A vengeance-seeking fiend injects Starsky with a chemical compound that will kill him in 24 hours, sparking Starsky and Hutch to race against time to track down the criminal and his poison formula so...
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Tough Starsky and educated Hutch are plainclothes cops taking on dope dealers, muggers and other thugs, aided by their red 1974 Torino and informant Huggy Bear. Both bachelors' private lives play as interweaving threads in the drama. Written by
Ed Stephan <email@example.com>
Throughout the series the rear-view mirror of Starsky's car is often missing when we see a two-shot of the guys in the car from the front through the windscreen. However in other shots of the car in the same scenes the mirror is almost always clearly in place. See more »
With a makeup artist called Shotgun Britton, how could it fail?
The best cop show of the 70's and, with the exception of Kojak and the Rockford Files, a jewel in a sea of studio-cloned crap. First with the much-copied clichés of gruff captain and streetwise, all-knowing snitch, it had pace, pathos and, of course, the Striped Tomato.
Until the Hill Street Blues ushered in a new style of cop show for the eighties, Starsky and Hutch was the defining show of my teens and a rollicking, unashamed express-ride through the polyestered, bell-bottomed decade with two likable cops who are also best friends and plenty of short-skirted, tight-jeaned girls. It also had the great sense not to outlive its popularity.
We all had favourites (mine was Starsky) and we all tried to be as cool as Huggy Bear (brilliantly played by Antonio Fargas)...and failed miserably.
It has definitely dated down the years, but I have a copy on DVD and still take it out now and again for a chuckle at what we used to look like.
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