| Photos (see all 3 | slideshow) |
| Cathryn Harrison | ... | Lily | |
| Therese Giehse | ... | Old Lady (as Thérèse Giehse) | |
| Alexandra Stewart | ... | Sister Lily | |
| Joe Dallesandro | ... | Brother Lily |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Louis Malle | (written by) | |
| Joyce Buñuel | (collaboration: dialogue) (as Joyce Bunuel) | |
Produced by | |||
| Claude Nejar | .... | producer | |
Cinematography by | |||
| Sven Nykvist | (director of photography) | ||
Film Editing by | |||
| Suzanne Baron | |||
Production Design by | |||
| Ghislain Uhry | |||
Production Management | |||
| Paul Maigret | .... | production manager | |
| Roland Thénot | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Fernand Moszkowicz | .... | assistant director | |
Art Department | |||
| Ferracci | .... | poster design (uncredited) | |
Sound Department | |||
| Michèle Collison | .... | post-synchronisation assistant | |
| Nara Kollery | .... | sound recordist (as Nora Kolery) | |
| Jacques Lévy | .... | post synchronization | |
| Jacques Maumont | .... | sound mixer | |
| Luc Perini | .... | sound designer: dream sequence | |
Special Effects by | |||
| Pierre Roudeix | .... | special effects | |
Camera and Electrical Department | |||
| François Catonné | .... | assistant camera | |
| Bruno de Keyzer | .... | assistant camera | |
Editorial Department | |||
| Joëlle Barjolin | .... | assistant editor (as Joelle Barjolin) | |
Music Department | |||
| Les Enfants de la Maîtrise de Radio-France | .... | music collaborator | |
| Sylvia Lindenstrand | .... | music collaborator | |
| Diego Masson | .... | musical director | |
| Anthony Roden | .... | music collaborator | |
Other crew | |||
| François Nadal | .... | consultant: Conseillers Animaliers | |
| Robert Verbecke | .... | consultant: Conseillers Animaliers | |
Thanks | |||
| Therese Giehse | .... | in memory of (as Thérèse Giehse) | |
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| Big Fish | Memoirs of a Survivor | Christiane F. - Wir Kinder vom Bahnhof Zoo | Twin Peaks: Fire Walk with Me | Brazil |
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| Full cast and crew | Company credits | External reviews |
| IMDb Fantasy section | IMDb France section | Add this title to MyMovies |
In the mid-70s when this film was made there was - in the real world - a 'battle of the sexes' with militant feminism in full swing (if not an actual 'war', there was a lot of bruised feelings and anger in the air - witness works of fiction like 'Who needs men?' and 'The Woman's Room'); the student riots of the late 1960s were a fresh memory, as were images of Vietnam (and for British viewers, the latest IRA atrocities). Black Moon may not 'make sense', but it's more understandable as a dream, from beginning to end (forget the idea that any of it is meant to be set 'in the near future'), by a pubescent girl, subconsciously worried by the apparent war between the sexes and disturbed by her budding sexuality (note the juxtaposition of the idealised vision of heterosexual love, presented by music from Wagner's Tristan und Isolde first heard on the car radio, quickly followed by the shocking images of war).
As mentioned elsewhere, this is beautifully filmed, and IMHO captures beautifully the quality of dreams where one event follows another in a 'stream of consciousness' manner (yet with certain obsessive themes), and the dreamer does everything as if it were the most rational thing to do (as one does in a dream). On first viewing I suspected this film to be a rather self-indulgent exercise, but there's a strangely compelling quality about both the narrative and the beauty of the actual cinematography. Highly recommended.