Weekly situation comedy about a hapless but caring teacher and his class of unruly kids. The teacher sees much good and potential in his pupils much to the dismay of his fellow teachers who... See full summary »
A managing editor of a LA newspaper must put together headlines for the next day in a way that'll attract the potential readers, deal with hectic going-ons at the workplace and have a serious talk with his wife about her wish to adopt.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel... See full summary »
The series followed the wavering relationship between two ex-lovers, Penny Warrender, a secretary for an advertising firm, and Vincent Pinner, an ex ice cream salesman turned turf ... See full summary »
Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in ... See full summary »
This is one of those TV gems you doubt will ever appear on video as it is so obscure, especially to the American audience. Thankfully, it is now available in the US and it is a pleasure to see this wonderful TV series again after 26 years.
Husband and wife John Alderton and Pauline Collins play husband and wife Charles (CD) and Clara Danby who have been married some ten years. CD and Clara tell (a studio audience) of their early days together (which are shown in flashback) when he was a struggling actor, and she was (and still is) a rather ditzy debutante, the product of even ditzier parents. With nothing much in common but love for one another, the hilarity results from their very differences.
Alderton and Collins had appeared together earlier in Upstairs Downstairs, and she of course was Oscar-nominated much later for Shirley Valentine. This TV series has been overlooked for too long, and is an absolute delight. The chemistry between CD and Clara is remarkable, because of the chemistry between Alderton and Collins.
The theme tune was a huge hit in Britain for composer and performer Lynsey De Paul. The show has aged well (apart from the fashions) and looks and sounds great thanks to Acorn Media which has provided us with this belated video edition. The picture and sound quality is stunning, and hats off to Acorn for not tampering with the show as it was originally presented. The London Weekend Television seventies logo is still there, much to the delight of us Brits in America. There is no self promotion on the part of Acorn, a company with which I am NOT associated.
Treat yourself to No, Honestly. You will not be disappointed. No, honestly.
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