Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
The year is 2045 and "tek," a highly addictive computer-based reality drug takes the users of the drug into a fantasy world. Jake Cardigan, a cop who was jailed on trumped charges, is hired... See full summary »
Searching for the lost world of Atlantis, Prof. Aitken, his son Charles and Greg Collinson are betrayed by the crew of their expedition's ship, attracted by the fabulous treasures of ... See full summary »
David Koster is an obsessive New York City assistant district attorney who gets into trouble because of his passion for justice. His boss, Anthony Celese, tries to keep him under control ... See full summary »
Howard Da Silva,
19th-century government agent and master of disguise Jeff Cable operates out of a secret room in a San Francisco casino owned by his best pal Cash Conover. Conover is sort of a dandy, and would rather avoid trouble at all costs, but Cable's persuasiveness coupled with Cash's sense of duty and a weakness for the fairer sex shared by both men usually leads them into dangerous missions. Written by
Marty McKee <email@example.com>
The plots had a similar complexity to the wonderful Robert Conrad/Ross Martin series Wild Wild West, and the characters are rather similar, though their attributes were combined and scrambled into the two new characters. Here Shatner is the disguise master, but is also the nominal lead, while disguse-master Martin played second fiddle to Conrad 10 years earlier.
Unfortunately, the intelligence (or rather, attention) of the audience had so deteriorated over the previous decade that this show was promptly canceled because the plots were deemed too complex.
If you've never seen Wild Wild West, see that instead. If you've seen that already and you're willing to put up with Shatner, then this can scratch your itch.
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