| Photos (See all 10 | slideshow) | Videos (see all 2) |
| Gene Hackman | ... | Sam Clayton | |
| Candice Bergen | ... | Miss Jones | |
| James Coburn | ... | Luke Matthews | |
| Ben Johnson | ... | Mister | |
| Ian Bannen | ... | Sir Harry Norfolk | |
| Jan-Michael Vincent | ... | Carbo | |
| Robert Donner | ... | Reporter | |
| Jean Willes | ... | Rosie | |
| Mario Arteaga | ... | Mexican | |
| Dabney Coleman | ... | Jack Parker | |
| John McLiam | ... | Gebhardt | |
| Robert F. Hoy | ... | Lee Christie (as Robert Hoy) | |
| Jerry Gatlin | ... | The Wood Cutter | |
| Sally Kirkland | ... | Honey | |
| Walter Scott | ... | Steve (as Walter Scott Jr.) | |
| William H. Burton | ... | Billy (as Bill Burton) | |
| Buddy Van Horn | ... | Slim | |
| Joe Brooks | |||
| Lucia Canales | |||
| Darwin Lamb | |||
| rest of cast listed alphabetically: | |||
| Paul Stewart | ... | J.B. Parker (uncredited) | |
Directed by | |||
| Richard Brooks | |||
Writing credits | ||
| Richard Brooks | (written by) | |
Produced by | |||
| Richard Brooks | .... | producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Harry Stradling Jr. | (director of photography) | ||
Film Editing by | |||
| George Grenville | |||
Art Direction by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Set Decoration by | |||
| Bob Signorelli | (as Robert Signorelli) | ||
Makeup Department | |||
| Fred C. Blau Jr. | .... | makeup artist (as Fred Blau) | |
Production Management | |||
| Gene Levy | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Charles Bonniwell | .... | second assistant director | |
| Tom Shaw | .... | assistant director | |
Art Department | |||
| John Alvin | .... | poster artist | |
| Ray Mercer Jr. | .... | property master (as Ray Mercer) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Les Fresholtz | .... | sound re-recordist | |
| Al Overton Jr. | .... | sound | |
| Arthur Piantadosi | .... | sound re-recordist | |
| Kay Rose | .... | sound editor | |
| Richard Tyler | .... | sound re-recordist | |
Special Effects by | |||
| Chuck Gaspar | .... | special effects | |
Stunts | |||
| Mario Arteaga | .... | stunts (uncredited) | |
| William H. Burton | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Robert F. Hoy | .... | stunts (uncredited) | |
| Jimmy Nickerson | .... | stunts (uncredited) | |
| Walter Scott | .... | stunts (uncredited) | |
| Buddy Van Horn | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Clifford Hutchison | .... | chief electrician (as Cliff Hutchinson) | |
| Tom May | .... | key grip | |
| Richard Tim Vanik | .... | camera operator (as Tim Vanik) | |
Casting Department | |||
| Jeanne Swain | .... | casting: New Mexico | |
Costume and Wardrobe Department | |||
| Rita Riggs | .... | wardrobe | |
Editorial Department | |||
| Don Roth | .... | assistant editor | |
| Nancy Sammons | .... | assistant editor | |
Music Department | |||
| Joan Biel | .... | music editor | |
| Hershy Kay | .... | orchestrator | |
Other crew | |||
| John Franco | .... | script supervisor | |
| Al Horwits | .... | public relations | |
| Lee Sollenberger | .... | animal trainer | |
| Rudy Ugland | .... | horses supplier (as Rudy Ugland Jr.) | |
| John Marshall | .... | subtitle script and timing (uncredited) | |
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| Hidalgo | The Professionals | The Treasure of the Sierra Madre | Butch Cassidy and the Sundance Kid | Pat Garrett & Billy the Kid |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
"Bite the Bullet" has a lot to chew on, and boasts a fine cast held firmly under control. Hackman gives his usual unobtrusive acting lesson, Coburn twinkles but not too much, and Bergen gives the first decent acting performance of her career (after Hackman chewed her out for her lack of professional skills and she requested his help).
Questions of greed, competition, teamwork, loyalty, betrayal and humanity are all given a good and non-medicinal airing. There's enough action here for the inert, and enough philosophy for the grownups.
There's been discussion in these reviews of the director's use of slow-motion. Slow motion is not used here to make intellectual points, it is an instrument of emotional expression. When one character in real time passes another in slow motion, it conveys to us how they both feel at that moment, and doesn't need to carry any other freight. As an expressive device, it works.
The question of animal abuse has also come up in these pages. In "Bite the Bullet" the horses are always photographed as heroes, often visually overwhelming their riders. Gene Hackman is shown from the beginning as a fighter of cruelty against animals, and every abuse he witnesses he then tries to remedy. The education of the Jan Michael Vincent character is a case in point.
Furthermore, this picture makes you care about the animals, unlike the traditional offhand Hollywood cruelty. Dozens of horses were killed to make the last reel of the Errol Flynn "Charge of the Light Brigade" and the film itself couldn't care less. You can see trip wires being used wholesale as late as in "Khartoum", and when those horses went down, they broke legs and were immediately shot, not pretend, for real.
Hollywood's excuse has always been that horses are expensive and they don't kill them thoughtlessly. Stunts are performed by circus horses, which presumably don't come to harm. We're told the only horses that get killed are old and already destined for the glue factory. Whether this justifies trip wires or not is up to you, but that's what they say.
"Bite the Bullet" comes off as sensitive and responsible by comparison. This is no snuff film. The Oscar-winning sound design makes you really care when the horses are supposed to be in distress.
A lot worse things happen to the human characters in just about every action-adventure film of the last twenty years. Is the "yuck" factor we're now trying to get used to more or less disgusting?
All in all, "Bite the Bullet" is a worthwhile film with content, humor and beauty. There's thousands of worse ways to spend your time than watching this movie.