In the 19th century, when the Japanese Emperor sends a gift pony to the US President it gets stolen and ransomed by Indians but Sheriff Gideon aided by an inept Japanese servant offers to deliver the ransom.
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In the 19th century, a Japanese delegation arrives in the USA to present the American president with a gift pony from the Japanese Emperor.The Japanese consider the pony to be divine and it is guarded by Japanese Samurai.A tribe of renegade Indians attack the train and steal the pony with the intention of ransoming it.In order to retrieve the pony, the Japanese delegation offers one million dollars in ransom money, to be delivered to the Indians by the local Sheriff Gideon assisted by the inept Japanese servant Sakura, who believes he is a true Samurai.On the way, the duo runs into the drifter Blanc De Blanc, who is Swiss and has plans of his own concerning the ransom money. Written by
When the trio makes camp for the night the Swiss is asking Sheriff Gideon to respect the rules of the Geneva Convention and feed him supper(0:43:26).The Swiss is referring to the First Geneva Convention for the Amelioration of the Condition of the Wounded and Sick in Armed Forces in the Field of 1864. See more »
Not Corbucci's best, but definitely one of his weirdest.
Don't go into this film expecting a typical Corbucci high body count shoot 'em up. This time around the famous `other Sergio' takes a stab at the comedy/spaghetti sub-genre which was ever so popular in the waning days of the Euro Western. `Bianco, il giallo, il nero, Il' is more or less a bizarro take on the East meets wild West classic `Red Sun'. Eli Wallach plays `Black Jack Gideon', a straight and narrow lawman who reluctantly gets mixed up in a quest to recover a prize Japanese show pony that's being held for ransom by a renegade band of army deserters with a penchant for dressing up like Indians. Accompanying him on his journey are the notorious bandit and womanizer `Swiss', played by Giuliano Gemma and `Sakura' the dung handler turned Samurai played by Tomas Milian. Many unintentional laughs and moments of genuine surreal weirdness set to the equally strange Guido & Maurizio De Angelis score almost guarantee this film to delight fans of the genre and confuse and frighten the average viewer.
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