A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
In future Britain, Alex DeLarge, a charismatic and psycopath delinquent, who likes to practice crimes and ultra-violence with his gang, is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Barry disguises himself as Lt. Fakenham and crosses to Prussian lines, he rides wearing riding boots; in subsequent scenes, with the woman farmer and Potzdorf, he wears infantry gaiters. See more »
[two figures visible on the horizon prepare to duel. Three witnesses stand between them]
Gentlemen, cock your pistols! Gentlemen...
...aim your pistols!
...had been bred, like many other young sons of a genteel family, to the profession of the law.
And there is no doubt he would've...
...made an eminent figure in his profession...
[...] See more »
In some way almost all of Stanley Kubrick's movies are very gloomy, dreary and wicked. The idea of "Lolita" is definitely perverted, "The Shining" is maybe the most terrifying film ever made, "Full Metal Jacket" is still one of the most pressuring war movies, from time to time "Eyes Wide Shut" looks almost like a horror film and even "2001: A Space odyssey" has some pretty frightening visions.
"Barry Lyndon" was Kubrick's next film after his darkest masterpiece "A Clockwork Orange" and certainly a totally different kind of a work. Even though "Barry Lyndon's" second half is slightly darker and the movie certainly isn't a comedy of any kind it's still quite a nice, warm and genial picaresque story. It's hard to say is it a bit overlong because it's easier to watch in two parts but nevertheless it's a brilliant film from the very start. "Barry Lyndon" is full of unforgettable sequences. My favorite is probably the duel between Barry Lyndon and his stepson Lord Bullington.
One of the things I love most about this movie is the splendid epilogue. Closing words of "Barry Lyndon" brings hilariously together every event seen in the film. Ryan O'Neal makes a fabulous performance as Barry. He isn't all that well-known actor in the movie business but he does a great job in the difficult leading role. I'll give 9 out of 10 to "Barry Lyndon" and point out that although it's not Kubrick's finest flick it's still a very excellent movie and an extremely important part of his works and it should not be underestimate. If you have seen lots of Kubrick classics but not this one, take this chance to jump into 18th century and watch the entertaining adventures of Redmond Barry.
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