Jim Brannigan is sent to London to bring back an American mobster who is being held for extradition but when he arrives he has been kidnapped which was set up by his lawyer. Brannigan in ... See full summary »
FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
The McCandles ranch is run over by a gang of cutthroats led by the evil John Fain. They kidnap little Jacob McCandles and hold him for a million dollar ransom. There is only one man who is ... See full summary »
Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
A company of British soldiers in colonial India is shaken when the widow of their most honored hero is assaulted. A young officer must defend a fellow lieutenant from the charges in an ... See full summary »
Jim Brannigan is sent to London to bring back an American mobster who is being held for extradition but when he arrives he has been kidnapped which was set up by his lawyer. Brannigan in his American Irish way brings American law to the people of Scotland Yard in order to recapture this mobster with both A price tag on his head and a stuffy old London cop to contend with. Written by
Christopher D. Ryan <firstname.lastname@example.org>
The production was difficult for John Wayne since he had heart problems and had just recovered from a severe bout of pneumonia. See more »
When Brannigan shoots the gunman driving the Jaguar at him in the head at the end, the driver puts his hand to his head and a lot of blood pours out all over him, yet a split second later as the car goes by Brannigan, the driver does not have his hand on his head nor is there any blood on his head. See more »
[Larkin employed Gorman the hitman to plant a bomb in Brannigan's flat. It has just gone off, blowing a hole in the wall through which the Albert Memorial is visible]
Larkin paid twenty-five grand to get me that view.
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Several of the actors who played minor parts are listed by actor's name in the opening titles but are not listed by actor's name and character's name in the closing credits. See more »
By the mid 1970s the western film had really become a thing of the past. The action heroes by that time were police of all different kinds of character. Clint Eastwood had sure proved that with the success of the Dirty Harry Films. In fact by the time Brannigan came out, Eastwood had two of them already done.
I suspect that John Wayne was also looking for modern stories for reasons of health. Those western locations were and are pretty rugged. Wayne was 68 when this was done and playing a man in his fifties. He also had only one working lung in those last dozens years of work after the cancer operation of 1964.
So in Brannigan Wayne makes a more successful transition from his western character to a modern policeman than he did in McQ. He's from the Chicago PD and in London to pick up gangster John Vernon who's skipped bail. An assignment that the San Francisco PD surely would have sent Harry Callahan on.
Vernon is not only not in custody with Scotland Yard, but he's been kidnapped and is being held for ransom. Vernon's lawyer Mel Ferrer arrives from Chicago to pay the ransom.
It's a merry chase from then on and while the ending is no kind of surprise the film is a lot of fun.
Richard Attenborough makes an effective British foil for Wayne's all American hero. And Judy Geeson who first became noticed by movie fans as a student in Sidney Poitier's class in Two Sir With Love, plays Wayne's driver and confidante as a police sergeant. The two of them have a marvelous father/daughter like chemistry.
Wayne films are not complete unless there is a fight scene. In this case a London pub is busted up like a frontier saloon in a scene reminiscent of The War Wagon. It's sort of out of place though in a modern film.
And the climax is a homage to Dirty Harry. Dare I say it, but I'm still wondering why Eastwood's Malpaso Productions didn't sue the Duke's Batjac company for that scene which is ripped off from Magnum Force.
Probably because Clint liked the homage.
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