Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
Former bunco detective Frank MacBride joins forces with a con artist he once sent to jail, Pete Ryan, to operate their own private detective agency. Most of their cases involve running cons on the bad guys in order to trick them into surrendering or revealing the whereabouts of the stolen loot, jewels, etc. Maggie was their cute receptionist, and wacky restauranteur Malcolm, whose mastery of disguise often came in handy in helping MacBride and Ryan on their cases, provided the comic relief. Written by
Marty McKee <email@example.com>
I agree: odd that so much dross is endlessly recycled and yet this perfectly respectable little series seemed to have disappeared off everybody's radar. I particularly liked the theme tune written by Stu Philips and executive producer Glen A Larson.
Perhaps it was the title which seemed to have little to do in the way of describing the action, and even less for the brain to latch on to.... "switch.. Switch?? what on earth was that?"
"A series about a conman and a cop.... Eddie Albert and Robert Vaughan... surely you remember ?... NO?
How it goes sometimes..
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