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Welcome to Arrow Beach (1974)

 -  Horror  -  May 1974 (USA)
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Ratings: 5.7/10 from 187 users  
Reviews: 14 user | 10 critic

A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to ... See full summary »



(screenplay), (adaptation), 1 more credit »
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Title: Welcome to Arrow Beach (1974)

Welcome to Arrow Beach (1974) on IMDb 5.7/10

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Cast overview, first billed only:
Grace Henry
Deputy Rakes
Sheriff Duke Bingham
Gloria LeRoy ...
Alex Heath
Dodie Heath ...
Altovise Davis ...
Deputy Molly (as Altovise Gore)
Elizabeth St. Clair ...
Head Nurse
Robert Lussier ...
Deputy Lippencourt
Hot Rod Driver
Tony Ballen ...
John Hart ...
Andy Romano ...


A hippie girl wandering on a California beach is taken in by a Korean War veteran who lives in a nearby mansion with his sister. The girl soon begins to suspect that the mansion is home to some very strange goings-on. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

korean | hippie | beach | war veteran | sister | See more »


Nice place to place to live! See more »




R | See all certifications »

Parents Guide:





Release Date:

May 1974 (USA)  »

Also Known As:

Tender Flesh  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


| (video)

Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Stuart Whitman was originally approached to play Jason Henry, but turned the part down and asked if he could portray Deputy Rakes instead. See more »


Alex Heath: The places that a woman could inject herself with a syringe defy the imagination!
See more »


Featured in Celluloid Bloodbath: More Prevues from Hell (2012) See more »


Who Can Tell Us Why
Music by Bert Keyes and George Barrie
Lyrics by Sammy Cahn
Performed by Lou Rawls
See more »

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User Reviews

Mixed feelings: loved the style, hated the editing. See the full version if you can.
4 April 2005 | by (Washington, DC) – See all my reviews

Looking over other viewer comments, I feel like I missed some significant footage -- sad, because I saw this as a candidate film for the National Film Registry. My experience was that the cannibalism wasn't even broached -- "hinted at" is a smaller and more fitting description. I started out with the understanding that the film deals with this topic, so it was easy for me to find the theme in the disjointed images that Harvey (allegedly from his deathbed) pieced together. However, in the edit that I saw, Harvey really only approached the subject during the dinner scene, which to the uninformed viewer, leaves Jason Henry coming off only as a rather perverse murderer.

As a red-toned color film, it kept with the 70s feel, especially with the Lou Rawls theme song that really seems not to fit at all, and it's definitely the sort of film that you can settle into on a Saturday afternoon.

For the most part, I felt that it was a shaky effort that obviously suffers from the (unavoidable) lack of directorial input in the final stages.

Despite this, the one incredibly positive thing I have to say is that Harvey did succeed in creating one impacting, chilling, flawless scene in a movie of otherwise so-so acting. Harvey is the perennial director, and this is never so evident as when he plays Jason Henry behind a camera. The moments just prior and after this are really unspectacular, but in the few seconds that the viewer is looking at the visage of Harvey, peering from behind the camera with diabolical intent, I was completely stunned and frightened, not because Harvey belonged in the psyche of a killer, but because the killer belonged behind the camera -- Harvey's character became more real, more insidious because the character encompassed a real person. Not a better case for method acting exists, I would venture.

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Very creepy and sordid little shocker. Scott_LeBrun
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