A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When the Grenadiers march in formation toward the Barryville citizens and fire their weapons into the air. See more »
While the Chevalier is gambling with Lord Ludd (after he and Barry escape into Saxony), we see the Chevalier cheating: there is a cut to his right hand, under the table, where he drops a card (the four of clubs) from his sleeve and into the palm of his hand. Immediately before this cut, his right hand is resting on the gaming table and his left arm is by his side. Immediately after this cheat-cut, his right hand remains on the table and he brings his left hand above the table to drop the palmed card (the card that we just saw him palm into his right hand). See more »
[two figures visible on the horizon prepare to duel. Three witnesses stand between them]
Gentlemen, cock your pistols! Gentlemen...
...aim your pistols!
...had been bred, like many other young sons of a genteel family, to the profession of the law.
And there is no doubt he would've...
...made an eminent figure in his profession...
[...] See more »
While this is, in my opinion, not the best of Kubrick's films, it is in no way a bad film of his... some have claimed it is overlong and dull, but I don't think so. From what I've heard, it does the novel justice, and I believe that is what Kubrick went after, more than anything else. That is admirable, for a man who throughout his career was known for making unfaithful film adaptations of famous and popular novels, much to the dismay of the authors. The film perfectly presents everything from the time period in which it takes place... something that few, if any, other films have accomplished. It deals with the life of Redmond Barry, his ups and downs. The first half has us feeling sympathy with him, and shows his rise to a high position and gain the name Barry Lyndon, and everything that entitles. The second seems to turn us a little more against him, as he goes through the expected downfall that must always follow an unexpected rise to high life. Through the film he gets desensitized and careless. We follow him through most of his life, and an uneventful one it is not. As all other Kubrick films, the visual side is probably the most prominent one of the film, as he grants us several long looks at the beautiful sets and locales, and there are more than a few of his trademark shots slowly zooming out from the focus point to display the surroundings. The plot is great, and almost constantly developing. It is narrated with a good sense of irony and clever social satire on the time period. There's plenty of humor in the film to make the three hour run-time seem less long. The pacing is good and thorough without the film being slow(though I do admit that it isn't a film for those who are not used to long, visual films). The characters are well-written and credible. The acting is excellent all the way. Not even the child-actors seemed less than perfectly convincing. The costumes and sets are great. From what I understand, there is no detail in the film that is even slightly historically inaccurate. That is quite impressive for a film that takes place about a century and a half before it was made. I have heard of great deals of work done to keep many films accurate, but I don't believe one exists that manages to do so with such perfection as this. Even the very language that they speak is accurate. The special effects in the film also deserve mention here... for a film that is almost thirty years old, it's impeccable how believable and convincing the effects are... I couldn't tell how most of them were done. Kubrick was indeed one of the most brilliant directors ever... he was not only a master at his craft, he was also one of the most innovative and inspiring film-makers to have ever lived. I recommend this great piece of cinema to anyone who has an interest in the time period the film is set and any fan of Stanley Kubrick. Don't miss this one. Not his greatest, but a truly great one nonetheless. 10/10
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