| Anthony Sharp | ... | Father Xavier Meldrum | |
| Susan Penhaligon | ... | Jenny Welch | |
| Stephanie Beacham | ... | Vanessa Welch | |
| Norman Eshley | ... | Father Bernard Cutler | |
| Sheila Keith | ... | Miss Brabazon | |
| Hilda Barry | ... | Mrs. Meldrum | |
| Stewart Bevan | ... | Terry Wyatt (as Stuart Bevan) | |
| Julia McCarthy | ... | Mrs. Davey | |
| Jon Yule | ... | Robert | |
| Bill Kerr | ... | Mr. Davey | |
| Victor Winding | ... | Dr. Gaudio | |
| Jack Allen | ... | GP | |
| Kim Butcher | ... | Valerie Davey | |
| Ivor Salter | ... | Gravedigger | |
| Andrew Sachs | ... | Man in Church | |
| Jane Hayward | ... | Nurse | |
| Mervyn Johns | ... | Father Duggan | |
| rest of cast listed alphabetically: | |||
| Melinda Clancy | ... | Girl at Presbytery (uncredited) | |
| David Corti | ... | Altar Boy (uncredited) | |
| Anthony Hennessey | ... | Policeman (uncredited) | |
| Austin King | ... | Boy at Presbytery (uncredited) | |
| Nicholas Power | ... | Altar Boy (uncredited) | |
Directed by | |||
| Pete Walker | |||
Writing credits(in alphabetical order) | ||
| David McGillivray | ||
| Pete Walker | ||
Produced by | |||
| Pete Walker | .... | producer | |
Original Music by | |||
| Stanley Myers | |||
Cinematography by | |||
| Peter Jessop | |||
Film Editing by | |||
| John Black | |||
Art Direction by | |||
| Chris Burke | |||
Makeup Department | |||
| George Partleton | .... | makeup supervisor | |
| Pearl Rashbass | .... | makeup artist | |
Production Management | |||
| Robert Fennell | .... | production manager | |
| Matt McCarthy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| James Hamilton | .... | second assistant director | |
| Brian Lawrence | .... | first assistant director | |
Sound Department | |||
| Tony Anscombe | .... | dubbing mixer | |
| Chris Munro | .... | boom operator | |
| Peter O'Connor | .... | sound recordist | |
| Alan Brett | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Colin Bucksey | .... | follow focus | |
| Ted Davis | .... | gaffer | |
| Tony Imi | .... | additional photography | |
| John Metcalfe | .... | camera operator | |
| Peter Sinclair | .... | camera operator | |
| John Simmons | .... | camera assistant (uncredited) | |
| Ray Snooks | .... | second electrician (uncredited) | |
Music Department | |||
| Stanley Myers | .... | conductor | |
Other crew | |||
| Leigh Taylor | .... | production secretary | |
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| Alice Sweet Alice | Who Saw Her Die? | The Four Musketeers: Milady's Revenge | The Name of the Rose | Matador |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Tense, horrible, and funny at the same time, made without frills, for both practical and aesthetic reasons, this is my favorite of Pete Walker's trilogy because it is the strongest-centered, in the characters of the priest and his main victim (the actors have a lot to do with this). It's a study in how to generate suspense with a minimum of resources. Rather than a would-be giallo, I'd identify it as an updating of 19th-century melodrama. The director plainly worked best on minuscule budgets, using them to maximum effect, but he couldn't entirely disguise their restrictions (e.g., where is everybody? don't these people ever go anywhere?).