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An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.

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(written for the screen by), (novel)
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Top Rated Movies #221 | Won 4 Oscars. Another 13 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Patrick Magee ...
...
Captain Potzdorf (as Hardy Kruger)
...
Gay Hamilton ...
Nora Brady
Marie Kean ...
Barry's Mother
Diana Körner ...
Lischen (as Diana Koerner)
...
Reverend Samuel Runt
...
...
Lord Gustavus Adolphus Wendover (as Andre Morell)
Arthur O'Sullivan ...
Godfrey Quigley ...
Captain Grogan
...
Captain John Quin
Philip Stone ...
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Storyline

In the Eighteenth Century, in a small village in Ireland, Redmond Barry is a young farm boy in love with his cousin Nora Brady. When Nora gets engaged to the British Captain John Quin, Barry challenges him to a duel of pistols. He wins and escapes to Dublin but is robbed on the road. Without an alternative, Barry joins the British Army to fight in the Seven Years War. He deserts and is forced to join the Prussian Army where he saves the life of his captain and becomes his protégé and spy of the Irish gambler Chevalier de Balibari. He helps Chevalier and becomes his associate until he decides to marry the wealthy Lady Lyndon. They move to England and Barry, in his obsession of nobility, dissipates her fortune and makes a dangerous and revengeful enemy. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

After reaching the top, where can you go...except down? See more »


Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

| |

Language:

| |

Release Date:

18 December 1975 (USA)  »

Also Known As:

Beri Lindon  »

Box Office

Budget:

$11,000,000 (estimated)

Gross:

SEK 2,016,185 (Sweden)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)| (Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Barry Lyndon is Martin Scorsese's favorite Stanley Kubrick film. See more »

Goofs

When Barry disguises himself as Lt. Fakenham to desert from British army, he should have riding boots. Instead, he wears the gaiters that soldiers serving on foot wore. That would stand out, to any soldiers of the day, and lead to his immediate detection. (Potzdorf, for example, wears riding boots; as a captain, his rank would require him to ride.) See more »

Quotes

[first lines]
[two figures visible on the horizon prepare to duel. Three witnesses stand between them]
Second: Gentlemen, cock your pistols! Gentlemen...
Narrator: Barry's father...
Second: ...aim your pistols!
Narrator: ...had been bred, like many other young sons of a genteel family, to the profession of the law.
Second: One!
Narrator: And there is no doubt he would've...
Second: Two!
Narrator: ...made an eminent figure in his profession...
[...]
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Connections

Referenced in Film Geek (2005) See more »

Soundtracks

THE BARBER OF SEVILLE (cavatina)
Composed by Giovanni Paisiello
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Frequently Asked Questions

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User Reviews

Opulent costume drama from the great filmmaker
24 August 1999 | by (Fargo, North Dakota) – See all my reviews

Kubrick's adaptation of Thackeray's Barry Lyndon sharply divides fans of the great director's work, as the languid pace and seemingly interminable running time -- not to mention Ryan O'Neal's questionable performance in the title role -- are cherished by some and deplored by others. Little argument will be made against John Alcott's Academy Award-winning cinematography or Ken Adam's production design, however, and Kubrickian motifs are manifest in the gallery of characters' wide-ranging displays of cowardice, guile, duplicity, avarice, jealousy, greed, and cruelty. Marisa Berenson is terribly short-changed in her role as the Lady Lyndon, but a number of other performers are given the opportunity to create a handful of memorable moments -- especially Arthur O'Sullivan (albeit briefly) as the charming, intelligent highwayman and Patrick Magee as the Chevalier. Love it or hate it, Barry Lyndon will remain essential viewing for aficionados of the director, who enjoys taking his usual shots at the more discouraging aspects of human behavior.


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