| Photos (see all 47 | slideshow) | Videos |
| Ryan O'Neal | ... | Barry Lyndon / Redmond Barry | |
| Marisa Berenson | ... | Lady Lyndon | |
| Patrick Magee | ... | The Chevalier | |
| Hardy Krüger | ... | Captain Potzdorf (as Hardy Kruger) | |
| Steven Berkoff | ... | Lord Ludd | |
| Gay Hamilton | ... | Nora Brady | |
| Marie Kean | ... | Barry's Mother | |
| Diana Körner | ... | German Girl (as Diana Koerner) | |
| Murray Melvin | ... | Reverend Runt | |
| Frank Middlemass | ... | Sir Charles Lyndon | |
| André Morell | ... | Lord Wendover (as Andre Morell) | |
| Arthur O'Sullivan | ... | Captain Feeny, the Highwayman | |
| Godfrey Quigley | ... | Captain Grogan | |
| Leonard Rossiter | ... | Captain Quin | |
| Philip Stone | ... | Graham | |
| Leon Vitali | ... | Lord Bullingdon | |
| John Bindon | ... | Recruiting soldier | |
| Roger Booth | ... | King George III | |
| Billy Boyle | ... | Seamus Feeny | |
| Jonathan Cecil | ... | Lt. Jonathan Fakenham | |
| Peter Cellier | ... | Sir Richard | |
| Geoffrey Chater | ... | Dr. Broughton | |
| Anthony Dawes | ... | British Soldier | |
| Patrick Dawson | |||
| Bernard Hepton | |||
| Anthony Herrick | |||
| Barry Jackson | ... | British Soldier | |
| Wolf Kahler | ... | Prince of Tübingen | |
| Pat Laffan | (as Patrick Laffan) | ||
| Hans Meyer | |||
| Ferdy Mayne | ... | Colonel Bulow | |
| David Morley | ... | Bryan Patrick Lyndon | |
| Liam Redmond | |||
| Pat Roach | ... | Toole, soldier in fistfight | |
| Dominic Savage | ... | Young Bullingdon | |
| Frederick Schiller | |||
| George Sewell | ... | Barry's second | |
| Anthony Sharp | ... | Lord Hallam | |
| John Sharp | ... | Doolan | |
| Roy Spencer | |||
| John Sullivan | |||
| Harry Towb | ... | (credit only) | |
| Michael Hordern | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Norman Gay | ... | Tailor (uncredited) | |
| Vivian Kubrick | ... | Guest (uncredited) | |
| Gary Taylor | ... | Barry's fight second (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (written for the screen by) | |
| William Makepeace Thackeray | (novel "The Memoirs of Barry Lyndon, Esq.") | |
Produced by | |||
| Jan Harlan | .... | executive producer | |
| Stanley Kubrick | .... | producer | |
| Bernard Williams | .... | associate producer | |
Cinematography by | |||
| John Alcott | (photographed by) | ||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| James Liggat | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Roy Walker | |||
Costume Design by | |||
| Milena Canonero | |||
| Ulla-Britt Söderlund | (as Ulla-Britt Søderlund) | ||
Makeup Department | |||
| Alan Boyle | .... | makeup artist | |
| Ann Brodie | .... | makeup artist | |
| Jill Carpenter | .... | makeup artist | |
| Yvonne Coppard | .... | makeup artist | |
| Barbara Daly | .... | makeup artist | |
| Susie Hill | .... | hair stylist | |
| Joyce James | .... | hair stylist | |
| Leonard | .... | hair stylist | |
| Leonard | .... | wig maker | |
| Maude Onslow | .... | hair stylist (as Maud Onslow) | |
| Daphne Vollmer | .... | hair stylist | |
Production Management | |||
| Malcolm J. Christopher | .... | unit manager (as Malcolm Christopher) | |
| Terence A. Clegg | .... | production manager (as Terence Clegg) | |
| Don Geraghty | .... | unit manager | |
| Rudolf Hertzog | .... | production manager: Germany | |
| Douglas Twiddy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian W. Cook | .... | assistant director (as Brian Cook) | |
| Michael Stevenson | .... | assistant director | |
| David Tomblin | .... | assistant director | |
| Andy Armstrong | .... | assistant director (uncredited) | |
Art Department | |||
| Bill Beecham | .... | painter | |
| Bill Brodie | .... | assistant art director | |
| Richard Dicker | .... | drapesman | |
| Vernon Dixon | .... | set dresser | |
| Ken Dolbear | .... | property buyer | |
| Mike Fowlie | .... | property master | |
| Joe Lee | .... | construction manager | |
| Cleo Nethersole | .... | drapesman | |
| Jan Schlubach | .... | art director: Germany | |
| Chris Seddon | .... | drapesman | |
| Terry Wells | .... | property man | |
| Barry Wilkinson | .... | props (uncredited) | |
Sound Department | |||
| George Akers | .... | assistant sound editor | |
| Robin Gregory | .... | sound recordist | |
| Rodney Holland | .... | sound editor | |
| Bill Rowe | .... | dubbing mixer | |
| Michael Hickey | .... | sound (uncredited) | |
Stunts | |||
| Roy Scammell | .... | stunt arranger | |
Camera and Electrical Department | |||
| Lou Bogue | .... | gaffer | |
| Paddy Carey | .... | camera operator: second unit | |
| Tony Cridlin | .... | camera grip | |
| Ed Di Giulio | .... | special cinematographer | |
| Laurie Frost | .... | assistant camera | |
| Dodo Humphreys | .... | assistant camera | |
| Douglas Milsome | .... | focus puller | |
| Mike Molloy | .... | camera operator | |
| Luke Quigley | .... | camera grip | |
| Larry Smith | .... | chief electrician | |
| Ronnie Taylor | .... | camera operator | |
| Keith Hamshere | .... | still photographer (uncredited) | |
| Micky Wilson | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Gloria Barnes | .... | wardrobe assistant | |
| Ron Beck | .... | wardrobe supervisor | |
| Gary Dahms | .... | costume maker | |
| Yvonne Dahms | .... | costume maker | |
| Norman Dickens | .... | wardrobe assistant | |
| Jack Edwards | .... | costume maker | |
| Judy Lloyd-Rogers | .... | costume maker | |
| Willy Rothery | .... | costume maker | |
| Colin Wilson | .... | wardrobe assistant | |
| Francis Wilson | .... | hats | |
Editorial Department | |||
| Dave Dowler | .... | color grader | |
| Peter Krook | .... | assistant editor | |
Music Department | |||
| Leonard Rosenman | .... | conductor | |
| Leonard Rosenman | .... | music adaptor | |
Other crew | |||
| Margaret Adams | .... | secretary to producer | |
| Bob Anderson | .... | fencing coach | |
| Bill Aylmore | .... | armorer | |
| Ron Bareham | .... | assistant accountant | |
| David Berglas | .... | advisor: gambling | |
| Andros Epaminondas | .... | assistant to producer | |
| Carolyn Hall | .... | assistant accountant | |
| John Mollo | .... | historical advisor | |
| Arthur Morgan | .... | location liaison | |
| George Mossman | .... | horse master | |
| Peter Munt | .... | wrangler | |
| William O'Kelly | .... | location liaison (as Col. William O'Kelly) | |
| Loretta Ordewer | .... | production secretary | |
| Pat Pennelegion | .... | production secretary | |
| June Randall | .... | continuity | |
| Geraldine Stephenson | .... | choreographer | |
| John Trehy | .... | production accountant | |
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While this is, in my opinion, not the best of Kubrick's films, it is in no way a bad film of his... some have claimed it is overlong and dull, but I don't think so. From what I've heard, it does the novel justice, and I believe that is what Kubrick went after, more than anything else. That is admirable, for a man who throughout his career was known for making unfaithful film adaptations of famous and popular novels, much to the dismay of the authors. The film perfectly presents everything from the time period in which it takes place... something that few, if any, other films have accomplished. It deals with the life of Redmond Barry, his ups and downs. The first half has us feeling sympathy with him, and shows his rise to a high position and gain the name Barry Lyndon, and everything that entitles. The second seems to turn us a little more against him, as he goes through the expected downfall that must always follow an unexpected rise to high life. Through the film he gets desensitized and careless. We follow him through most of his life, and an uneventful one it is not. As all other Kubrick films, the visual side is probably the most prominent one of the film, as he grants us several long looks at the beautiful sets and locales, and there are more than a few of his trademark shots slowly zooming out from the focus point to display the surroundings. The plot is great, and almost constantly developing. It is narrated with a good sense of irony and clever social satire on the time period. There's plenty of humor in the film to make the three hour run-time seem less long. The pacing is good and thorough without the film being slow(though I do admit that it isn't a film for those who are not used to long, visual films). The characters are well-written and credible. The acting is excellent all the way. Not even the child-actors seemed less than perfectly convincing. The costumes and sets are great. From what I understand, there is no detail in the film that is even slightly historically inaccurate. That is quite impressive for a film that takes place about a century and a half before it was made. I have heard of great deals of work done to keep many films accurate, but I don't believe one exists that manages to do so with such perfection as this. Even the very language that they speak is accurate. The special effects in the film also deserve mention here... for a film that is almost thirty years old, it's impeccable how believable and convincing the effects are... I couldn't tell how most of them were done. Kubrick was indeed one of the most brilliant directors ever... he was not only a master at his craft, he was also one of the most innovative and inspiring film-makers to have ever lived. I recommend this great piece of cinema to anyone who has an interest in the time period the film is set and any fan of Stanley Kubrick. Don't miss this one. Not his greatest, but a truly great one nonetheless. 10/10