Aaron Loves Angela (1975)

R  |   |  Comedy, Drama, Romance  |  25 December 1975 (USA)
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Ratings: 5.5/10 from 135 users  
Reviews: 3 user | 3 critic

In New York City, a young black boy and Puerto Rican girl fall in love despite objections from each other's families.



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Cast overview, first billed only:
Ernestine Jackson ...
Cleo (as Ernestine Feliciano)
Leon Pinkney ...
Wanda Velez ...
Lou Quinones ...
Charles McGregor ...
Andre La Corbiere ...
Norman Evans ...
Security Cop
William Graeff Jr. ...


Aaron and Angela, two young adults living in the Harlem ghetto of New York City, are deeply in love with each other. The only thing standing in the way of their love is their families. Aaron is black, while Angela is Puerto Rican, and neither family wants one of their own to associate with the others. As the pair rebel against the prejudices of their families, they soon find the conflict spreading out to their friends and neighbors, until the hatred threatens to spiral out of control. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Plot Synopsis


A love story that is tough ... and tender!






Release Date:

25 December 1975 (USA)  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Film debut of Irene Cara. See more »


Music & Lyrics by José Feliciano & Janna Merlyn Feliciano
Performed by José Feliciano
See more »

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User Reviews

A huge mess of a movie
11 November 2005 | by (NYC) – See all my reviews

This film is a disaster.

The big plus here is Kevin Hooks, who plays high school basketball player Morris Thorpe in one of the greatest shows ever, The White Shadow. He even plays school basketball here!

However, this is an extremely lightweight film where nothing much ever goes on. There are many scenes for instance of the young couple just walking and playing around, all that sort of thing, whether they are alone or with Aaron's friend and her friend, who seem to end up as a couple themselves later on, but that's simply not explained at all. But plenty of other things aren't explained either.

For instance, the local drug dealer/pimp ("Bo"), in some scenes he's pushing Aaron against a wall in his building being tough (why?), and in another he's in Aaron's dad's coffee shop giving the dad a very hard time and making fun of him (why?). Then in other scenes, Bo saves Aaron from Puerto Rican toughs, offers to take his hooker around the world when he doesn't have to, and gives Aaron a suitcase full of money (as Bo is dying). What's his story? Who knows? There is a supposed plot line in the film where there is trouble between the blacks and Puerto Ricans because Aaron (black) is dating Angela (Puerto Rican, or "Latina" for today's PC audience). A few times early on, when Aaron talks to his buddy about liking Angela, there's some talk about how she's "one of them." But after a scene where Aaron takes Angela home (not to her door, just the street outside a little down the block she insists, for his safety), and he gets chased and a slight beatdown from some Puerto Ricans ("we don't want outsiders with our girls"), there is then nothing more between any conflict between the blacks and Puerto Ricans. As a matter of fact, Aaron even waits for Angela in her doorway with no problem and no fear from any Puerto Ricans. The whole conflict is completely forgotten about.

Aaron and Angela also hide their relationship from their parents. Why? We see Aaron's father a bunch of times, and never once does he mention that he hates Puerto Ricans, or even against Aaron having any girlfriend. There's never a single reason shown why Aaron should hide Angela from his father. Same thing for Angela and her mother, who we never even see. So that whole thing is unexplained.

But all that is pretty much how this mess of a movie goes. Despite all this, there are a few good points of curiosity, mainly cameos from Walt Frazier and Jose Feliciano. Frazier is very unnatural and speaks as if he is reading off cue cards, but seeing him in full 1975 "rich basketball player" regalia complete with cheesy fur and an old Rolls Royce (where he found a parking spot right outside the Garden's stage door) is a blast. Feliciano sings at a club, and he also does a number of songs for the movie, which haven't really lasted over time that well but are pretty good nonetheless.

The actual locations of filming are great to see if you are into gritty 1970's New York City films. NYC was a mess in the 70's and Harlem especially wasn't pretty. There are some good character actors you may recognize in the film. And as far as Irene Cara goes, she's a little less than OK, a little pretty, but she doesn't deliver a knockout punch on screen or anything. She's obviously not as good on screen as the actor playing Aaron. Her friend who you sometimes see may have been a better choice for the role.

The film picks up just a little bit in the last 15 minutes, as the drug dealers are searching for their suitcase full of cash. There's a great scene where they run down Bo's buddy, a great piece of stuntwork done before stupid computer effects came long. It's a great shot that adds the the grittiness even more. The "livery" plates on the drug dealer's limo is a funny thing.

One funny thing is Aaron's buddy telling the drug dealers where Aaron is at that moment, after they beat it out of him. Aaron was at Grant's Tomb waiting for Angela. Grant's Tomb? Even though it was the truth, how fake did that sound? And the drug dealers bought it immediately? If it was that easy, why didn't Aaron's buddy just lie, and say "The Empire State Building" or "The 4-5-6 subway station at 125th and Lexington?" Seeing Aaron's good buddy reveal where Aaron was, was a letdown.

The end of the film seems to be a cop-out, what exactly happens? Did they run off? Do they go home? Angela warns Aaron that unless he returns the drug dealer's money, they'll be chased down forever all over the world until they are finally found. So what good did throwing the money into the crowd do? Are the drug dealers going to forget about it then, and not search for Aaron? Like everything else in this film, it makes no sense.

The romance, you never get the feeling that their feelings for each other are simmering. Part of it is Cara's wooden acting, but it really never materializes into anything, especially a "Romeo and Juliet" thing, because no one really cares if they are together or not. Another unexplained thing (of so, so many) is how in one scene, Aaron and Angela are in the abandoned building, scared from hearing gunshots, and they run from the building together after Bo, dying, gives Aaron the suitcase of money. But then, right afterwards, Angela isn't taking Aaron's phone calls anymore. Why?? Unbelievable.

So really, there may be a few reasons to watch this film out of curiosity, but this movie is a huge mess.

12 of 18 people found this review helpful.  Was this review helpful to you?

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