6.3/10
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Willie Dynamite (1974)

A social worker tries to get a pimp to change his ways.

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Writers:

(screenplay), (story) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Willie
Diana Sands ...
Cora
...
Robert Daniels
Joyce Walker ...
Pashen
Roger Robinson ...
Bell
...
Celli
...
Pointer
Norma Donaldson ...
Honey
...
Sola
Royce Wallace ...
Willie's Mother
...
Gorgia (as Judy Brown)
Marilyn Coleman ...
Connie
...
Scatback
...
Pearl
Jack Bernardi ...
Willie's Lawyer
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Storyline

A social worker tries to get a pimp to change his ways.

Plot Summary | Add Synopsis

Taglines:

He's got to be Number-One. See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 January 1974 (USA)  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Rosco Orman ('Willie D.') is perhaps best known to audiences, as Gordon, of Sesame Street. See more »

Goofs

At the 16:30 mark of the movie, when Honey calls Willie to say Pashen's been busted, Willie tells her he'll be right down, to sit tight, and keep doing business. The only thing, the pay phone she's calling Willie from has a small sign by the coin slot that says "You can dial any number in the Los Angeles area", when they are supposed to be in New York City. See more »

Crazy Credits

During the ending credits, Richard Lawson is credited as playing the role of Sugar, when in fact it is Nathaniel Taylor who plays the role. See more »

Connections

Referenced in The Cinema Snob: The Legend of the Lone Ranger (2013) See more »

Soundtracks

King Midas
Music & Lyrics by Gilbert Moses
Sung by Martha Reeves (as Martha Reeves & The Sweet Things)
Arranged by Dale Oehler
See more »

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User Reviews

Look, Derek, I commented!
27 May 2004 | by (Sandy Spring, Maryland) – See all my reviews

It is impossible to deny that this film has some hilarious parts. You can't help enjoying the absolutely ridiculous outfits and mannerisms of the pimps.

Everything from Willie's beyond gaudy car to even the characters' names (i.e. the white pimp named Milky Way) is pretty entertaining.

But it does have some serious (well okay, maybe not serious) implications as well. It is basically set up like most classic tragedies; a man in a position of great power falls due to a tragic flaw. Willie is likable enough not to deserve our hatred, but ruthless enough that we accept that he deserved his fate. Okay, so it's a bad idea to overthink this movie, but it is important to at least recognize that format.

Furthermore, its social implications are pretty relevant. It portrayed Black and White characters in both positive and negative stereotypes, as well as providing more well rounded characters to serve as positive rolemodels. It started out glorifying the pimp lifestyle and slowly de-glamorized it as a life of dishonesty, drug addiction, violence, and eventual ruin. It may have really given young kids growing up in ghettoes in that era as made something to think about by slowly exposing the harsh realities of a life outside the law. Especially since it also presented positive Black role models who came from similar situations, like Cora, a prostitute-turned-social worker on a quest to help rescue other young girls from a life on the streets.


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