Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
Friday Foster, an ex-model magazine photographer, goes to Los Angeles International airport to photograph the arrival of Blake Tarr, the richest black man in America. Three men attempt to ... See full summary »
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
In contrast to most of the violence-laden "blaxploitation" films of the period, this low-budget effort eschews exploitation for humanity and domestic drama. Leonard Jackson plays a barber ... See full summary »
In 1964, a group of high school friends who live on the Near North Side of Chicago enjoy life to the fullest...parties, hanging out, meeting new friends. Then life changes for two of the ... See full summary »
The story involves a white supremist plot to taint the United States water supply with a toxin that is harmless to whites but lethal to blacks. The only obstacles that stand in the way of ... See full summary »
Last film of Ms. Diana Sands, as she was ill with cancer, at time of filming. See more »
When Willie is talking to Cora at the end of the movie, there is a light scar along his right cheek. As he's leaving her apartment, the scar not only gets noticeably worse, but additional scars also mysteriously appear on his forehead and nose. Yet when Willie comes out of the apartment building to see his car being towed, all of the scars are gone. See more »
During the ending credits, Richard Lawson is credited as playing the role of Sugar, when in fact it is Nathaniel Taylor who plays the role. See more »
Maybe I should have shot you, they call it mercy killing
******SPOLIERS****** "Willie Dynamite" is miles above the average "Blaxploitation" films made in the 1970's by it's not glorifying the title character in any way but showing him as a ruthless as well as tragic and misguided person. A person who's self-destructive lifestyle as a big time city pimp lead to disaster not only to himself but to all those around him: his women his friends his hangers-on and worst of all his sweet and church-going mother played by Royce Wallace.
Back in those days, the 70's, Willie Dynamite, Roscoe Orman, could easily have been made to be a hero for the youth of the inner city ghettos to be looked up to and emulated. Instead the movie wisely chose to show him and his lifestyle for what it was, indifferent and unfeeling. Thats how Willie was to those women who worked the streets and hotels for him selling their hot bodies for the only thing that mattered to him the bottom line: Cold Cash.
The film chronicles the rise and fall and in the end redemption of big city pimp Willie Dynamite after he saw his mother collapse in the courthouse, when she found out what Willie really did for a living, and later die in the hospital without Willie being able to tells her that he's sorry for what he did and get her forgiveness. Willie let his mom on to believe that he was a record agent not a pimp.
Willie's top hooker Pashen, Joyce Walker, who wanted to get out of the hooker business and become a fashion model after she was shown the light by Cora, Diana Sands, a social worker who tried to save girls like her from being exploited by pimps like Willie. Pashen instead gets sweet-talked back into turning tricks by Willie's and ends up having her pretty face slashed while she was in the womens house of detention waiting to be bailed out by him.
Diana Sands steals the movie with her sensitive portrayal of a social worker who knows all too well what life on the streets can do from her sad and abysmal life as a young women and tries to get the girls working for Willie to save themselves from that life like she did. We also see Diana change her opinion about Willie when he's destroyed by his fellow pimps as well as the law and becomes a broken and humbled person instead of the brash and arrogant pimp that she fought with throughout most of the movie. It's Cora's tender and emotional scene with Willie at the end of the film made you want to reach for your handkerchief.
Finally Willie himself who went from a cold-hearted and unfeeling person who looked at both his hookers and the Johns who paid for their services only as dollar signs to where he became a sensitive and understanding person by the time the movie ended but it took a walk through hell for Willie to get to that point. The movie also has fine location filming in and around NYC with a great musical soundtrack.
It would be unfair for "Willie Dynamite" to be described as a "Blaxploitation" movie; It doesn't exploits it's audience it educates it.
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