Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
Super Fly is a cocaine dealer who begins to realize that his life will soon end with either prison or his death. He decides to build an escape from the life by making his biggest deal yet, ... See full summary »
A dock worker becomes a prizefighter, but gets mixed up with a crooked manager. A sympathetic L.A. detective tries to set him straight, but he won't listen. His manager, who is also a drug ... See full summary »
Bruce D. Clark
Dolemite is a pimp who was set up by Willie Greene and the cops, who have planted drugs, stolen furs, and guns in his trunk and got him sentenced to 20 years in jail. One day, Queen B and a... See full summary »
Rudy Ray Moore,
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
J.J., a rising star in the black crime scene, is in the process of consolidating his power over the neighborhood. One of the only remaining obstacles is the white heroin cartel that is ... See full summary »
When Willie is talking to Cora at the end of the movie, there is a light scar along his right cheek. As he's leaving her apartment, the scar not only gets noticeably worse, but additional scars also mysteriously appear on his forehead and nose. Yet when Willie comes out of the apartment building to see his car being towed, all of the scars are gone. See more »
During the ending credits, Richard Lawson is credited as playing the role of Sugar, when in fact it is Nathaniel Taylor who plays the role. See more »
It is impossible to deny that this film has some hilarious parts. You can't help enjoying the absolutely ridiculous outfits and mannerisms of the pimps.
Everything from Willie's beyond gaudy car to even the characters' names (i.e. the white pimp named Milky Way) is pretty entertaining.
But it does have some serious (well okay, maybe not serious) implications as well. It is basically set up like most classic tragedies; a man in a position of great power falls due to a tragic flaw. Willie is likable enough not to deserve our hatred, but ruthless enough that we accept that he deserved his fate. Okay, so it's a bad idea to overthink this movie, but it is important to at least recognize that format.
Furthermore, its social implications are pretty relevant. It portrayed Black and White characters in both positive and negative stereotypes, as well as providing more well rounded characters to serve as positive rolemodels. It started out glorifying the pimp lifestyle and slowly de-glamorized it as a life of dishonesty, drug addiction, violence, and eventual ruin. It may have really given young kids growing up in ghettoes in that era as made something to think about by slowly exposing the harsh realities of a life outside the law. Especially since it also presented positive Black role models who came from similar situations, like Cora, a prostitute-turned-social worker on a quest to help rescue other young girls from a life on the streets.
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