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The Mirror (1975)
"Zerkalo" (original title)

8.1
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Ratings: 8.1/10 from 16,263 users  
Reviews: 82 user | 40 critic

A dying man in his forties remembers his past. His childhood, his mother, the war, personal moments and things that tell of the recent history of all the Russian nation.

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(as Andrey Tarkovskiy)
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Title: The Mirror (1975)

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Cast

Cast overview, first billed only:
Margarita Terekhova ...
Natalya / Maroussia - the Mother
Oleg Yankovskiy ...
The Father
Filipp Yankovskiy ...
Aleksei - Five Years Old
Ignat Daniltsev ...
Ignat / Aleksei - twelve years old
Nikolay Grinko ...
Printery Director
Alla Demidova ...
Lisa
Yuriy Nazarov ...
Military trainer
Anatoliy Solonitsyn ...
Forensic doctor
Larisa Tarkovskaya ...
Nadezha - Mother of twelve-year-old Alexei
Tamara Ogorodnikova ...
Nanny / Neighbour / Strange woman at the tea table
Yuri Sventisov ...
Yuri Zhary
Tamara Reshetnikova
Innokentiy Smoktunovskiy ...
Aleksei (voice)
Arseniy Tarkovskiy ...
Father (voice)
E. Del Bosque ...
A Spaniard
Edit

Storyline

Tarkovsky mixes flash-backs, historical footage and original poetry to illustrate the reminiscences of a dying man about his childhood during World War II, adolescence, and a painful divorce in his family. The story interweaves reflections about Russian history and society. Written by <xaviermartin@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Biography | Drama

Certificate:

See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

7 March 1975 (Soviet Union)  »

Also Known As:

The Mirror  »

Filming Locations:

 »

Box Office

Budget:

RUR 622,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In the first scene involving a telephone call, the shot tracks past a poster for French adaptation of Andrei Rublev (1966), another Andrei Tarkovsky film. See more »

Goofs

During the last scene when the grandmother is accompanying the two children through a field, and the camera backtracks itself into dark woods,on the lower right portion of screen, the gleaming camera tracks are visible for a few seconds. See more »

Quotes

Father: It seems to make me return to the place, poignantly dear to my heart, where my grandfathers house used to be in which i was born 40 years ago right on the dinner table. Each time i try to enter it, something prevents me from doing that. I see this dream again and again. And when i see those walls made of logs and the dark entrence, even in my dream i become aware that I'm only dreaming it. And the overwhelming joy is clouded by anticipation of awakening. At times something happens and i stop ...
See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.8 (2011) See more »

Soundtracks

Matthäuspassion - BWV 244
Composed by Johann Sebastian Bach
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

See it and die
1 February 2005 | by (bangkok) – See all my reviews

We are talking visual poetry here. For almost the entire film, every square inch of screen is minutely painted. Ordinary criticism doesn't apply, there is no comparison between this and any other film.

So many scenes have you holding your breath in awe. The smallest movement of light is choreographed precisely. A shadow across someone's face, the wind in the trees - these are not simply images of those things, but the ungraspable nature of life, regret, beauty, memory. So much more lies beneath the surface, as we are shown a reflection in a mirror that momentarily purports to be reality, but need not necessarily be interpreted as such.

The film's magic derives from Tarkovsky's surefooted ability to succeed with a succession of intense, beautiful images. He cannot put a foot wrong. Discontinuity in the narrative give the appearance of complexity, but Tarkovksy would insist that the basic thrust of the narrative is simple. The film is immensely personal, and the disconnections only serve to involve the viewer more – we are allowed to fill in the gaps ourselves.

To appreciate all this you need an essential sympathy for nostalgia and memories, for the passing of life, and for regret. You need an appreciation of a silent room and what it previously held, and of nature. You will need a sense of living in a turbulent and dangerous world, where all beauty is transient and sad. You will need to understand how small moments in life can become the most precious.

The film is tragic because, like memories, it lingers. It shows us details beneath the surface and how they can affect us. It shows life in the context of death, nature, the times and places we have passed through. The camera ponders and paints all this in beautiful detail.

Of course, real life is never so rich nor so intense - only momentarily so. The film wants to distil as much of that precious beauty as possible in a number of disjointed moments, coloured through memory and imagination, from childhood through to the point of death.

Apply it to your own life. There is no more than this.


159 of 177 people found this review helpful.  Was this review helpful to you?

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