| Photos (See all 45 | slideshow) | Videos (see all 4) |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (written for the screen by) | |
| William Makepeace Thackeray | (novel "The Memoirs of Barry Lyndon, Esq.") | |
Produced by | |||
| Jan Harlan | .... | executive producer | |
| Stanley Kubrick | .... | producer | |
| Bernard Williams | .... | associate producer | |
Cinematography by | |||
| John Alcott | (photographed by) | ||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| James Liggat | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Roy Walker | |||
Costume Design by | |||
| Milena Canonero | |||
| Ulla-Britt Söderlund | (as Ulla-Britt Søderlund) | ||
Makeup Department | |||
| Alan Boyle | .... | makeup artist | |
| Ann Brodie | .... | makeup artist | |
| Jill Carpenter | .... | makeup artist | |
| Yvonne Coppard | .... | makeup artist | |
| Barbara Daly | .... | makeup artist | |
| Susie Hill | .... | hair stylist | |
| Joyce James | .... | hair stylist | |
| Leonard | .... | hair stylist | |
| Leonard | .... | wig maker | |
| Maude Onslow | .... | hair stylist (as Maud Onslow) | |
| Daphne Vollmer | .... | hair stylist | |
Production Management | |||
| Malcolm J. Christopher | .... | unit manager (as Malcolm Christopher) | |
| Terence A. Clegg | .... | production manager (as Terence Clegg) | |
| Don Geraghty | .... | unit manager | |
| Rudolf Hertzog | .... | production manager: Germany | |
| Douglas Twiddy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian W. Cook | .... | assistant director (as Brian Cook) | |
| Michael Stevenson | .... | assistant director | |
| David Tomblin | .... | assistant director | |
| Andy Armstrong | .... | assistant director (uncredited) | |
Art Department | |||
| Bill Beecham | .... | painter | |
| Bill Brodie | .... | assistant art director | |
| Richard Dicker | .... | drapesman | |
| Vernon Dixon | .... | set dresser | |
| Ken Dolbear | .... | property buyer | |
| Mike Fowlie | .... | property master | |
| Joe Lee | .... | construction manager | |
| Cleo Nethersole | .... | drapesman | |
| Jan Schlubach | .... | art director: Germany | |
| Chris Seddon | .... | drapesman | |
| Terry Wells | .... | property man | |
| Cos Egan | .... | set dresser (uncredited) | |
| Barry Wilkinson | .... | props (uncredited) | |
Sound Department | |||
| George Akers | .... | assistant sound editor | |
| Robin Gregory | .... | sound recordist | |
| Rodney Holland | .... | sound editor | |
| Bill Rowe | .... | dubbing mixer | |
| Richard Daniel | .... | sound maintenance engineer (uncredited) | |
| Michael Hickey | .... | sound (uncredited) | |
Stunts | |||
| Roy Scammell | .... | stunt arranger | |
Camera and Electrical Department | |||
| Lou Bogue | .... | gaffer | |
| Paddy Carey | .... | camera operator: second unit | |
| Tony Cridlin | .... | camera grip | |
| Ed Di Giulio | .... | special cinematographer | |
| Laurie Frost | .... | assistant camera | |
| Dodo Humphreys | .... | assistant camera | |
| Douglas Milsome | .... | focus puller | |
| Mike Molloy | .... | camera operator | |
| Luke Quigley | .... | camera grip | |
| Larry Smith | .... | chief electrician | |
| Ronnie Taylor | .... | camera operator | |
| Keith Hamshere | .... | still photographer (uncredited) | |
| Micky Wilson | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Gloria Barnes | .... | wardrobe assistant | |
| Ron Beck | .... | wardrobe supervisor | |
| Gary Dahms | .... | costume maker | |
| Yvonne Dahms | .... | costume maker | |
| Norman Dickens | .... | wardrobe assistant | |
| Jack Edwards | .... | costume maker | |
| Judy Lloyd-Rogers | .... | costume maker | |
| Willy Rothery | .... | costume maker | |
| Colin Wilson | .... | wardrobe assistant | |
| Francis Wilson | .... | hats | |
Editorial Department | |||
| Dave Dowler | .... | color grader | |
| Peter Krook | .... | assistant editor | |
Music Department | |||
| Leonard Rosenman | .... | conductor | |
| Leonard Rosenman | .... | music adaptor | |
Other crew | |||
| Margaret Adams | .... | secretary to producer | |
| Bob Anderson | .... | fencing coach | |
| Bill Aylmore | .... | armorer | |
| Ron Bareham | .... | assistant accountant | |
| David Berglas | .... | advisor: gambling | |
| Andros Epaminondas | .... | assistant to producer | |
| Carolyn Hall | .... | assistant accountant | |
| John Mollo | .... | historical advisor | |
| Arthur Morgan | .... | location liaison | |
| George Mossman | .... | horse master | |
| Peter Munt | .... | wrangler | |
| William O'Kelly | .... | location liaison (as Col. William O'Kelly) | |
| Loretta Ordewer | .... | production secretary | |
| Pat Pennelegion | .... | production secretary | |
| June Randall | .... | continuity | |
| Geraldine Stephenson | .... | choreographer | |
| John Trehy | .... | production accountant | |
|
|
|
|
|
| Gone with the Wind | Marie Antoinette | Cousin Bette | Dangerous Beauty | The Notebook |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Adventure section |
| IMDb UK section |
Barry Lyndon (1975) has to be Stanley Kubrick's most realized project that he has ever taken. A big task for the maverick director. For a film like this to be made during the free wheeling seventies had to take some big stones. One must admire Mr. Kubrick for even trying to produce and direct such a complex and expensive film that had all the ear markings of a financial and personal disaster. Not only did Kubrick manage to out do his last epic "2001" but he has created a movie that not only showcases the untapped acting abilities of Ryan O'Neil, but a beautifully lensed film that uses minimal lighting , gorgeous sets, perfect balance, positioning and meticulous timing. I have never seen such a magnificent film such as this one. Every shot and frame plays out like an eighteenth century oil painting.
A young Irish man of lower class has the strangest quirk of luck. After participating in an illegal duel, young Barry is forced to flee from his home village. After being accosted by some gentlemanly highway robbers, Barry winds up cross country and becomes a conscripted soldier. Rising in rank, Barry is sent to fight in the Seven's Year War. Whilst in battle he watches his friends and fellow soldiers being slaughtered in combat due to poor tactics and leadership. Having enough of this life of hardship and struggle, Barry uses his god given talents to do what he has to do in order to survive and become a man of proper social standing.
I was very impressed with this movie. I've put off watching this film until recently. Some have told me how long and boring this movie was. Others have said it was pretty self serving and not worth watching. But after seeing part of it on T.C.M., I just had to find a copy of my own. The film is over three hours in length but they go by very quickly because Barry's story is so captivating. Kubrick poured his heart and soul into this film. The results are on the screen. He's clearly a master film maker. His reputation is cemented forever with this movie. Ryan O'Neil impressed the hell out me with his role as Barry Lyndon. He gives the character some dignity and depth that no other actor could have possibly given to the title role.
Overall I would have to give this film one of my highest recommendations. This is one of my top ten films of all time. If people tell you not to watch this masterpiece ignore them. I advise you to get a copy and enjoy. For a film like this you need to set aside a weekend afternoon to fully appreciate a film such as this. Believe me you will not regret it.
Highest recommendation possible.
It doesn't matter whether you watch it on D.V.D. or V.C.D. because the transfers are excellent on either format.