This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the ...
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A greasy-spoon diner in Phoenix, Arizona is the setting for this long-running series. The title character, Alice Hyatt, is an aspiring singer who arrives in Phoenix with her teenaged son, ... See full summary »
This "All In The Family" spin-off centers around Edith's cousin, Maude Findlay. She's a liberal, independent woman living in Tuckahoe, NY with her fourth husband Walter, owner of Findlay's ... See full summary »
Dick Loudon and his wife Joanna decide to leave life in New York City and buy a little inn in Vermont. Dick is a how-to book writer, who eventually becomes a local TV celebrity as host of "... See full summary »
This sitcom follows recently divorced mother (Ann Romano) and her two teenage daughters (Barbara and Julie) as they start a new life together in Indianapolis, They are befriended by the building superintendent (Dwayne Schneider), who treats them like family. Together, these four main characters face life's challenges together. Written by
A mother who's trying to double as father. Two headstrong daughters. A series of the world's least likely (and most amorous) men. The result is a bubbling mixture of small chuckles and big laughs that just won't quit. (season 1)
According to the book "Archie and Edith, Mike and Gloria: The tumultuous history of All In The Family", the episode All in the Family: Edith's 50th Birthday (1977), where Edith was held prisoner in her home and tormented by a would-be rapist, was originally intended to be an episode of One Day At A Time, with Ann Romano as the victim. See more »
[after hearing Ms. Romano had a heart attack]
Women don't get heart attacks. They give 'em.
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Even as a kid, I knew that I was watching something that had never been done before. It made me want to watch it more, if only to see my mother that uncomfortable with the messages conveyed; messages about birth control, the ERA, per-marital sex....can you see where I'm going here? Ann Romano was the divorced mother of two girls, one a potential beauty queen, one not so cute (but you got the idea that was her choice somehow). The chaos in their eyes was, we now know, genuine. The actors were in as much a state of flux as our nation. Women were emerging as independent beings who didn't need a man to make their way in the world. The entire sit-com was played out, probably 90%, in the Romano living room. I think they wore the same 5-6 outfits through-out the entire show. The mostly absent father was played as a philandering, abusive, schmuck and largely only used as a way to man-bash. The maintenance man, Schneider, made phallic gestures with his ever present hammer and was never really fleshed out as a character but at the end of the run he was suddenly more evolved and flirted around with Anne...never made any sense to me at all. I loved the complicated teenage angst, as I was approaching that age myself, and the questions that as a young girl I never realized I was even entitled to ask. It was the 1970's and women were cutting their hair, burning their bras, tossing their inhibitions to the wind...but at my military family household you would never have known it was happening. If I have one criticism of this show, and it's been a 'thing' with me for 30 years, it's the physical language used in the portrayal of Anne by Bonnie Franklin...I never understood her intense anger. She wasn't just driven to make it on her own, you got the idea she was capable of violence if her rights were challenged. It might have been because she was petite but her chin always seemed to be up and stuck way forward...unnauturally posed so that you could actually see her neck rather than her face, and during those shots she was typically photographed from the side...you'd never have seen her face-on otherwise...it was truly 'in your face' and she'd effect that pose while grinning...it was almost maniacal. Again, the actress and the character were both up against a wall. The show had it's critics but refused to back down. A lot was on the line and everyone was watching. There were moments where she seemed less frantic, less controlling, and had touching moments with her daughters...but they were few and far between. By far, the daughters were the central characters, especially Mackenzie Phillips character, Julie. She was too tall, too thin, had acne and was a perpetual wreck...she embodied the way a lot of teen girls felt back then. Everyone wanted to be Barbara; organized, clean, funny, beautiful. A lot went on in that living room!
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