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Low-budget film about a young man given a mystical medallion by an Aztec shaman, in order to become a puma-empowered champion like his father before him. In trying to initially locate the ... See full summary »
Alberto De Martino
Walter George Alton,
Miguel Ángel Fuentes
A modern-day updating of the Dracula legend that finds Steven, a good-looking American hero devastated by the death of his girlfriend, wandering through Europe and looking for happiness. A ... See full summary »
Hannah, an ambitious young woman and her father's company struggle to develop a super human serum designed to make someone be a huge bonzi buddy monster. He also strives to eat a lot of ... See full summary »
A mad scientist (and apparent former Nazi) unleashes his master plan: to transform himself into a mutated walking catfish, gain revenge on those who have spurned him, and kidnap nubile young women to similarly transform so that he can breed. Or something like that. Written by
Marshall Grauer is given top-billing in the film, though he only appears in the first ten minutes of the movie. The monster itself is portrayed by a taller actor for the remainder of the movie. See more »
When Walker Stevens is in bed and Rex is talking to him, the shadow of a boom mic is persistently visible before Martha joins him and the monster spies them through the window. See more »
I'll cause underwater life to triumph over all other living creatures. I will adapt myself to a permanent underwater environment. All other humans will be conquered. I can not - I WILL NOT BE STOPPED! I will select a mate with utmost care, and together we will create a whole new aquatic race. But there is no time left!
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Yes, I gave it a 2, dammit. The underwater photography is tolerable and there are a couple of suspenseful attacking moments. Basically, however, this movie rambles on pointlessly, much like the "walking catfish" mutant and the government agent who tracks him in the last third of the movie.
The first 20 minutes of the movie is in (hilarious) voiceover, and you begin to wonder if they lost the soundtrack ala Creeping Terror and Beast of Yuca Flats. Then the characters actually start speaking on-screen and you wish they had lost the soundtrack. The dialogue seems to bear no resemblance to the onscreen goings-on. I suppose it establishes some plot points and clarifies things for the audience, but there are so many ramblings and offshoots that you just kinda of give up and give in.
The "monster" looks like an early draft of a Silurian costume from Doctor Who, with a fur neckpiece (??). The skinny, balding bad guy is on-screen for only a few minutes before undergoing his transformation, but imprints himself indelibly in our minds thanks to his stripping down, his hamhanded maneuvering himself into the transformation tank, and his omniscient voiceover narration.
And the fish! What is it with the fish? The opening narration dwells on them (giving us a good impression of Jacques Costeau as a Nazi gone bad), and at least one murder scene decides to insert random shots of fish in-between cuts. There seems to be some kind of implied ecological nature-takes-vengeance message here somewhere, but like everything else, it is lost entirely in the rambling dialogue.
Basically, the movie is pretty much a waste of celluloid. A few good moments, as I've seen far worse underwater cinematography. Watch it if you dare.
34 of 41 people found this review helpful.
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