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L'assassino è costretto ad uccidere ancora (1975)

 -  Mystery | Thriller
6.7
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Ratings: 6.7/10 from 595 users  
Reviews: 24 user | 29 critic

Giorgio is a greedy adulterer who makes a deal with a serial killer to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's ... See full summary »

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(dialogue), (screenplay), 4 more credits »
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Title: L'assassino è costretto ad uccidere ancora (1975)

L'assassino è costretto ad uccidere ancora (1975) on IMDb 6.7/10

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Cast

Cast overview:
George Hilton ...
Giorgio
Antoine Saint-John ...
Killer (as Michel Antoine)
Femi Benussi ...
Dizzy Blonde
Cristina Galbó ...
Laura
Eduardo Fajardo ...
Inspector
Tere Velázquez ...
Norma
Alessio Orano ...
Luca
Dario Griachi
Luigi Antonio Guerra
Carla Mancini
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Storyline

Giorgio is a greedy adulterer who makes a deal with a serial killer to dispose of his wealthy wife, Nora. Unfortunately, a thrill-seeking young couple steal the killer's car with Nora's corpse in the trunk, ending up at a run-down seaside villa. Written by Ørnås

Plot Summary | Add Synopsis

Plot Keywords:

killer | car | serial killer | kiss | jealousy | See more »

Genres:

Mystery | Thriller

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Details

Country:

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Language:

Also Known As:

The Dark Is Death's Friend  »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

[first lines]
Nora Mainardi: What do you take me for, an idiot? Well, you'll find out just how wrong you are!
Mainardi: An idiot? Oh, no, you're no idiot, my love! What you are is an hysterical lunatic!
Nora Mainardi: An hysterical lunatic? And who the hell is this Federica telephoning every ten minutes with that sexy voice of hers?
Mainardi: Cut it out. This Federica, whoever she is, has got to be a client.
Nora Mainardi: Sure, just like all the others. Whores: that's all they are.
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Connections

Referenced in The Fourth Man (1983) See more »

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User Reviews

 
Striking compelling thriller
23 October 2005 | by (Mountains of Madness) – See all my reviews

Most giallos are scarlet whodunits's, but Luigi Cozzi reveals his killer (Antoine Saint-John) two minutes in and directs our attention to a business relationship struck between the killer and a sleazy ladies' man (George Hilton).

Despite breaking a golden rule of the genre, "The Killer Must Kill Again" is a fresh, kinetic thriller with uneven performances (the women), terrific cinematography and striking set pieces.

Antoine Saint-John is positively electric as the arrogant psychopath and rivets our attention to the screen.

For a change, the storyline is relatively linear and free of the usual clutter. The violence is bloody and smoothly directed, and Cozzi demonstrates a real flair for atmosphere.

Certainly not as operatic as an Argento or as sleazy as a Polselli, it is, nevertheless, compelling celluloid and a million miles away from inept Cozzi trash such as "Star Crash" and "Contamination".


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