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Cornbread, Earl and Me (1975)
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Overview
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He Had the Lightest Touch in a Heavy Town. more
Plot:
A 12-year-old is traumatised by the murder of his friend, a star basketball player. full summary | add synopsis
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a sharply mixed bag
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Cast
(Cast overview, first billed only)| Moses Gunn | ... | Benjamin Blackwell | |
| Rosalind Cash | ... | Sarah Robinson | |
| Bernie Casey | ... | Officer Larry Atkins | |
| Madge Sinclair | ... | Leona Hamilton | |
| Jamaal Wilkes | ... | Nathaniel 'Cornbread' Hamilton (as Keith Wilkes) | |
| Stefan Gierasch | ... | Sgt. Danaher | |
| Charles Lampkin | ... | Fred Jenkins | |
| Vince Martorano | ... | Officer John Golich | |
| Logan Ramsey | ... | Deputy Coroner | |
| Thalmus Rasulala | ... | Charlie | |
| Antonio Fargas | ... | One-Eye | |
| Laurence Fishburne | ... | Wilford Robinson (as Laurence Fishburne III) | |
| Stack Pierce | ... | Sam Hamilton | |
| Tierre Turner | ... | Earl Carter | |
| Bill Henderson | ... | Watkins |
Additional Details
Also Known As:
Hit the Open Man
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Runtime:
95 min
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1.85 : 1 more
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Fun Stuff
Trivia:
Laurence Fishburne's film debut. He is credited as Laurence Fishburne III.
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Movie Connections:
Referenced in Cry of the City Part 1: The Legend of Cornbread (2007) (V)
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This FAQ is empty. Add the first question.more (11 total)
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Discuss this movie with other users on IMDb message board for Cornbread, Earl and Me (1975)| Recent Posts (updated daily) | User |
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| Laurence Fishburne | chevyt454 |
| Ripoff? | mrdeadhead7 |
Recommendations
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The film does have a moderately intriguing mesage about polkice brutality and political corruption being obscenely hoisted upon African American communities in the urban United States. That said, the film is horribly dated, and elements of it are unnacceptable by today's standards. I mean the slain icon's name is Cornbread for Pete's sake!!! Where wre his cohorts Fried Chicken and Watermelon? Moreover, the societal corruption is presented in a way that makes us feel sad and powerless rather than angry and indignant. This is really a product of the early seventies Blaxploitation genre that would be utterly offensive by today's standards were it not for the still relevant and timely subject matter of the film. Worthwhile viewing for those who can differentiate between the message and the overdone elements. I fear, however, that the film's excess could leave white biggots laughing at the maudlin African American stereotypes on parade rather than addressing the political concerns of the film at all.