| Photos (See all 10 | slideshow) |
| Paul Newman | ... | Harper | |
| Joanne Woodward | ... | Iris | |
| Anthony Franciosa | ... | Broussard (as Tony Franciosa) | |
| Murray Hamilton | ... | Kilbourne | |
| Gail Strickland | ... | Mavis | |
| Melanie Griffith | ... | Schuyler | |
| Linda Haynes | ... | Gretchen | |
| Richard Jaeckel | ... | Franks | |
| Paul Koslo | ... | Candy | |
| Joe Canutt | ... | Glo | |
| Andrew Robinson | ... | Pat Reavis (as Andy Robinson) | |
| Coral Browne | ... | Olivia | |
| Richard Derr | ... | James | |
| Helena Kallianiotes | ... | Elaine Reavis | |
| Leigh French | ... | Red Head | |
| Peter Dassinger | ... | Peter | |
| James Fontenot | ... | Bartender | |
| Tommy McLain | ... | Nightclub Band (as Tommy McLain and his Mule Train Band) | |
| Martin Ahrens | ... | Cajun Heavy #1 | |
| Philippe Blenet | ... | Cajun Heavy #2 | |
| Jerome Greene | ... | Butler | |
| Cecil Elliott | ... | Motel Switchboard Operator |
Directed by | |||
| Stuart Rosenberg | |||
Writing credits | ||
| Tracy Keenan Wynn | (screenplay) & | |
| Lorenzo Semple Jr. | (screenplay) & | |
| Walter Hill | (screenplay) | |
| Ross Macdonald | (novel) (as Ross MacDonald) | |
Produced by | |||
| David Foster | .... | producer | |
| Hawk Koch | .... | associate producer (as Howard W. Koch Jr.) | |
| Lawrence Turman | .... | producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Gordon Willis | (director of photography) | ||
Film Editing by | |||
| John C. Howard | |||
Casting by | |||
| Alan Shayne | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Edwin O'Donovan | (as Ed O'Donovan) | ||
Makeup Department | |||
| Kaye Pownall | .... | hair stylist | |
| Monty Westmore | .... | makeup artist | |
| Carrie White | .... | Miss Woodward's hair styles | |
Production Management | |||
| Arthur S. Newman Jr. | .... | production manager (as Arthur Newman) | |
Second Unit Director or Assistant Director | |||
| Hawk Koch | .... | assistant director (as Howard W. Koch Jr.) | |
| Lee Rafner | .... | second assistant director | |
Art Department | |||
| Phil Abramson | .... | set director | |
| Joe Acord | .... | construction coordinator | |
| Gregg H. Bilson | .... | assistant props (as Gregg Bilson) | |
| Pat O'Connor | .... | property master | |
| Bill Parks | .... | construction coordinator | |
| Eugene J. Reed | .... | carpenter (uncredited) | |
Sound Department | |||
| Clint Althouse | .... | boom man (as Clint Althaus) | |
| Hal Barns | .... | sound effects editor | |
| Les Fresholtz | .... | re-recording mixer | |
| Larry Jost | .... | sound mixer | |
| Billie Owens | .... | sound effects editor | |
| Arthur Piantadosi | .... | re-recording mixer | |
| Arthur H. Pullen | .... | sound effects editor | |
| Richard Tyler | .... | re-recording mixer (as Dick Tyler) | |
Special Effects by | |||
| Chuck Gaspar | .... | special effects | |
| Henry Millar | .... | special effects (as Henry Millar Sr.) | |
Stunts | |||
| Stan Barrett | .... | stunt coordinator | |
| Joe Canutt | .... | stunts (uncredited) | |
| Dean Smith | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Arthur Brooker | .... | key grip (as Art Booker) | |
| Ralph Gerling | .... | camera operator | |
| George Holmes | .... | gaffer | |
| Mel Traxel | .... | unit still photographer | |
| Richard Yuricich | .... | first camera assistant | |
Costume and Wardrobe Department | |||
| Donald Brooks | .... | wardrobe designer: Miss Woodward | |
| Norma Brown | .... | costumer: ladies | |
| Richard Bruno | .... | wardrobe supervisor (as Dick Bruno) | |
| Jules Melillo | .... | assistant men's costumer (as Jules M. Melillo) | |
| Vicki Sánchez | .... | costumer: ladies (as Vicki Sanchez) | |
Editorial Department | |||
| Carroll Timothy O'Meara | .... | assistant editor (as Tim O'Meara) | |
Music Department | |||
| Donald Harris | .... | music editor | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Paul Casella Jr. | .... | transportation captain | |
Other crew | |||
| Rosalyn Catania | .... | production secretary | |
| Carl Combs | .... | unit publicist | |
| Betty Crosby | .... | script supervisor | |
| Ralph M. Leo | .... | production auditor (as Ralph Leo) | |
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| The Two Jakes | The Big Sleep | Farewell, My Lovely | The Black Doll | Deadly Circuit |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
Ten years after Newman's success in "Harper" as the title private investigator, he reappeared in this follow-up. While the caliber of the cast can't hold a candle to the stellar first film, the acting and mystery elements are excellent. Woodward plays a wealthy Louisiana woman who once had a brief fling with Newman. She hires him to find out who's blackmailing her about her extramarital dalliances. Once he lands in the bayou, he is immersed in several confusing and complicated situations involving sex, real estate war and murder. Newman is utterly appealing as the hard knock investigator, Woodward is cool and refined, Franciosa puts his method acting to good use and Hamilton puts an enjoyably quirky spin on a villainous role. Griffith effectively plays Woodward's sexually ripe daughter and Browne adds great authority in her brief appearance as Woodward's domineering mother-in-law. The plot is extremely convoluted and risks losing all sense at times, but it all comes about in the end. The actors succeed in making the audience want to see more of what they are all about. The title refers to a climactic scene in which Newman and an exasperatingly upset cohort are trapped in an enclosed hydrotherapy room which is filled to the brim with water. This affords a rare opportunity to see the relatively modest Newman trotting around in damp boxer shorts. The film utilizes (perhaps overutilizes?) the song "Killing Me Softly" throughout. The film is like a reunion of sorts for Newman. Aside form his frequent collaborations with his wife Woodward, she and Franciosa had starred with him in "The Long Hot Summer", Hamilton had appeared in "The Hustler" and Jaeckel co-starred with him in "Sometimes a Great Notion". Director Rosenberg has also directed Newman in "WUSA", "Cool Hand Luke" and "Pocket Money". Years later, Griffith would appear with Newman in "Nobody's Fool".