A lawyer finds out that a young couple convicted of murder was in fact framed for the crime and goes to the prison with the hope of freeing them and learns the events that happened to the two from a fellow prisoner who helped them escape.
Susan arrives in Haiti to live with her husband Jack, who lives with a lesbian housekeeper and Olga, a nymphomaniac platinum blonde, introduced to her as Jack's sister. Susan begins to have... See full summary »
New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
Countess Edna Luise Von Stein keeps her disturbed sister Milly prisoner. Confined to her bed, Milly suffers from a deep sexual trauma resulting from being raped as a child by a muscular ... See full summary »
A young woman is hired to care for an elderly man who lives on an island off the Greek coast. When she arrives there the man warns her that his daughters are evil and dangerous. The woman ... See full summary »
There are several different edits of this movie and if the version you happen to view does not last for 90 minutes, then it is not the definite version. The original version does not start with the night club act but with a lengthy prologue where Lina Romay, writhing on a bed, talks at length to the camera/spectators, saying that she hopes we'll like her and if the movie becomes successful, she'll be signed for three more movies, etc., etc. Several times during the course of the movie, she also turns towards the camera during the action and addresses the spectators, commenting on the action. At one point, Franco himself, who also acts in the movie, does the same. The plot of the movie is thread-bare and has got to with a stripper and escort girl at a night club, Romay's character, involuntarily getting involved with a bunch of spies. There are loads of fairly explicit sex scenes. The humor may appeal to some and not to some, but the movie is interesting, if not for anything, for the deliberately Brechtian interludes.
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