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After the film had been pulled from theatres due to poor tickets sales, Peter Bogdanovich wrote an open letter, printed in newspapers throughout the country, apologizing for the quality of the film.
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The standard practice when filming a musical is to have the performers sing the songs in a studio and when they film the songs being sung, they move their lips to a play back of the already recorded tune. This musical was filmed with the performers singing live as the camera rolled. That caused many delays and technical problems.
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This was the first movie musical since the early 1930s to have its musical numbers recorded directly while being sung rather than having the cast lip-synch to a previously recorded score, the innovation of Douglas Shearer that revolutionized the production of musicals in the era of the early talkies. There was no technical reason for the music to be recorded directly, and it is one of the reasons that the picture is considered to have failed. Critics attacked director Peter Bogdanovich for his hubris for what they considered an extremely ill-advised stunt, seeing how his leads (with the exception of trained singer Madeline Kahn) were little known for their musical abilities.
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Peter Bogdanovich toyed with the idea of playing the role of Pritchard himself so he could star opposite his then-girlfriend Cybill Shepherd. However he offered the role to Elliott Gould who turned it down before Burt Reynolds accepted it.
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This was the first film that Burt Reynolds made with director Peter Bogdanovich. The second (and last) would be Nickelodeon.
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This was the first big screen musical movie for Burt Reynolds. The Best Little Whorehouse in Texas would be the second (and last).
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This movie was amusingly dubbed "The Man Who Loved Tap Dancing" - a play on words of the title of the Burt Reynolds movie made two years earlier entitled The Man Who Loved Cat Dancing.
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The storyline of this musical has been likened to Noel Coward's Private Lives.
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This movie apparently was never released on video-cassette.
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Many of the actors in this film had trouble singing live as they were not specialized in singing.
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Sixteen original Cole Porter songs were utilized for this musical film.
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Burt Reynolds sports a Clark Gable-like mustache for this movie.
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This movie's title At Long Last Love is taken from one of the Cole Porter songs of the same name. The song 'At Long Last Love' was written by Porter for his 1938 musical, 'You Never Know'.
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Actress Cybill Shepherd and director Peter Bogdanovich were romantically involved during the making of this movie.
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This movie musical pays tribute to the Hollywood musicals of the 1930s such as Top Hat and Swing Time.
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An edited down television version of this film runs three minutes less than the theatrical version.
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A top hat is a significant symbol on this movie's main poster thereby evoking the 1930s musical film Top Hat.
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Cole Porter started writing the lyrics to the song 'At Long Last Love' whilst in pain waiting for medics to arrive after being in the accident which made him disabled.
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The art & set direction / production design of this film is evocative of the 1930s style and kind as created by art director and production designer Van Nest Polglase.
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This film has been officially been widely unavailable on video-cassette and DVD.
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Burt Reynolds just prior to this film had starred in a movie called Hustle. Many years after this picture was made, its director Peter Bogdanovich directed a film called Hustle.
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This movie is included in the books "The 50 Worst Films of All Time" and "The Golden Turkey Awards."
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One of the songs in this movie is not a Cole Porter song.
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Peter Bogdanovich once said of this film he directed: "Studios bury more films than the public or the critics. Fox gave up on 'At Long Last Love' instantly. A six million dollar film was written off while it was doing well because their lawyers told them they could make more money that way."
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The tagline "IT'S THE TOP!" from this movie's main poster is actually derived from one of Cole Porter's song titles, "You're the Top". The tagline also evokes the earlier musical, Top Hat.
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According to 'Film Threat', this film "has been out of official circulation for so many years that most folks only know of it by reputation."
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'Halliwell''s has described this film as "An attempt to recapture the simple pleasures of an Astaire-Rogers musical" [See: Fred Astaire ; Ginger Rogers.
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This movie represents a rare instance in film history where a director (Peter Bogdanovich) has publicly apologized for the film he has made.
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This movie is often not included in various video and DVD guides, not surprising considering its widespread unavailability on home video since the film was first released theatrically in 1975.
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The Cole Porter songs featured in this movie include "A Picture of Me Without You" ; "At Long Last Love" ; "But In The Morning, No" ; "Down in the Depths" ; "Find Me a Primitive Man" ; "Friendship" ; "From Alpha To Omega" ; "I Get a Kick Out of You" ; "I Loved Him (But He Didn't Love Me)" ; "It's De-Lovely" ; "Let's Misbehave" ; "Most Gentlemen Don't Like Love" ; "Poor Young Millionaire" ; "Tomorrow" ; "Which" ; "You're the Top" ; and "Well Did Ya Evah?".
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This movies initial box-office had total receipts at about one quarter of its budget. This movie made about US $1.5 million but cost US $6 million.
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This movie won the Golden Turkey Award for "The Worst Musical Extravaganza in Hollywood History" as awarded by the book 'The Golden Turkey Awards'.
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Burt Reynolds once said of this movie: "I think we bombed".
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This picture is one of two movies released in 1975 starring Burt Reynolds that were set during the 1930s. The two films are At Long Last Love and Lucky Lady.
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