In the year 1980 the Earth is threatened by an alien race who kidnap and kill humans and use them for body parts. A highly secret military organization is set up in the hope of defending ... See full summary »
The adventures of David Caulder and his crew stationed on Moonbase 3 on the moon's surface. In the 21st century, representatives of many of the world's governments live in bases on the moon... See full summary »
After an atomic explosion blasts the Moon out of Earth orbit, Moonbase Alpha drifts in space, with 300 people on board. When a rescue team from Earth arrives in a faster-than-light space ... See full summary »
Earth's Moon has been ripped from its orbit by a massive nuclear explosion and cast adrift in unknown space. The more than 300 surviving personnel of Moonbase Alpha find that the drifting ... See full summary »
Earth's Moon is the site of Moonbase Alpha, a scientific research colony nestled in the crater Plato. Staffed by over 300 men and women from Earth, it is the operations center for several ... See full summary »
Earth's Moon is ripped from orbit by a massive nuclear explosion and cast adrift in deep space. It is displaced further into the unknown by two space warps and into range of the volcanic ... See full summary »
In 1999, Moonbase Alpha, nestled in the Lunar crater Plato, is a scientific research colony and watchdog over silos of atomic waste from Earth stored on the Moon's far side. On September 13, 1999, magnetic energy builds to cause an explosive chain-reaction of the waste, blasting the Moon out of Earth orbit and off the plane of the ecliptic, out of the Solar System. The inhabitants of Moonbase Alpha are unable to return to Earth and must survive on their wandering Moon as it is displaced further into unknown space by freak space warps. Along the way, they are joined by an alien woman with the ability to change herself into any living creature at will. Written by
Kevin McCorry <email@example.com>
The lack of resources is frequently referred to throughout the series. This is contradicted by the fact that throughout dozens of Eagles are destroyed. As they never run out they must be replacing them, the alternative is they have dozens of spare craft on a moon-base. See more »
A five-star opening episode, Barbara Bain, Barry Morse, Bill Fraser, some striking eagle miniature effects, some haunting year one Barry Gray music, some in-your-face action music in year two, disaster plot lines in year one, monsters in year two, The Beta Cloud...this series is not too bad at all. Granted, I can think of about ten sci-fic TV shows I like more than Space 1999, but then, I can think of about 100 sci-fic shows that are less pleasing. To me, Space 1999 is a closing chapter in the history of television. It, and Shazam! (1974-76), were some of the last TV shows produced where the music scores were so good that they up-staged much of what was happening on the screen. Here are some highlights of the series...
EPISODE ONE: BREAKAWAY: This was the only episode that was a total winner from the first frame to the last frame. Shades of Star Trek: The Motion Picture with a new commander taking over things, shades of a disaster movie, shades of 1960s Lost In Space, tiny moments of Australia with Alan Carter getting a few short bits, but best of all, the Barry Gray score is so hauntingly good you will shake your head wondering why current sci-fic is missing such good music. Best episode of the series and, after Stingray, the best thing that Gerry Anderson ever made!
EPISODE TWO: MATTER OF LIFE AND DEATH: A small drop in quality is present even in these early stages, this is where 1999 becomes a series of good bits rather than good episodes. In the late 1970s some episodes of 1999 were paired up together and placed on the cinema screen as "movies", however I think the pairing up was all wrong, it should of been Breakaway and this episode that formed a "movie". This episode has a highly touching scene where the music steals the scene. Barbara Bain glares out of a moonbase window at a distant planet, the commander walks up to her, note the music playing here...a simply outstanding work of art!
BLACK SUN: Good but over-rated, Barry Morse is fine, don't know about the ending??? COLLISION COURSE: This plays like a disaster movie and for that reason it is well worth a look. Some great moments here. WAR GAMES: The teaser and act one are outstanding but you can have the rest! Great battle scenes in space filmed with great music playing over it. SPACE BRAIN: It begins so well, it ends so well, but forget about act one, act two, act three! Someone let the washing machine go for too long and this also happened in Land Of The Giants episode Brainwash. Great music and disaster...again!
YEAR TWO OPENER: THE METAMORPH: What a start! What a teaser! I was at the edge of my seat in the 1970s! However, after a shocked Bill Fraser (new cast member) struggles to fly his eagle away from a strange ball in space, the problems start as early as act one. But the action music and drama of the teaser make The Metamorph well worth a look. Also, you must hang around for the end, Landau gets a great closing line...his best line of the series in fact. THE MARK OF ARCHANON: Attention Australian fans! Alan Carter lets out a few Aussie terms and ideas that make this one a Down Under treat! SEEDS OF DESTRUCTION: Landau goes nuts, which bring back memories of 1960s Voyage to the Bottom of the Sea when the leads went nuts in Voyage year three/year four.
THE BETA CLOUD: This episode is reviewed by me in detail on this site...the second best episode of the whole series! SPACE WARP: Great space warp start, great monster, great eagle action. A MATTER OF BALANCE: Quality outdoor filming, nice to see Bill Fraser again, but... THE BRINGERS OF WONDER PART ONE: Out-of-control Landau in out-of-control eagle in teaser. THE SEANCE SPECTRE: Dust planet eagle effects coated with action music. DORZAK: "Is being Australian important?" asks an alien. "It is to me" responds Alan Carter.
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