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| Ryan O'Neal | ... | Barry Lyndon | |
| Marisa Berenson | ... | Lady Honoria Lyndon | |
| Patrick Magee | ... | The Chevalier du Balibari | |
| Hardy Krüger | ... | Captain Potzdorf (as Hardy Kruger) | |
| Steven Berkoff | ... | Lord Ludd | |
| Gay Hamilton | ... | Nora Brady | |
| Marie Kean | ... | Barry's Mother | |
| Diana Körner | ... | Lischen (as Diana Koerner) | |
| Murray Melvin | ... | Reverend Samuel Runt | |
| Frank Middlemass | ... | Sir Charles Lyndon | |
| André Morell | ... | Lord Gustavus Adolphus Wendover (as Andre Morell) | |
| Arthur O'Sullivan | ... | Captain Feeny, the Highwayman | |
| Godfrey Quigley | ... | Captain Grogan | |
| Leonard Rossiter | ... | Captain John Quin | |
| Philip Stone | ... | Graham | |
| Leon Vitali | ... | Lord Bullingdon | |
| John Bindon | ... | Recruiting soldier | |
| Roger Booth | ... | King George III | |
| Billy Boyle | ... | Seamus Feeny | |
| Jonathan Cecil | ... | Lt. Jonathan Fakenham | |
| Peter Cellier | ... | Sir Richard | |
| Geoffrey Chater | ... | Dr. Broughton | |
| Anthony Dawes | ... | British Soldier | |
| Patrick Dawson | |||
| Bernard Hepton | ... | Diner at Feast for Lord Wendover - Left of Barry's Mother | |
| Anthony Herrick | |||
| Barry Jackson | ... | British Soldier | |
| Wolf Kahler | ... | Prince of Tübingen | |
| Pat Laffan | (as Patrick Laffan) | ||
| Hans Meyer | |||
| Ferdy Mayne | ... | Colonel Bulow | |
| David Morley | ... | Bryan Patrick Lyndon | |
| Liam Redmond | ... | Mr. Brady - Nora's Father | |
| Pat Roach | ... | Toole - Soldier in Fistfight | |
| Dominic Savage | ... | Young Bullingdon | |
| Frederick Schiller | |||
| George Sewell | ... | Barry's Second | |
| Anthony Sharp | ... | Lord Hallam | |
| John Sharp | ... | Doolan | |
| Roy Spencer | ... | Horse Seller | |
| John Sullivan | |||
| Harry Towb | ... | Innkeeper | |
| Michael Hordern | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Norman Gay | ... | Tailor (uncredited) | |
| Katharina Kubrick | ... | Dancer (uncredited) | |
| Vivian Kubrick | ... | Magic Show Spectator (uncredited) | |
| Gary Taylor | ... | Barry's Fight Second (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (written for the screen by) | |
| William Makepeace Thackeray | (novel "The Memoirs of Barry Lyndon, Esq.") | |
Produced by | |||
| Jan Harlan | .... | executive producer | |
| Stanley Kubrick | .... | producer | |
| Bernard Williams | .... | associate producer | |
Cinematography by | |||
| John Alcott | (photographed by) | ||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| James Liggat | |||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Roy Walker | |||
Costume Design by | |||
| Milena Canonero | |||
| Ulla-Britt Söderlund | (as Ulla-Britt Søderlund) | ||
Makeup Department | |||
| Alan Boyle | .... | makeup artist | |
| Ann Brodie | .... | makeup artist | |
| Jill Carpenter | .... | makeup artist | |
| Yvonne Coppard | .... | makeup artist | |
| Barbara Daly | .... | makeup artist | |
| Susie Hill | .... | hair stylist | |
| Joyce James | .... | hair stylist | |
| Leonard | .... | hair stylist | |
| Leonard | .... | wig maker | |
| Maude Onslow | .... | hair stylist (as Maud Onslow) | |
| Daphne Vollmer | .... | hair stylist | |
Production Management | |||
| Malcolm J. Christopher | .... | unit manager (as Malcolm Christopher) | |
| Terence A. Clegg | .... | production manager (as Terence Clegg) | |
| Don Geraghty | .... | unit manager | |
| Rudolf Hertzog | .... | production manager: Germany | |
| Douglas Twiddy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Brian W. Cook | .... | assistant director (as Brian Cook) | |
| Michael Stevenson | .... | assistant director | |
| David Tomblin | .... | assistant director | |
| Andy Armstrong | .... | assistant director (uncredited) | |
| Gary White | .... | second assistant director (uncredited) | |
Art Department | |||
| Bill Beecham | .... | painter | |
| Bill Brodie | .... | assistant art director | |
| Richard Dicker | .... | drapesman | |
| Vernon Dixon | .... | set dresser | |
| Ken Dolbear | .... | property buyer | |
| Mike Fowlie | .... | property master | |
| Joe Lee | .... | construction manager | |
| Cleo Nethersole | .... | drapesman | |
| Jan Schlubach | .... | art director: Germany | |
| Chris Seddon | .... | drapesman | |
| Terry Wells | .... | property man | |
| Cos Egan | .... | set dresser (uncredited) | |
| Barry Wilkinson | .... | props (uncredited) | |
Sound Department | |||
| George Akers | .... | assistant sound editor | |
| Robin Gregory | .... | sound recordist | |
| Rodney Holland | .... | sound editor | |
| Bill Rowe | .... | dubbing mixer | |
| Richard Daniel | .... | sound maintenance engineer (uncredited) | |
| Michael Hickey | .... | sound (uncredited) | |
Special Effects by | |||
| Gerry Johnston | .... | special effects (uncredited) | |
Stunts | |||
| Roy Scammell | .... | stunt arranger | |
Camera and Electrical Department | |||
| Lou Bogue | .... | gaffer | |
| Patrick Carey | .... | camera operator: second unit (as Paddy Carey) | |
| Tony Cridlin | .... | camera grip | |
| Ed Di Giulio | .... | special cinematographer | |
| Laurie Frost | .... | assistant camera | |
| Dodo Humphreys | .... | assistant camera | |
| Douglas Milsome | .... | focus puller | |
| Mike Molloy | .... | camera operator | |
| Luke Quigley | .... | camera grip | |
| Larry Smith | .... | chief electrician | |
| Ronnie Taylor | .... | camera operator | |
| Keith Hamshere | .... | still photographer (uncredited) | |
| Micky Wilson | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Gloria Barnes | .... | wardrobe assistant | |
| Ron Beck | .... | wardrobe supervisor | |
| Gary Dahms | .... | costume maker | |
| Yvonne Dahms | .... | costume maker | |
| Norman Dickens | .... | wardrobe assistant | |
| Jack Edwards | .... | costume maker | |
| Judy Lloyd-Rogers | .... | costume maker | |
| Willy Rothery | .... | costume maker | |
| Colin Wilson | .... | wardrobe assistant | |
| Francis Wilson | .... | hats | |
Editorial Department | |||
| Dave Dowler | .... | color grader | |
| Peter Krook | .... | assistant editor | |
Music Department | |||
| Leonard Rosenman | .... | conductor | |
| Leonard Rosenman | .... | music adaptor | |
Other crew | |||
| Margaret Adams | .... | secretary to producer | |
| Bob Anderson | .... | fencing coach | |
| Bill Aylmore | .... | armorer | |
| Ron Bareham | .... | assistant accountant | |
| David Berglas | .... | advisor: gambling | |
| Andros Epaminondas | .... | assistant to producer | |
| Carolyn Hall | .... | assistant accountant | |
| John Mollo | .... | historical advisor | |
| Arthur Morgan | .... | location liaison | |
| George Mossman | .... | horse master | |
| Peter Munt | .... | wrangler | |
| William O'Kelly | .... | location liaison (as Col. William O'Kelly) | |
| Loretta Ordewer | .... | production secretary | |
| Pat Pennelegion | .... | production secretary | |
| June Randall | .... | continuity | |
| Geraldine Stephenson | .... | choreographer | |
| John Trehy | .... | production accountant | |
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| Gone with the Wind | Marie Antoinette | Cousin Bette | Dangerous Beauty | The Notebook |
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When I was in high school, it was considered "cool" to watch Stanley Kubrick movies as they were seen as "more enlightened forms of entertainment" over stuff by Steven Spielberg and John Hughes. If you didn't memorize the opening speech to Full Metal Jacket or hadn't seen Nicole Kidman in Eyes Wide Shut then you were rejected from the clique. This was at the time when I was first viewing Kurosawa's Rashomon and Ran and accidentally came across this gem. Sure, the rest of the gang would be quoting along with Alex DeLarge in A Clockwork Orange, but not one of them would dare sit down and watch this or 2001: A Space Odyssey. Fools.
Barry Lyndon is another sign of sheer genius on behalf of Kubrick. Notice that in his career he is never concerned about making money, just creating an image and telling a story. Imagine if Michael Bay did the same, he'd be out of the business in no time and having to sell his own movies at the Video Hut. This movie is one of his better detailed (and yet mysteriously unsung) masterpieces that is so beautiful to look at that it almost becomes artistic pornography (in the sense of creating intense emotion). This isn't to say that Barry Lyndon is vulgar. By comparison to Eyes Wide Shut and The Shining, this is a kid's cartoon.
Kubrick is once again a certified genius with his camera. The elaborate and glamorous scenes ranging from duels to gardens and even just the opening prologue are beautifully rendered in a style reminiscent of Monet or other artists. I found it interesting how Kubrick includes pigeons (doves?) in the final duel. Perhaps John Woo gained some inspiration from this.
The story is paper thin compared to 2001 and lacks much of the symbolism. In fact, it is very hard to either sympathize with Ryan O'Neil as the title character because of his lack of portrayal. As a whole, none of the characters gain either support or disapproval because of their fleeting presence. The sets and costume designs themselves become more of a character than the actors. Thankfully, the story is not as convoluted as I expected. It flows nicely and never gets boring because of the variety of powerful elements infused into it.
First off, kudos to both Ken Adam and Vernon Dixon for their brilliant production design. I loved what Ken did with Dr. Strangelove (smart move for him to ditch the Bond series for that). John Alcott is one of Kubrick's lesser cinematographers, but he is still very talented here. I'm certain that, if he had lived longer, Kubrick would've kept using him. He is not as concerned about symmetry, that or the topics aren't, as the rest of Kubrick's work. The biggest irony about Barry Lyndon would have to be that everyone in the categories EXCEPT Kubrick won an Oscar for their work. I think the Academy has something of a grudge against him because of his superior quality of work.
Overall, a phenomenal quality of film that they just don't make anymore. I put this in my Top 10 required viewings for anyone who wants to be in film. Kubrick has transcended Shakespeare with this film. 4.5 out of 5 stars.