan Hemlock is an art history professor and collector who finances his hobby by performing the odd sanction (assassination) for an obscure government bureau. He is forced to take a case where he must find out which of the members of a mountain climbing team is the Russian killer he has been given as a target by joining an expedition to climb the treacherous Eiger. Written by
John Vogel <email@example.com>
Two custom 1975 Ford Broncos were specially built for this film, the one used in filming and a support vehicle, similar to the film truck but with a powerful winch and a much better sound system. The support truck is privately owned, while the film truck's fate is a mystery. See more »
After Dewayne is killed, his swollen and bloody lip from the beating given to him by Hemlock the day before is missing, even though it was still present at the resort just minutes before the chase in the desert where he is shot. See more »
[Hemlock strands Mellough in the middle of the desert]
Jonathan, you're not going to leave me out here? Oh, Jonathan, for chrissakes, kill me but don't leave me here!
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Another "forgotten" Eastwood that deserves more attention
As a die-hard Clint Eastwood fan you've probably seen this spy/action/thriller already, but for those who only now discover the work of this great director/actor, check it out - it's well worth it.
This film was made in the mid-seventies and it shows in every frame. The decidedly non-political correctness in the scenes with the obviously gay guy, portrayed by Jack Cassidy (whose lapdog is appropriately named "faggot" and has a hilarious scene humping Eastwood's leg); with the Indian girl (Eastwoods laconic snarl "Screw Marlon Brando" is unforgettable); with the "black chick" (says Eastwood to the Afro-American actress Vonetta McGee) might turn off some of today's viewers or bring the film on the map for viewers who have grown up with Rap Music and consider the occasional four-letter word in "8 Mile" already daring.
The story itself is not really important (a classic spy/action thriller with a twist) but the camera direction is superb and Eastwood's well-known love for Jazz music seaps through occasionally. Today's movies are called movies for a reason - they are no longer "films" (like this one), where time is taken to tell a story and explore it in its own leisure fashion.
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