The priceless Blue Water sapphire is coveted by the heirs of Sir Hector Geste - his new wife, Flavia; his daughter, Isabel; and his adopted twin sons, heroic Beau and pathetic Digby. When ... See full summary »
A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind... Written by
Flavio Rizzardi <email@example.com>
After the first set of dailies, Mel Brooks and Gene Wilder asked director of photography Gerald Hirschfeld what he thought. Overall Hirschfeld was pleased however Brooks was not, saying that the film should satirize the look of the old Universal horror films. Gene Wilder came to the flabbergasted Hirschfeld's defense saying, "Mel, we never told him that that's what we wanted. He's replicating it but we want to poke fun at it." Hirschfeld made some changes and the next set of dailies was more successful. See more »
When Helga flies through the window of her house and lands on her bed (after the Monster sends her flying on the seesaw) you can see the string attached to her to hoist her in the air. See more »
Dr. Frederick Frankenstein:
Love is the only thing that can save this poor creature, and I am going to convince him that he is loved even at the cost of my own life. No matter what you hear in there, no matter how cruelly I beg you, no matter how terribly I may scream, do not open this door or you will undo everything I have worked for. Do you understand? Do not open this door.
Nice working with ya.
[Dr. Frederick Frankenstein goes into the room with The Monster. The Monster wakes up]
Dr. Frederick Frankenstein:
Let me out. Let me out of...
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The zero in the 20th century fox logo at the beginning is slightly tilted. See more »
Mel Brooks' tribute to the Frankenstein movies of the 40s is done with such love, such skill, and such side-splitting, fall-on-the-floor hilarity, that it has rightfully become a comedy classic. I first saw it in a movie theater: I had no idea what it was, had very little knowledge of Mel Brooks at the time, and expected to be bored. Instead, I found myself shrieking aloud with laughter that became so intense, I missed many of the major lines. Hence the video.
What can I say? From the wild-eyed Igor, the hunchbacked Transylvanian servant whose hump keeps changing from side to side, to the modern-day descendant of Baron von Frankenstein, determined not to follow in his great-grandfather's nefarious footsteps, to the nurse, a naif with enormous...er...chestal appendages, to the fearsome Frau Bleucher, whose mere mention causes horses in the castle's faraway stables to neigh in fear...to the scene of the monster and his creator singing and dancing in black tie to "putting on the Ritz," this movie should come with a warning: "Danger--Uncontrollable Laughter May Become Chronic."
The cast is beyond superb. The late, wonderful British comedian Marty Feldman (Igor), who turned his congenital wandering eyes into comedic foils, never misses a beat as second banana to Gene Wilder, who plays the distraught Dr. Frankenstein to the hilt and beyond. Cloris Leachman, who looks like a cross between a witch and a warlock, plays the feared housekeeper Frau Bleucher (neighhh!!!), and a very young, beautiful, and buxom Teri Garr plays the nurse-assistant to the good doctor. Then there is the marvelous Madeline Kahn, who gave a bravura performance as the doctor's fiancee. The late comedienne's burst into operatic ecstasy during her rape by the monster is simply inspired, and is one of the comedic high points of the entire film. All of Kahn's considerable talents came into play during this movie; she was taken from us too soon.
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