IMDb > A Woman Under the Influence (1974)
A Woman Under the Influence
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A Woman Under the Influence (1974) More at IMDbPro »

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Overview

User Rating:
8.2/10   14,698 votes »
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Popularity: ?
Up 3% in popularity this week. See why on IMDbPro.
Director:
Writer:
John Cassavetes (written by)
Contact:
View company contact information for A Woman Under the Influence on IMDbPro.
Release Date:
18 November 1974 (USA) See more »
Genre:
Plot:
Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema. Full summary » | Add synopsis »
Awards:
Nominated for 2 Oscars. Another 10 wins & 4 nominations See more »
User Reviews:
Cassavetes's absorbing look at the nature of marriage; Falk and Rowlands are spellbinding See more (96 total) »

Cast

  (in credits order) (verified as complete)

Peter Falk ... Nick Longhetti

Gena Rowlands ... Mabel Longhetti
Fred Draper ... George Mortensen
Lady Rowlands ... Martha Mortensen
Katherine Cassavetes ... Margaret Longhetti

Matthew Labyorteaux ... Angelo Longhetti

Matthew Cassel ... Tony Longhetti
Christina Grisanti ... Maria Longhetti
George Dunn ... Garson Cross (as O.G. Dunn)

Mario Gallo ... Harold Jensen
Eddie Shaw ... Dr. Zepp
Angelo Grisanti ... Vito Grimaldi

Charles Horvath ... Eddie
James Joyce ... Bowman

John Finnegan ... Clancy
Vincent Barbi ... Gino (as Vince Barbi)
Cliff Carnell ... Aldo

Frank Richards ... Adolph
Hugh Hurd ... Willie Johnson
Leon Wagner ... Billy Tidrow

Dominique Davalos ... Dominique Jensen

Xan Cassavetes ... Adrienne Jensen
Pancho Meisenheimer ... John Jensen
Sonny Aprile ... Aldo
Ellen Davalos ... Nancy
Joanne Moore Jordan ... Muriel
John Hawker ... Joseph Morton
Sylvester Words ... James Turner (as Sil Words)
Elizabeth Deering ... Angela
Jackie Peters ... Tina
Elsie Ames ... Principal
N.J. Cassavetes ... Adolph

Directed by
John Cassavetes 
 
Writing credits
John Cassavetes (written by)

Produced by
Sam Shaw .... producer
 
Original Music by
Bo Harwood 
 
Cinematography by
Mitch Breit (uncredited)
Al Ruban (uncredited)
 
Film Editing by
David Armstrong 
Sheila Viseltear 
 
Art Direction by
Phedon Papamichael 
 
Second Unit Director or Assistant Director
Jack Corrick .... first assistant director
Roger Slager .... second assistant director
Gary Graver .... second unit director (uncredited)
 
Art Department
Steve Hitter .... graphics
Kevin Joyce .... props
 
Sound Department
Michael Denecke .... sound mixer (as Henry Michael Denecke)
Nick Spaulding .... boom operator (as Nick Spalding)
Bo Harwood .... sound (uncredited)
 
Camera and Electrical Department
Mitch Breit .... in charge of lighting (as Mitchell Breit)
Cliff Carnell .... key grip
Merv Dayan .... lighting technician
Caleb Deschanel .... additional photographer
Frederick Elmes .... assistant camera (as Fred Elmes)
Michael Ferris .... camera operator (as Mike Ferris)
Gary Graver .... additional camera operator
David V. Lester .... gaffer (as David Lester)
David B. Nowell .... camera operator (as David Nowell)
Leslie Otis .... assistant camera
Anthony R. Palmieri .... assistant camera (as Tony Palmieri)
Larry Silver .... assistant camera
Bo Taylor .... lighting technician
Chris Taylor .... lighting technician
Brian Hamill .... still photographer: special assignment (uncredited)
R. Michael Stringer .... additional photographer (uncredited)
 
Costume and Wardrobe Department
Carole K. Smith .... wardrobe (as Carole Smith)
 
Editorial Department
Tom Cornwell .... supervising editor
Robert Heffernan .... executive in charge of post-production
 
Other crew
Elaine Goren .... continuity
Carole K. Smith .... production secretary (as Carole Smith)
 
Crew believed to be complete


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Additional Details

Also Known As:
Runtime:
155 min | USA:146 min (TCM print)
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Australia:M | Brazil:12 | Finland:K-16 | Norway:16 | Portugal:M/12 (Qualidade) | Sweden:15 | UK:AA (original rating) | UK:15 (video rating) (1992) | USA:R | West Germany:16
Company:

Did You Know?

Trivia:
This is one of three films written and directed by John Cassavetes to receive Oscar nominated. Gloria (1980) received 1 nomination for Best Actress, (Gena Rowlands), who was also nominated for Cassavetes' A Woman Under the Influence (1974), which got 2 nominations, with Cassavetes also getting a Best Director nod. Faces (1968/I) received 3 nominations - 2 for acting in supporting roles, and 1 for Cassavetes for screenwriting. Cassavetes was also nominated for Best Supporting Actor for The Dirty Dozen (1967) in a film he neither wrote nor directed. Neither Rowlands nor Cassavetes ever won an Academy Award.See more »
Goofs:
Continuity: After returning from the hospital, as Mabel enters the living room where Nicky and the others are, Nicky's position relative to the couch changes between shots.See more »
Quotes:
Mabel Longhetti:Dad... will you stand up for me?
George Mortensen:Sure.
[stands up]
Mabel Longhetti:No, I don't mean that. Sit down, Dad. Will you please stand up for me?
See more »
Movie Connections:
Referenced in Hollywood Mouth (2008)See more »
Soundtrack:
AidaSee more »

FAQ

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32 out of 50 people found the following review useful.
Cassavetes's absorbing look at the nature of marriage; Falk and Rowlands are spellbinding, 24 December 2004
Author: MisterWhiplash from United States

While John Cassavetes is (rightly) revered for this film and other under his belt, wife/key-star Gena Rowlands is the most fascinating and emotionally gripping part to this work, Woman Under the Influence. Her role as Mabel was perfect in a film that sometimes was not even as it just tried for suburban truth. I was constantly curious about where her character was headed, and even more so by how I did not feel any desire at all to pass judgment on her. The moment I would have thought to myself "well, she's too nuts to like" the film would be ruined for me. And that is one of the more intelligent points to the film that Cassavetes gets at.

This is, after all, a character-based film, with story merely in the background. And with his two main characters we get a look at what has been a stereotype for centuries- men are often brutal and stupid, women are crazy. In this filmmakers world, it's just not that black and white, however, but with the grays as pronounced as the highs and lows in a melodrama; it's just the way he sees things, and it's a unique way as well, where the soul and choice are the precedents over comfy dramatic circumstance.

I loved the use of the camera in many scenes, how it felt like they just shot and shot and went from one spot in the house to the next, uncertain but knowing how to observe and look. In fact, the whole film has the feel of a documentary, with the occasional dramatic touch such as a close-up. But what turns it into being something special is that Cassavetes understands that Falk, Rowlands and the others can take his script and make it their own, very personally so. And as it happens, Falk finds some of his most daring work here as Nick, a character who in his own way has become as nuts as Mabel with the everyday grind of living (which for both of them is filled with people, talk, pure humanity).

For those who don't like the easy solutions in dramas, or want to know the basics of the post-modern independent film movement, this is for you. It might seem to drag in spots, but it seems to be even more enveloping if one gives it the time to contemplate over those 'drag' moments.

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