Brash and crazed cigar-chomping network TV executive Clifford Bradley decides to push the boundaries of good taste and moral decency by broadcasting an extremely bawdy and explicit stag ... See full summary »
Cody Abiliene is a semi-successful private detective desperately in need of a big (and well-paying) case. When he's hired to solve the murder of Contessa Luciana's husband, he jumps at the ... See full summary »
Tarzan (Lord Greystoke), already well educated and fed up with civilization, returns to the jungle and, more-or-less assisted by chimpanzee Cheetah and orphan boy Jai, wages war against poachers and other bad guys.
"MESOPOTAMIA" is a period about Gods, Goddesses, Demons and Monsters and the love story between the love goddess and Babylon. The people of Mesopotamia believed that their world was ... See full summary »
In the Fabulous Thirties, Doc Savage and his five Amazing Adventurers are sucked into the mystery of Doc's father disappearing in the wilds of South America. The maniacal Captain Seas tries to thwart them at every turn as they travel to the country of Hidalgo to investigate Doc's father's death and uncover a vast horde of Incan gold. Written by
Popular "sci-fi" author and pulp fiction fan Philip Jose Farmer wrote a book entitled "Doc Savage: His Apocalyptic Life", a biography of "the man of bronze". In it, he theorized that Clark Savage, Sr. (the father of Doc Savage) was James Clarke Wildman, who appeared in the Sherlock Holmes story "The Adventure of the Priory School". Farmer wrote an unused script for a sequel to "Doc Savage: The Man of Bronze" entitled "Doc Savage: Archenemy of Evil", in which Holmes himself made an appearance, commenting on Savage as the greatest student of deduction he ever had and referencing his encounter with Savage's father. It remains unknown whom Farmer wanted for this role. See more »
During the scene where Doc Savage and his comrades are pursuing the sniper, modern (1970s vintage) automobiles can be seen in one of the aerial shots. The film is set in 1936. See more »
I was fortunate enough to meet George Pal (and still have my DS:TMOB poster autographed by him) at a convention shortly after the release, and asked him why he chose to do the film "camp". Before he could answer, two studio flacks intercepted and lectured me on how the studio "knew best" and how "no one will take such a film seriously". I had been reading the Bantam reprints for a couple of years thanks to a friend (ComiCon attendees of the 1970s will recall Blackhawk and his band? I was in a couple of years of that with him), and had higher hopes than what we got.
The flacks insisted that no high adventure would ever be done seriously, and so doing 'camp' was the only way. Several other fans jumped in on my side, with Pal listening as best he could. At the end of the little event, Pal came up to us and apologized, wishing he could have done more and better.
STAR WARS put the lie to the flacks, and a year after Pal's death, Spielberg and Lucas proved that Doc Savage could have easily been the next major movie franchise...if it hadn't been for the flacks.
Tear out the memory or history of Doc, and the film would have been worth a 6/10 rating as nothing more than a mindless popcorn seller.
But destroying the legacy like that was no less an abomination than killing a baby in the crib.
Doc Savage can still come to the screen, and survive the inevitable comparisons by the ill-informed to Indiana Jones, but it would have to be done in all seriousness and earnest to reclaim the glory that we should expect from the First American Superhero.
SIDENOTES: Yes, there was a second script for ARCHENEMY OF EVIL, and it's a lot more serious. Yes, there was simultaneous footage shot, but mostly establishing shots and very little with actors. And, yes, there _is_ a one-sheet of Ron Ely leaping over a brick wall and blasting at something over his shoulder with a specially built bronze pistol. Ely's wearing a duster over a button down white shirt with a bronze tie, and the words "DOC SAVAGE: ARCHENEMY OF EVIL...Coming Next Summer!" POSTSCRIPT: If anyone knows who the studio flacks were that accompanied George Pal in 1975 to San Diego for the convention, smack the idiots up the side of the head and call them the idiots that they are. At the time, they were doing dorkknobs and Fu Manchu in stripes and baggy canvas pants, and carrying Paramount portfolios.
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