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Storyline
Life's flotsam and jetsam turn up at late 1930's Holloywoodland's door, once more, in this insightful tale of wannabes and desperadoes. Tod Hackett, artist, has inspirations to become noticed until he meets Faye Greener, blonde bombshell, and is immediately smitten. She has other ideas. She has Homer Simpson, victim, in her sights and cruelty and loneliness takes new meaning as all three are slowly sucked into the Hollywood system of sycophants, liggers and parasites, sucking the life from others as the life, and soul, is slowly sucked from them. Written by
Cinema_Fan
Plot Summary
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Plot Synopsis
Taglines:
By train. By car. By bus. They came to Hollywood... In search of a dream.
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Did You Know?
Goofs
In the first few minutes of the movie there is a drive up a road to the Hollywoodland sign. The road ends at a sightseeing/tourist spot and parking area at the foot of the "H." In reality the road passes behind the sign and above it on the hill. The hillside at the "H" is too steep for a road/parking area and there are no traces of one ever having been there.
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Quotes
[
first lines]
Mrs. Odlesh:
It isn't as splashy as some other places, but we pride ourselves on being a little classier.
Tod Hackett:
[
referring to a large crack in the plaster wall]
Hmmm, the crack's real.
Mrs. Odlesh:
Oh yes. We call this our earthquake cottage. Mrs. Porter had occupancy then. During the big one in '33. Property damage ran into the millions.
Tod Hackett:
Will you fix it if I stayed for a while?
Mrs. Odlesh:
Oh no! No! This is our showplace. Mrs. Porter wouldn't let us touch that wall. She worked that sampler herself to cover over the hole. ...
[...]
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Connections
Referenced in
Ellie Parker (2005)
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Soundtracks
"BRAHMS' FELDEINSAMKEIT OPUS 86 No. 2"
Sung by
Lotte Lehmann
Courtesy of RCA Records
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Many critics consider The Day of the Locust by Nathaniel West to be the best novel ever written about Hollywood. The screen version directed by John Schlesinger and written by Waldo Salt is one of the most faithful adaptations of a book to film ever made. Initially overlooked upon it's release in 1974 (to mixed reviews), it has since developed a huge cult following and is now considered to be a forgotten masterpiece of 70's cinema.
It tells the story of Todd Hackett who comes to Hollywood in the 1930's (but it might as well take place in the present) hoping for a career in set design, he soon finds that the road to success in the film industry is a difficult one and his journey takes a downward spiral as he falls in with the users and abusers of Hollywood, the desperate, disillusioned souls who, consumed by boredom and their own emptiness, search out any abnormality in their insatiable lust for excitement - drugs, perversion, crime.
Aside from top-notch direction, the film contains gorgeous (Oscar nominated) cinematography by Conrad Hall, a haunting score by John Barry, authentic period costume and art design, and outstanding performances from the entire cast. Notably: William Atherton as Todd, Karen Black (her finest role) as Faye Greener, a selfish, wannabe actress and extra, Burgess Meredith (also Oscar nominated) as her alcoholic father and former vaudeville star, and an almost unrecognizable Donald Sutherland as the sensitive, socially retarded misfit who is torn apart by those around him and triggers the films much talked about finale.
One thing is for certain, anyone who has seen the last 20 minutes of this disturbing film will never forget it. A must-see for film students, art directors, and anyone interested in the "golden" years of Hollywood.
Related reading:
Hollywood Babylon by Kenneth Anger
Play it as it Lays by Joan Didion
Less than Zero by Brett Easton Ellis