| Photos (See all 10 | slideshow) |
| Donald Sutherland | ... | Homer Simpson | |
| Karen Black | ... | Faye Greener | |
| Burgess Meredith | ... | Harry Greener | |
| William Atherton | ... | Tod Hackett | |
| Geraldine Page | ... | Big Sister | |
| Richard Dysart | ... | Claude Estee | |
| Bo Hopkins | ... | Earle Shoop | |
| Pepe Serna | ... | Miguel | |
| Lelia Goldoni | ... | Mary Dove | |
| Billy Barty | ... | Abe Kusich | |
| Jackie Earle Haley | ... | Adore (as Jackie Haley) | |
| Gloria LeRoy | ... | Mrs. Loomis (as Gloria Le Roy) | |
| Jane Hoffman | ... | Mrs. Odlesh | |
| Norman Leavitt | ... | Mr. Odlesh (as Norm Leavitt) | |
| Madge Kennedy | ... | Mrs. Johnson | |
| Ina Gould | ... | Lee Sisters | |
| Florence Lake | ... | Lee Sisters | |
| Margaret Willey | ... | The Gingos | |
| John War Eagle | ... | The Gingos | |
| Natalie Schafer | ... | Audrey Jennings | |
| Gloria Stroock | ... | Alice Estee | |
| Nita Talbot | ... | Joan | |
| Nicholas Cortland | ... | Projectionist | |
| Alvin Childress | ... | Butler | |
| Byron Paul | ... | Guest | |
| Virginia Baker | ... | Guest | |
| Roger Price | ... | Guest | |
| Angela Greene | ... | Guest | |
| Robert O. Ragland | ... | Guest | |
| Abbey Greshler | ... | Guest | |
| Ann Coleman | ... | Girl | |
| Gyl Roland | ... | Girl | |
| Paul Stewart | ... | Helverston | |
| John Hillerman | ... | Ned Grote | |
| William Castle | ... | Director (as William C. Castle) | |
| Fred Scheiwiller | ... | 1st Asst. Director | |
| Wally Rose | ... | 2nd Asst. Director | |
| Grainger Hines | ... | French Lt. | |
| DeForest Covan | ... | Shoe Shine Boy (as De Forest Covan) | |
| Michael Quinn | ... | Major Domo | |
| Robert Pine | ... | Apprentice | |
| Jerry Fogel | ... | Apprentice | |
| Dennis Dugan | ... | Apprentice | |
| David Ladd | ... | Apprentice | |
| Bob Holt | ... | Tour Guide | |
| Paul Jabara | ... | Nightclub Entertainer | |
| Queenie Smith | ... | Palsied Lady | |
| Margaret Jenkins | ... | Choral Director | |
| Jonathan Kidd | ... | Undertaker | |
| Kenny Solms | ... | Boy in Chapel | |
| Wally K. Berns | ... | Theatre Manager (as Wally Berns) | |
| Bill Baldwin | ... | Announcer at Premiere | |
| Dick Powell Jr. | ... | Dick Powell | |
| rest of cast listed alphabetically: | |||
| Robert Jon Carlson | ... | Actor (uncredited) | |
| Brent Dunsford | ... | Fan (uncredited) | |
| Arlene Harris | ... | Aging bar customer (uncredited) | |
| Vince Trankina | ... | Looter (uncredited) | |
Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| Nathanael West | (novel) | |
| Waldo Salt | (screenplay) | |
Produced by | |||
| Jerome Hellman | .... | producer | |
| Sheldon Schrager | .... | associate producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Conrad L. Hall | (as Conrad Hall) | ||
Film Editing by | |||
| Jim Clark | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Richard Macdonald | |||
Art Direction by | |||
| John J. Lloyd | (as John Lloyd) | ||
Set Decoration by | |||
| George James Hopkins | (as George Hopkins) | ||
| Rick Simpson | (uncredited) | ||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Del Armstrong | .... | makeup artist | |
| Lynn Del | .... | hair stylist | |
| Graham Meech-Burkestone | .... | hair stylist (as Graham M. Birkstone) | |
| Pascal | .... | hair stylist | |
| Marlene D. Williams | .... | hair stylist (as Marlene Williams) | |
| Michael Hancock | .... | makeup artist (uncredited) | |
Production Management | |||
| Sheldon Schrager | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Arne Schmidt | .... | second assistant director (as Arnie Schmidt) | |
| Barry Stern | .... | second assistant director | |
| Charles Ziarko | .... | second assistant director | |
| Tim Zinnemann | .... | assistant director | |
Art Department | |||
| Allan Gordon | .... | property master | |
| Adam John Backauskas | .... | property maker (uncredited) | |
| Gary Fettis | .... | carpenter (uncredited) | |
| L. David Gordon | .... | draper (uncredited) | |
| Carl Hansen | .... | leadman (uncredited) | |
| Roger Irvin | .... | construction foreman (uncredited) | |
| Robert Krume | .... | construction coordinator (uncredited) | |
| Johnny Lattanzio | .... | stand-by painter (uncredited) | |
| James F. McGuire | .... | set designer (uncredited) | |
| Harold Michelson | .... | illustrator (uncredited) | |
| Dean Edward Mitzner | .... | set designer (uncredited) | |
| Gary Myers | .... | set designer (uncredited) | |
| Ernie Sawyers | .... | assistant props (uncredited) | |
| Rick Simpson | .... | leadman (uncredited) | |
| Bill Sully | .... | assistant art director (uncredited) | |
| Sig Tingloff | .... | set designer (uncredited) | |
| J. Dennis Washington | .... | set designer (uncredited) | |
| Ward Welton | .... | paint foreman (uncredited) | |
Sound Department | |||
| David Campling | .... | sound editor | |
| Gerry Humphreys | .... | sound mixer | |
| Dennis Johns | .... | sound assistant | |
| Tom Overton | .... | sound recordist (as Tommy Overton) | |
| Tennyson | .... | sound assistant | |
Special Effects by | |||
| Tim Smyth | .... | special effects | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
Stunts | |||
| Phil Adams | .... | stunt coordinator | |
| Jeannie Epper | .... | stunts (uncredited) | |
| James M. Halty | .... | stunts (uncredited) | |
| Tommy J. Huff | .... | stunts (uncredited) | |
| Gene LeBell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Robert Edesa | .... | assistant camera | |
| Dave Friedman | .... | unit still photographer (as David Friedman) | |
| Daniel R. Jordan | .... | key grip (as Danny Jordan) | |
| Thomas Laughridge | .... | camera operator (as Tom Laughridge) | |
| Rick Martens | .... | gaffer (as Richard Martens) | |
| Danny Marzolo | .... | best boy | |
| Ronald Vidor | .... | assistant camera (as Ron Vidor) | |
| Thomas Del Ruth | .... | camera operator (uncredited) | |
| Don Farnsworth | .... | second grip (uncredited) | |
| Robert Jason | .... | electrician (uncredited) | |
| Robert Moore | .... | dolly grip (uncredited) | |
Casting Department | |||
| Dianne Crittenden | .... | additional casting (as Diane Crittenden) | |
Costume and Wardrobe Department | |||
| Robert De Mora | .... | wardrobe (as Robert de Mora) | |
| G. Tony Scarano | .... | wardrobe (as Tony Scarano) | |
| Patrick Cummings | .... | wardrobe (uncredited) | |
| Alan Hoffman | .... | wardrobe (uncredited) | |
| Carol Lunsford | .... | wardrobe (uncredited) | |
| Donna Roberts | .... | wardrobe (uncredited) | |
| Bill Slattery | .... | wardrobe (uncredited) | |
| Don Vargas | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Don Beckwith | .... | assistant editor | |
| Christopher Greenbury | .... | assistant editor | |
| Mary Kessel | .... | assistant editor | |
| Barry McCormick | .... | assistant editor | |
| Donald Freeman | .... | final colorist (uncredited) | |
| Alan L. Shefland | .... | assistant editor (uncredited) | |
Music Department | |||
| John Barry | .... | conductor | |
| Robert O. Ragland | .... | composer: additional music | |
Transportation Department | |||
| Eddie Baken | .... | driver (uncredited) | |
| John Brumby | .... | driver (uncredited) | |
| Jerry Cipperly | .... | transportation co-captain (uncredited) | |
| Alan Falco | .... | driver (uncredited) | |
| Bill Gray | .... | driver (uncredited) | |
| Ed Heboian | .... | driver (uncredited) | |
| Ben Reade | .... | driver (uncredited) | |
| Jean Spray | .... | driver (uncredited) | |
| James Thornsberry | .... | transportation captain (uncredited) | |
| Dennis Yank | .... | driver (uncredited) | |
Other crew | |||
| Marge Champion | .... | dance supervisor | |
| Michael Childers | .... | production associate | |
| Karen Hale Wookey | .... | script supervisor (as Karen Wookey) | |
| Michael Maslansky | .... | unit publicist | |
| Dan Perri | .... | title designer | |
| Ronald Shedlo | .... | presenter | |
| Bruce Weintraub | .... | production assistant | |
| Harry Winer | .... | observer: AFI | |
| Noreen Beasley | .... | assistant: Dan Perri (uncredited) | |
| Sam Bernstein | .... | controller (uncredited) | |
| Melissa Clark | .... | secretary to producer (uncredited) | |
| Charles W. Geiger | .... | location manager (uncredited) | |
| Joanie Laine | .... | accounting clerk (uncredited) | |
| Ruben Martinez | .... | craft service (uncredited) | |
| Jane Raglan | .... | secretary to director (uncredited) | |
| Barbara Spitz | .... | production secretary (uncredited) | |
| Joanne W. Strangman | .... | teacher (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
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I don't quite understand the comments from the viewers who found this film boring. I've been lucky enough to see it on the big screen several times at revival houses, and each time I was blown away. Day of the Locust is a dark, compelling, amusing, bitter epic that's really more about America itself as filtered through the lens of Hollywood at its first creative height, in the 1930s.
What makes the movie, beyond the writing and direction, is its cast, and many of the supporting actors here create indelible characters. Why Karen Black didn't remain a superstar after this decade is a mystery, especially after this film -- in which she proves that she could act the hell out of a role. And how can you not like a film in which Billy Barty plays a foul-mouthed alcoholic (the first character we meet in the book), Burgess Meredith is a hapless door-to-door salesman, Natalie "Lovey" Shafer is the madam of a high-class whorehouse in San Bernardino, and Donald Sutherland is the repressed Homer ("No Relation") Simpson, an accountant who's so alienated from his own feelings that he's reduced to howling in despair in his own garden. And, in fact, Sutherland's character is involved in one of the film's most harrowing moments, which features a young Jackie Earle Haley as a promising child star of indeterminate gender but infinite obnoxiousness.
Anyway, if you have a chance to catch this film on the big screen, by all means do so, and be sure to add the DVD to your collection -- although, since we're coming up on the 30th anniversary, it's just possible that Paramount Home Video might decide to give it the deluxe treatment it deserves. Frankenheimer, et al, manage to take a brilliant novella by Nathaniel West and turn it into an amazing piece of cinema that will stick with you long after the lights go up. And, as an added bonus, you can just enjoy it as a great story, or delve deeply into the symbolism. This is the kind of film that works both ways, and one that you cannot miss if you consider yourself any kind of film fan at all, at all.