The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »
Like the Russian poet of 'Nostalghia', who, accompanied by his Italian guide and translator, traveled through Italy researching the life of an 18th-century Russian composer, Andrei ... See full summary »
Tarkovsky mixes flash-backs, historical footage and original poetry to illustrate the reminiscences of a dying man about his childhood during World War II, adolescence, and a painful divorce in his family. The story interweaves reflections about Russian history and society. Written by
The concept of The Mirror dates as far back as 1964. Over the years Tarkovsky wrote several screenplay variants, at times working with Aleksandr Misharin. Their mutually-developed script initially was not approved by the film committee of Goskino, and it was only after several years of waiting that Tarkovsky would be allowed to realize The Mirror. See more »
In the first scene, in which stutterer Yuri Zhary is being hypnotized, a shadow of the boom mic is prominently visible on the wall behind him. However, because this is clearly supposed to be a recreation of a TV broadcast, it appears to be a intentional error. See more »
It seems to make me return to the place, poignantly dear to my heart, where my grandfathers house used to be in which i was born 40 years ago right on the dinner table. Each time i try to enter it, something prevents me from doing that. I see this dream again and again. And when i see those walls made of logs and the dark entrence, even in my dream i become aware that I'm only dreaming it. And the overwhelming joy is clouded by anticipation of awakening. At times something happens and i stop ...
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Has there ever been a more visually beautiful film than this one? That's a rhetorical question... one that only viewing it can answer.
To try to follow it as an ordinary narrative is to lose its poetic ambience...I let it wash over me like glorious music. We are so accustomed to "and then...and then" that our minds can follow as logic, that we tend to dismiss the affect that the visual image itself can have on our minds, hearts and souls. Tarkovsky is a poet...and for me this is his richest, most satisfying film of all. Included are film clips from WW 2, the Spanish Civil War, poetry by the director's father.
It does help to know that the same actress (Margarita Terekhova) plays the dying man's wife and his mother...as he allows his memory to shift over his life.
The only other director I can think of who understands the visual language of film and its significance as beautifully as Tarkovsky is Terence Malick.
Zerkalo is haunting and uplifting even as we know the "hero" is dying. Death, after all, is an intrinsic part of life.
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