| Photos (see all 4 | slideshow) |
| Trina Parks | ... | Syreena | |
| Edna Richardson | ... | Carmen | |
| Bettye Sweet | ... | Miranda | |
| Shirley Washington | ... | Theda | |
| Roger E. Mosley | ... | Mellow | |
| Christopher Joy | ... | Wired | |
| Stan Shaw | ... | Raunchy | |
| Otis Day | ... | V.D. (as DeWayne Jesse) | |
| Norman Bartold | ... | Commander Cross | |
| Charles Knapp | ... | Officer Tubbins | |
| Edward Marshall | ... | Officer Emmo | |
| Dick Miller | ... | Officer Hugo | |
| Milt Kogan | ... | Officer Babel | |
| Gene Simms | ... | Flash | |
| Sam Laws | ... | Philo Rasberry | |
| Frankie Crocker | ... | Stuff | |
| Della Thomas | ... | Lixie | |
| Ed Bakey | ... | Reverend S. Tilly | |
| Fuddle Bagley | ... | Casabah Volt | |
| Frances E. Nealy | ... | Cinderella (as Frances Nealy) | |
| Barbara Morrison | ... | Mrs. Parasol | |
| Raymond Allen | ... | Six Bits | |
| Charles Woolf | ... | Inspector Fallow | |
| Alvin Childress | ... | Bo | |
| Zara Cully | ... | Lorelai | |
| Oaky Miller and Company | ... | The Minstrels | |
| rest of cast listed alphabetically: | |||
| John Gary Williams | |||
| The Dramatics | ... | Jail Inmates (uncredited) | |
| Oaky Miller | ... | Minstrel (uncredited) | |
Directed by | |||
| William Witney | |||
Writing credits | ||
| George Armitage | (screenplay) | |
Produced by | |||
| Gene Corman | .... | producer | |
Cinematography by | |||
| João Fernandes | (director of photography) (as Joao Fernandes) | ||
Film Editing by | |||
| Morton Tubor | |||
Production Design by | |||
| Jack Fisk | |||
Art Direction by | |||
| Peter Jamison | |||
Costume Design by | |||
| Michael Nicola | |||
Production Management | |||
| Jack Bohrer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Frank Beetson | .... | assistant director | |
Art Department | |||
| Michael Katz | .... | carpenter (uncredited) | |
Sound Department | |||
| Don Lusby | .... | sound | |
| William B. Kaplan | .... | sound mixer (uncredited) | |
| Sharron Miller | .... | sound editor (uncredited) | |
Stunts | |||
| Paul Nuckles | .... | stunt coordinator | |
| Jesse Wayne | .... | stunts (uncredited) | |
Other crew | |||
| Barbara Pieters | .... | production secretary | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
Directed by William Witney and written by George Armitage, Darktown Strutters is quite simply, the forerunner to I'M GONNA GIT YOU SUCKA! It is slapstick comedy that was seen on a bigger budget in BLAZING SADDLES, but because of the storyline it was quite ahead of its time. The Darktown Strutters, a group of female bikers, come into Watts, where Syreena(fearless leader of the quartet) is looking for her mother. In the middle of it all, a racist, fast food magnate is plotting to manipulate the Black community for his own intentions. Highly stylized, and fast-paced, what makes Darktown Strutters so silly is its contemporary take on urban America and racism. Modern issues such as abortion, fast food chains, cloning, police brutality, and racism are interwoven quite effectively. The villain of the piece, one Colonel Louisville Cross, made his millions as owner of the Sky Hog fast food chain: where the pork ribs are bonesuckin' good! It is a very amusing spin on the benevolent image of the dearly departed Colonel Sanders(of KFC fame), who walked the earth when this film was released. It's also funny how they avoided copyright infringement by replacing fried chicken with pork: the other white meat. It's also funny to see Syreena's contempt for the Colonel the minute she sees him. It's easy to see why the movie is overlooked. During that period, I really don't think Black Americans were in the mood for such comedies, especially when the Blaxploitation era was full of hardcore action flicks. I think too many viewers on the IMDB, who have seen this, just don't get some of the jokes. If you were around during that time, and/or if you are of African American descent, you will get a lot of the comedy on display. To compare this to Car Wash makes no sense. And it is not as weird as people make it out to be. As I said earlier, it was simply ahead of its time.