IMDb > Willie Dynamite (1974)
Willie Dynamite
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Willie Dynamite (1974) More at IMDbPro »

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Overview

User Rating:
6.3/10   524 votes »
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Director:
Writers:
Ron Cutler (screenplay) and
Ron Cutler (story)
(more)
Contact:
View company contact information for Willie Dynamite on IMDbPro.
Genre:
Tagline:
Ain't no one crosses WILLIE "D" See more »
Plot:
A social worker tries to get a pimp to change his ways. | Add synopsis »
NewsDesk:
(2 articles)
User Reviews:
Maybe I should have shot you, they call it mercy killing See more (15 total) »

Cast

  (in credits order) (verified as complete)

Roscoe Orman ... Willie
Diana Sands ... Cora
Thalmus Rasulala ... Robert Daniels
Joyce Walker ... Pashen
Roger Robinson ... Bell

George Murdock ... Celli

Albert Hall ... Pointer
Norma Donaldson ... Honey
Juanita Brown ... Sola
Royce Wallace ... Willie's Mother
Judith Brown ... Gorgia (as Judy Brown)
Marilyn Coleman ... Connie
Mary Charlotte Wilcox ... Scatback
Marcia McBroom ... Pearl
Jack Bernardi ... Willie's Lawyer
Ted Gehring ... Sergeant
Ron Henriquez ... Cyrus
Wynn Irwin ... Bailiff #1
Nathaniel Taylor ... Sugar

Ken Lynch ... Judge #1
Davis Roberts ... Judge #2
rest of cast listed alphabetically:
Tol Avery ... Business International Association Television Speaker (uncredited)

Jophery C. Brown ... Thug / Bailiff (uncredited)

Robert DoQui ... Baylor the Pimp (uncredited)
Jac Emil ... Pimp (uncredited)
Leslie McRay ... Competing Prostitute (uncredited)
Jeffrey Sayre ... Conventioneer (uncredited)
Olan Soule ... Conventioneer arrested in Vice Raid (uncredited)
Alan Weeks ... Photographer (uncredited)

Directed by
Gilbert Moses 
 
Writing credits
Ron Cutler (screenplay)

Ron Cutler  story
Joe Keyes Jr.  story

Produced by
David Brown .... producer
Richard D. Zanuck .... producer
 
Original Music by
J.J. Johnson 
 
Cinematography by
Frank Stanley 
 
Film Editing by
Aaron Stell 
 
Art Direction by
John T. McCormack 
 
Set Decoration by
Claire P. Brown 
 
Costume Design by
Bernard Johnson 
 
Production Management
L.B. Merman .... unit production manager (as Doc Merman)
 
Second Unit Director or Assistant Director
Jim Hogan .... first assistant director (as James Hogan)
William Holbrook .... second assistant director
 
Sound Department
Dennis C. Salcedo .... optical sound recordist
 
Stunts
George Santana .... stunts
 
Animation Department
Gilbert Moses .... animator (as Gilbert Moses III)
 

Production CompaniesDistributors

Additional Details

Runtime:
102 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:

Did You Know?

Goofs:
Continuity: When Willie is talking to Cora at the end of the movie, there is a light scar along his right cheek. As he's leaving her apartment, the scar not only gets noticeably worse, but additional scars also mysteriously appear on his forehead and nose. Yet when Willie comes out of the apartment building to see his car being towed, all of the scars are gone.See more »
Soundtrack:
King MidasSee more »

FAQ

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11 out of 11 people found the following review useful.
Maybe I should have shot you, they call it mercy killing, 21 March 2004
Author: sol1218 from brooklyn NY

******SPOLIERS****** "Willie Dynamite" is miles above the average "Blaxploitation" films made in the 1970's by it's not glorifying the title character in any way but showing him as a ruthless as well as tragic and misguided person. A person who's self-destructive lifestyle as a big time city pimp lead to disaster not only to himself but to all those around him: his women his friends his hangers-on and worst of all his sweet and church-going mother played by Royce Wallace.

Back in those days, the 70's, Willie Dynamite, Roscoe Orman, could easily have been made to be a hero for the youth of the inner city ghettos to be looked up to and emulated. Instead the movie wisely chose to show him and his lifestyle for what it was, indifferent and unfeeling. Thats how Willie was to those women who worked the streets and hotels for him selling their hot bodies for the only thing that mattered to him the bottom line: Cold Cash.

The film chronicles the rise and fall and in the end redemption of big city pimp Willie Dynamite after he saw his mother collapse in the courthouse, when she found out what Willie really did for a living, and later die in the hospital without Willie being able to tells her that he's sorry for what he did and get her forgiveness. Willie let his mom on to believe that he was a record agent not a pimp.

Willie's top hooker Pashen, Joyce Walker, who wanted to get out of the hooker business and become a fashion model after she was shown the light by Cora, Diana Sands, a social worker who tried to save girls like her from being exploited by pimps like Willie. Pashen instead gets sweet-talked back into turning tricks by Willie's and ends up having her pretty face slashed while she was in the womens house of detention waiting to be bailed out by him.

Diana Sands steals the movie with her sensitive portrayal of a social worker who knows all too well what life on the streets can do from her sad and abysmal life as a young women and tries to get the girls working for Willie to save themselves from that life like she did. We also see Diana change her opinion about Willie when he's destroyed by his fellow pimps as well as the law and becomes a broken and humbled person instead of the brash and arrogant pimp that she fought with throughout most of the movie. It's Cora's tender and emotional scene with Willie at the end of the film made you want to reach for your handkerchief.

Finally Willie himself who went from a cold-hearted and unfeeling person who looked at both his hookers and the Johns who paid for their services only as dollar signs to where he became a sensitive and understanding person by the time the movie ended but it took a walk through hell for Willie to get to that point. The movie also has fine location filming in and around NYC with a great musical soundtrack.

It would be unfair for "Willie Dynamite" to be described as a "Blaxploitation" movie; It doesn't exploits it's audience it educates it.

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