Mabel, a wife and mother, is loved by her husband Nick but her madness proves to be a problem in the marriage. The film transpires to a positive role of madness in the family, challenging conventional representations of madness in cinema.
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ... See full summary »
Emmi, a woman truly in the second half of life, falls in love with Ali, a Berber guest worker more than ten years younger. When they both decide to marry, everybody seems to be against them... See full summary »
Rainer Werner Fassbinder
El Hedi ben Salem,
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a... See full summary »
Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed. Written by
BA Jacobson <email@example.com>
This is probably one of the most intense films ever made, but to label it "intense" is to almost do it injustice. After all, almost all of the greatest works of art are intense, aren't they?
Although it is quite possible to find certain themes that run through this work, the movie almost seems to resist themes. Within its two-and-a-half hour running time, John Cassavetes touches on some of the most indescribable emotional states that human beings ever experience.
Technically, the film is equally excellent, with a nice minimalist score by Bill Harwood, softly beautiful cinematography, and fascinating editing. But all of this is merely in service of the brilliant performances by Rowlands, Falk, and the rest of the cast.
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