Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Emmi, a woman truly in the second half of life, falls in love with Ali, a Berber guest worker more than ten years younger. When they both decide to marry, everybody seems to be against them... See full summary »
Rainer Werner Fassbinder
El Hedi ben Salem,
Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed. Written by
BA Jacobson <email@example.com>
In the scene at the end of the film when Nick and Mabel are putting the children to bed, the boom mic is visible on the left side of the screen poking out from behind the door frame just after Nick exits the room and Mabel is about to turn off the light. See more »
A man goes into a big, strange house with his family and friends. He is armed with script and camera, and proceeds to create a milestone work of American cinema the key film of the 1970s. Above all else, `A Woman Under the Influence' is Anti-Hollywood, Anti-Establishment, Anti-Film. 1970's Hollywood may have defined itself with films like Godfather, Rocky, Annie Hall, and Deer Hunter but real, unpredictable, chaotic life was Cassavettes' territory. Fact is, Hollywood will never be ready for uninhibited Mabel and her much crazier husband Nick. Nutty as she is, Mabel/Cassavettes does nothing but tell the truth, the whole truth, and nothing but. Hollywood at best, tells persuasive lies. So , to get Hollywood ready for the Gospel of Cassavettes, the first thing that must happen is to banish the entire FX community; ship em to Alcatraz where they can make blockbuster cartoons for each other. Second the writers, directors and producers of said cartoons can go Vegas and try to `leave.' Those who remain will be entrusted with putting complex human beings who inhabit interesting lives and situations on the screen not `role models' who traipse through neatly-plotted, highly-improbable, beautifully photographed, committee-designed plots. Get my point? By the way, Gena Rowlands in "Influence" gives one of the finest performances of the sound era. See this film. See it now. Right now.
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