When Tom Ballard moves to Bayview Retirement Vilage, he meets Diana Trent, a feisty old woman who complains about everything and wants nothing more than just to die. Much to the dislike of ... See full summary »
Jack Boult, a former rally driver, and his second wife Harriet, who used to be a nurse, move from the bustle of London to start a new life in a cottage in the Somerset countryside, together... See full summary »
Shirley's a middle-aged Liverpool housewife, who finds herself talking to the wall while she prepares her husband's chip'n'egg, wondering what happened to her life. She compares scenes in ... See full summary »
Weekly situation comedy about a hapless but caring teacher and his class of unruly kids. The teacher sees much good and potential in his pupils much to the dismay of his fellow teachers who... See full summary »
Long running British situation comedy with the vaguest of situations. The Goodies are a three man agency whose brief is to do 'anything, anytime'. This gave the series carte blanche to do ... See full summary »
STARTING WITH A simple enough premise this series manages to elevate its comic delight to a level that bigger budgets and guest stars couldn't accomplish. And just what is this mystery element? If one only knew, we could bottle it and sell it to Producers in London, Paris, New York, Hollywood and Bombay.
THE "TOP SECRET" central tenet of NO, HONESTLY is a weekly half hour of a now older couple; who reminisce about their days as a stupid, young newlywed couple. That's it and it is skillfully brought off by the co-mingling of good writing, fine acting and masterful characterization.
HOW THIS IS accomplished is certainly due, at least in part, to the fact that the married Couple on screen, "C.D. and Clara" were then and are now in fact Man & Wife. The very talented folks are John Alderton and Pauline Collins. Their chemistry, energy and charisma make the characters jump off the screen and into real life.
ANOTHER ASPECT OF the episodes is the similarity to the old act performed and perfected by George Burns & Gracie Allen. From the Vaudeville Houses, Radio Program, Movies and Television, it was Straight Man George's deadpan and the Naiveté of Gracie that served as the engine in driving their act to the top.
THE SIMILARITY BECOMES obvious in many of the sequences. We do well recall a particularly relevant example. In one episode, when C.D. mentions the word, "collateral", Clara asks; "Isn't that the stuff that Americans get in their blood from eating too much butter?"
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