| Fred Williamson | ... | Boss Nigger | |
| D'Urville Martin | ... | Amos | |
| William Smith | ... | Jed Clayton | |
| R.G. Armstrong | ... | Mayor Griffin | |
| Don 'Red' Barry | (as Don Red Barry) | ||
| Barbara Leigh | ... | Miss Pruitt | |
| Carmen Hayward | ... | Clara Mae (as Carmen Hayworth) | |
| Carmen Zapata | ... | Margarita | |
| Bruce Gordon | ... | Storekeeper | |
| Ben Zeller | ... | Blacksmith | |
| Sonny Robbins | ... | Bad Foot | |
| Don Hayes | ... | Park | |
| Jonathan Bahnks | ... | Drunk | |
| Sonny Cooper | ... | Wash Lady | |
| Phil Mead | ... | Mayor's Man | |
| Harry Luck | ... | Uppity Man | |
| Elizabeth Saxon | ... | Uppity Wife | |
| Paul Barby | ... | Waiter | |
| Luke Jones | ... | Dan | |
| Don Hawn | ... | Paul | |
| Paul Conlan | ... | Todd | |
| Mark Brito | ... | Pancho | |
| Joe Alfasa | ... | Pedro | |
| Lou Brito | ... | Pedro's Wife | |
| Kip Allen | ... | Clerk | |
| Jackson D. Kane | ... | Outlaw (as Jackson Kane) | |
| Hardy Phelps | ... | Outlaw | |
| Michael Eiland | ... | Outlaw (as Mike Eiland) | |
| Dickson Newberry | ... | Outlaw | |
| Leo Petrie | ... | Outlaw | |
| Wayne Waterhouse | ... | Outlaw | |
| George Oja | ... | Outlaw | |
| Otis Lewellen | ... | Outlaw | |
| Joe Kurtzo | ... | Outlaw | |
| V. Phipps-Wilson | ... | Bubbles |
Directed by | |||
| Jack Arnold | |||
Writing credits | ||
| Fred Williamson | (written by) | |
Produced by | |||
| Jack Arnold | .... | producer | |
| Don Call | .... | executive producer | |
| Dwight Call | .... | executive producer | |
| Myrl A. Schreibman | .... | associate producer | |
| Fred Williamson | .... | producer | |
| Lee B. Winkler | .... | executive producer (as Lee Winkler) | |
Original Music by | |||
| Leon Moore | |||
Cinematography by | |||
| Robert Caramico | (director of photography) (as Bob Caramico) | ||
Film Editing by | |||
| Eva Ruggiero | |||
| Gene Ruggiero | |||
Production Management | |||
| Nat Holt Jr. | .... | unit manager (as Nat Holt) | |
Second Unit Director or Assistant Director | |||
| Nat Holt Jr. | .... | assistant director (as Nat Holt) | |
Art Department | |||
| Robert E. Reed | .... | property | |
| Robert E. Reed | .... | set dresser | |
Sound Department | |||
| Norval D. Crutcher | .... | sound effects (as Norval Crutcher) | |
| Ted Gomillion | .... | sound re-recordist | |
| Donald C. Rogers | .... | sound mixer (uncredited) | |
Special Effects by | |||
| Jack DeBron | .... | special effects (as Jack De Brun) | |
Stunts | |||
| Raleigh Gardenhire | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Christine M. Loss | .... | still photographer (as Christine Loos) | |
Music Department | |||
| Mike Terry | .... | orchestrator | |
Other crew | |||
| Roger Flemming | .... | location manager | |
| Chris Myrle | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
Two black cowboys ride majestically across the American plain. The music is a kind of funk-Morricone, with a singer enthusiastically explaining that "They call him Boss. BOSS N*GGER!" A black woman is being assaulted by a group of white cowboys, our black heroes intervene and save this damsel in distress.
A blaxploitation Western was bound to happen eventually, and its a good thing Fred Williamson got there first. What Boss N*gger lacks in technical proficiency and skill it makes up for in heart and soul. The music is funktacular, especially the catchy theme tune, and the acting from our heroes is wonderful. Boss N*gger also boasts some very funny lines, such as Boss kissing a white woman, before going, "that's just to satisfy your curiosity."
It's slow at parts, but the idea of two black bounty hunters coming to a white town and setting their own rules is appealing, and the film pulls it off. There are also some great shootouts, especially the finale, which is really quite exhilarating, and features a remarkable, almost downbeat ending. This film is by no means a masterpiece, but it is one of the best blaxploitation films I've seen, and an admirable effort on a small budget.