Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
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Ghost is an idealogical musician who would rather play his blues in the park to the birds than compromise himself. However, when he meets and falls in love with beautiful singer, Jess ... See full summary »
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An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed. Written by
BA Jacobson <firstname.lastname@example.org>
To help fund the film, John Cassavetes remortgaged his home. Peter Falk also chipped in with some of his earnings from Columbo (1971). When no one wanted to buy "Influence" , Cassavetes spent $750,000, most of it his own money, to release it, with the sage guidance of young distributor Jeff Lipsky. He helped to "four-wall" or rent out movie theaters to show the film and it ended up playing around the world, eventually grossing $12 million. See more »
Mabel and Nicky's positions change between shots when he asks her how the hospital was. See more »
This is probably one of the most intense films ever made, but to label it "intense" is to almost do it injustice. After all, almost all of the greatest works of art are intense, aren't they?
Although it is quite possible to find certain themes that run through this work, the movie almost seems to resist themes. Within its two-and-a-half hour running time, John Cassavetes touches on some of the most indescribable emotional states that human beings ever experience.
Technically, the film is equally excellent, with a nice minimalist score by Bill Harwood, softly beautiful cinematography, and fascinating editing. But all of this is merely in service of the brilliant performances by Rowlands, Falk, and the rest of the cast.
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