| Photos (see all 16 | slideshow) |
| John Wayne | ... | Lt. Jim Brannigan | |
| Richard Attenborough | ... | Cmdr. Charles Swann | |
| Judy Geeson | ... | DS Jennifer Thatcher | |
| Mel Ferrer | ... | Mel Fields | |
| John Vernon | ... | Ben Larkin | |
| Daniel Pilon | ... | John Gorman | |
| John Stride | ... | Insp. Michael Traven | |
| James Booth | ... | Charlie-the-Handle | |
| Arthur Batanides | ... | Angell | |
| Ralph Meeker | ... | Capt. Moretti | |
| Barry Dennen | ... | Julian | |
| Lesley-Anne Down | ... | Luana (as Lesley Anne Down) | |
| Pauline Delaney | ... | Mrs. Cooper (as Pauline Delany) | |
| Del Henney | ... | Drexel | |
| Brian Glover | ... | Jimmy-the-Bet | |
| Janette Legge | |||
| Stewart Bevan | ... | Alex | |
| Anthony Booth | ... | Freddy | |
| Tony Robinson | ... | Motorcycle Courier | |
| Don Henderson | ... | Geef | |
| Kathryn Leigh Scott | ... | Miss Allen | |
| Enid Jaynes | |||
| rest of cast listed alphabetically: | |||
| Tim Barlow | ... | Customs Inspector (uncredited) | |
| Mike Crane | ... | Boyle (uncredited) | |
| Alf Joint | ... | Man in Bar (uncredited) | |
| Steve Kelly | ... | Gates (uncredited) | |
| Raymond Mason | ... | Club Clerk (uncredited) | |
| Charles Pemberton | ... | Arthur (uncredited) | |
| Peter Porteous | ... | Masseur (uncredited) | |
| Nosher Powell | ... | Man in Bar (uncredited) | |
Directed by | |||
| Douglas Hickox | |||
Writing credits | ||
| Christopher Trumbo | (screenplay) and | |
| Michael Butler | (screenplay) and | |
| William P. McGivern | (screenplay) and | |
| William W. Norton | (screenplay) (as William Norton) | |
| Christopher Trumbo | (story) and | |
| Michael Butler | (story) | |
Produced by | |||
| Arthur Gardner | .... | producer | |
| Jules V. Levy | .... | producer | |
| Michael Wayne | .... | executive producer | |
Original Music by | |||
| Dominic Frontiere | |||
Cinematography by | |||
| Gerry Fisher | (director of photography) | ||
Film Editing by | |||
| Malcolm Cooke | |||
Casting by | |||
| Miriam Brickman | |||
Art Direction by | |||
| Ted Marshall | |||
Costume Design by | |||
| Emma Porteus | (as Emma Porteous) | ||
Makeup Department | |||
| Alan Brownie | .... | makeup artist | |
| Dave Grayson | .... | makeup artist | |
| Jan Dorman | .... | hair stylist (uncredited) | |
Production Management | |||
| Geoffrey Haine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ted Sturgis | .... | assistant director | |
| Bill Westley | .... | second assistant director (uncredited) | |
Art Department | |||
| Josie MacAvin | .... | set dresser | |
Sound Department | |||
| Gerry Humphreys | .... | dubbing mixer (as Gerry Humphries) | |
| Simon Kaye | .... | sound | |
| Les Wiggins | .... | dubbing editor | |
Special Effects by | |||
| Steve Hamilton | .... | special effects technician (uncredited) | |
Stunts | |||
| Peter Brayham | .... | stunt coordinator | |
| Jack Cooper | .... | stunt driver (uncredited) | |
| Steve Emerson | .... | stunts (uncredited) | |
| Alf Joint | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Freddie Cooper | .... | camera operator | |
| Ray Potter | .... | best boy (uncredited) | |
| Laurie Shane | .... | gaffer (uncredited) | |
Editorial Department | |||
| Chris Kelly | .... | assistant editor (uncredited) | |
Music Department | |||
| Dan Wallin | .... | score mixer (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Arthur Gardner | .... | presenter | |
| Jules V. Levy | .... | presenter (as Jules Levy) | |
| Robert L. Levy | .... | production assistant (as Robert Levy) | |
| Sara Romilly | .... | assistant to producers | |
| Arnold Ross | .... | location manager | |
| Michael Wayne | .... | presenter | |
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| Bunny Lake Is Missing | Woman in Distress | Jack the Ripper | Sweeney! | Gideon's Day |
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By the mid 1970s the western film had really become a thing of the past. The action heroes by that time were police of all different kinds of character. Clint Eastwood had sure proved that with the success of the Dirty Harry Films. In fact by the time Brannigan came out, Eastwood had two of them already done.
I suspect that John Wayne was also looking for modern stories for reasons of health. Those western locations were and are pretty rugged. Wayne was 68 when this was done and playing a man in his fifties. He also had only one working lung in those last dozens years of work after the cancer operation of 1964.
So in Brannigan Wayne makes a more successful transition from his western character to a modern policeman than he did in McQ. He's from the Chicago PD and in London to pick up gangster John Vernon who's skipped bail. An assignment that the San Francisco PD surely would have sent Harry Callahan on.
Vernon is not only not in custody with Scotland Yard, but he's been kidnapped and is being held for ransom. Vernon's lawyer Mel Ferrer arrives from Chicago to pay the ransom.
It's a merry chase from then on and while the ending is no kind of surprise the film is a lot of fun.
Richard Attenborough makes an effective British foil for Wayne's all American hero. And Judy Geeson who first became noticed by movie fans as a student in Sidney Poitier's class in Two Sir With Love, plays Wayne's driver and confidante as a police sergeant. The two of them have a marvelous father/daughter like chemistry.
Wayne films are not complete unless there is a fight scene. In this case a London pub is busted up like a frontier saloon in a scene reminiscent of The War Wagon. It's sort of out of place though in a modern film.
And the climax is a homage to Dirty Harry. Dare I say it, but I'm still wondering why Eastwood's Malpaso Productions didn't sue the Duke's Batjac company for that scene which is ripped off from Magnum Force.
Probably because Clint liked the homage.