A young neurosurgeon (Gene Wilder) inherits the castle of his grandfather, the famous Dr. Victor von Frankenstein. In the castle he finds a funny hunchback called Igor, a pretty lab assistant named Inga and the old housekeeper, frau Blucher -iiiiihhh!-. Young Frankenstein believes that the work of his grandfather is only crap, but when he discovers the book where the mad doctor described his reanimation experiment, he suddenly changes his mind... Written by
Flavio Rizzardi <email@example.com>
The original cut of the movie was almost twice as long as the final cut, and it was considered by all involved to be an abysmal failure. It was only after a marathon cutting session that they produced the final cut of the film, which both Gene Wilder and Mel Brooks considered to be far superior to the original product. At one point they noted that for every joke that worked, there were three that fell flat. So they went in and trimmed all the jokes that didn't work. See more »
Before the monster has fully put his weight upon the see-saw, you can see Helga begin to be lifted off of her seat. See more »
Dr. Frederick Frankenstein:
My fellow scienti...
Dr. Frederick Frankenstein:
...tists - and neurosurgeons, ladies and gentlemen. A few short weeks ago, coming from a background, believe me, as conservative and traditionally grounded in scientific fact as any of you, I began an experiment in, incredulous as it may sound, the reanimation of dead tissue.
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The zero in the 20th century fox logo at the beginning is slightly tilted. See more »
Mel Brooks' tribute to the Frankenstein movies of the 40s is done with such love, such skill, and such side-splitting, fall-on-the-floor hilarity, that it has rightfully become a comedy classic. I first saw it in a movie theater: I had no idea what it was, had very little knowledge of Mel Brooks at the time, and expected to be bored. Instead, I found myself shrieking aloud with laughter that became so intense, I missed many of the major lines. Hence the video.
What can I say? From the wild-eyed Igor, the hunchbacked Transylvanian servant whose hump keeps changing from side to side, to the modern-day descendant of Baron von Frankenstein, determined not to follow in his great-grandfather's nefarious footsteps, to the nurse, a naif with enormous...er...chestal appendages, to the fearsome Frau Bleucher, whose mere mention causes horses in the castle's faraway stables to neigh in fear...to the scene of the monster and his creator singing and dancing in black tie to "putting on the Ritz," this movie should come with a warning: "Danger--Uncontrollable Laughter May Become Chronic."
The cast is beyond superb. The late, wonderful British comedian Marty Feldman (Igor), who turned his congenital wandering eyes into comedic foils, never misses a beat as second banana to Gene Wilder, who plays the distraught Dr. Frankenstein to the hilt and beyond. Cloris Leachman, who looks like a cross between a witch and a warlock, plays the feared housekeeper Frau Bleucher (neighhh!!!), and a very young, beautiful, and buxom Teri Garr plays the nurse-assistant to the good doctor. Then there is the marvelous Madeline Kahn, who gave a bravura performance as the doctor's fiancee. The late comedienne's burst into operatic ecstasy during her rape by the monster is simply inspired, and is one of the comedic high points of the entire film. All of Kahn's considerable talents came into play during this movie; she was taken from us too soon.
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