Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
The title river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
A Confederate troop, led by Captain Lafe Barstow, is prowling the far ranges of California and Nevada in a last desperate attempt to build up an army in the West for the faltering ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known ... See full summary »
Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - ... See full summary »
At the beginning of the 20th century, a newspaper organizes an endurance horse race : 700 miles to run in a few days. 9 adventurers are competing, among them a woman, Miss Jones, a Mexican, an Englishman, a young cow-boy, an old one and two friends, Sam Clayton and Luke Matthews. All those individualists will learn to respect each other. Written by
Average Shot Length (ASL) = 5.5 seconds See more »
When the horse is being buried in the desert its side is moving with breathing. See more »
I heard your newspaper is running an honest race.
You heard right, Mr. Gebhardt.
Who the hell handicapped this owlhead as the favorite?
The smart money!
That's what we come to get.
See more »
Westerns about the 19th and early 20th century are almost by definition American mythology, but one has the choice of a wide variety of sub-genres. Many are focused on the individuals protecting others from violence, another group centers on the brave pioneers or the abused Native-Americans, and most of the rest expand on a sensationalistic version of the West. Films in this last category include the "Lonesome Dove" series, all the Jesse James/Younger brothers/Billy the Kid/O.K. Corral epics and recent films like "Unforgiven." The common denominator in all these films is some extraordinary circumstance that forces one individual or group of individuals to stand out in some heroic way. The few exceptions are generally family films that tell about daily life and difficulties along the way, but find a way to make you feel good about the world when all is done.
"Bite the Bullet," "Monte Walsh," "Ulzana's Raid," and films like them tell a different story where animals and people suffer, people die for no good reason, and there are no heroes. The emphasis in these films is on telling a true story with all the mundane unpleasantness left intact. "Bite the Bullet" is not a feel-good film, but it does offer a realistic portrayal of an endurance race by choosing an assortment of standard western types and evaluating them through the eyes of one reluctant participant. I can't fault those who criticize the movie cliches in this film, because they are there and they are annoying, but I still admire this film for showing the race itself was a worthless and destructive enterprise for all the casual participants. Considering the support given cliché-driven movies like "Silverado" and sensationalistic extravaganzas like "Lonesome Dove," "Bite the Bullet," in my opinion, deserves a larger audience and a better overall IMDB rating than it has gotten.
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