Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
Matt Calder, who lives on a remote farm with his young son Mark, helps two unexpected visitors who lose control of their raft on the nearby river. Harry Weston is a gambler by profession ... See full summary »
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Alejandro de la Vega (Banderas) -- and his wife, Elena (Zeta-Jones) -- to take action.
A Confederate troop, led by Captain Lafe Barstow, is prowling the far ranges of California and Nevada in a last desperate attempt to build up an army in the West for the faltering ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known ... See full summary »
Audie Murphy is again the kid who puts on a badge to catch the bad guy, skillfully played by Barry Sullivan. On the way back to town the two develop a curiously close relationship - ... See full summary »
At the beginning of the 20th century, a newspaper organizes an endurance horse race : 700 miles to run in a few days. 9 adventurers are competing, among them a woman, Miss Jones, a Mexican, an Englishman, a young cow-boy, an old one and two friends, Sam Clayton and Luke Matthews. All those individualists will learn to respect each other. Written by
While on location in New Mexico in 1974 Paul Stewart suffered a heart attack. See more »
When the horse is being buried in the desert its side is moving with breathing. See more »
I heard your newspaper is running an honest race.
You heard right, Mr. Gebhardt.
Who the hell handicapped this owlhead as the favorite?
The smart money!
That's what we come to get.
See more »
One of the Great '70s Westerns - Re: SlowMo and Animal Cruelty
"Bite the Bullet" has a lot to chew on, and boasts a fine cast held firmly under control. Hackman gives his usual unobtrusive acting lesson, Coburn twinkles but not too much, and Bergen gives the first decent acting performance of her career (after Hackman chewed her out for her lack of professional skills and she requested his help).
Questions of greed, competition, teamwork, loyalty, betrayal and humanity are all given a good and non-medicinal airing. There's enough action here for the inert, and enough philosophy for the grownups.
There's been discussion in these reviews of the director's use of slow-motion. Slow motion is not used here to make intellectual points, it is an instrument of emotional expression. When one character in real time passes another in slow motion, it conveys to us how they both feel at that moment, and doesn't need to carry any other freight. As an expressive device, it works.
The question of animal abuse has also come up in these pages. In "Bite the Bullet" the horses are always photographed as heroes, often visually overwhelming their riders. Gene Hackman is shown from the beginning as a fighter of cruelty against animals, and every abuse he witnesses he then tries to remedy. The education of the Jan Michael Vincent character is a case in point.
Furthermore, this picture makes you care about the animals, unlike the traditional offhand Hollywood cruelty. Dozens of horses were killed to make the last reel of the Errol Flynn "Charge of the Light Brigade" and the film itself couldn't care less. You can see trip wires being used wholesale as late as in "Khartoum", and when those horses went down, they broke legs and were immediately shot, not pretend, for real.
Hollywood's excuse has always been that horses are expensive and they don't kill them thoughtlessly. Stunts are performed by circus horses, which presumably don't come to harm. We're told the only horses that get killed are old and already destined for the glue factory. Whether this justifies trip wires or not is up to you, but that's what they say.
"Bite the Bullet" comes off as sensitive and responsible by comparison. This is no snuff film. The Oscar-winning sound design makes you really care when the horses are supposed to be in distress.
A lot worse things happen to the human characters in just about every action-adventure film of the last twenty years. Is the "yuck" factor we're now trying to get used to more or less disgusting?
All in all, "Bite the Bullet" is a worthwhile film with content, humor and beauty. There's thousands of worse ways to spend your time than watching this movie.
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