Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
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Psychologist Dr. Matthew Clark is the head of the Crawthorne State Training Institute, one of the first boarding schools for developmentally challenged children. Dr. Clark is sympathetic ... See full summary »
Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed. Written by
BA Jacobson <firstname.lastname@example.org>
When Mabel returns from the Hospital, the family is in the living room watching Nicky and Mabel's father argue about dinner. Mabel sits on the chair with her father and kisses him. The camera tilts down and tape is visible on the floor. This is marking tape used to denote where to reposition the chair for retakes as the chair was moved earlier in the scene by Dr. Zepp. See more »
This two and a half hour movie left me sweaty, exhausted and hollowed out. In its own way it's an extremely well done film, but I don't know that it's an experience I want to repeat. Director John Cassavetes follows a few months in the life of a family whose mother and wife (Gena Rowlands) is suffering from mental illness, and the movie consists of one long scene after another of her cracking up, or trying not to crack up, and the various family members' reactions to her cracking up. Peter Falk plays the husband and father who thinks that mental illness is just some silly nonsense his wife should be able to stop if she just tried hard enough. Rowlands has the showier role, but Falk is the revelation here. His depiction of a husband who blusters and shouts to hide his overwhelming sense of helplessness and fear is superb.
Cassavetes's camera is relentless. We watch Rowlands suffer again and again in long takes and intimate closeups. There are times when you simply want to look away from the screen to help this poor woman preserve a shred of dignity. The highlight of the film (or low point, depending on your point of view) comes when Rowlands's character returns home from a stay in an institution, and her family works overtime to convince themselves that everything's fine when the audience can see clearly that everything is not.
Bruising is the best word I can think of to describe this film.
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