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Going Places (1974)

Les valseuses (original title)
R | | Comedy, Drama | 13 May 1974 (USA)
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »

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(novel), | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Woman in the train
Christian Alers ...
Jacqueline's father Henri
Michel Peyrelon ...
The Doctor
Gérard Boucaron ...
Carnot
Jacques Chailleux ...
Jacques Pirolle
Eva Damien ...
Doctor's wife
Dominique Davray ...
Ursula
...
Jacqueline
Marco Perrin ...
Supermarket inspector
Jacques Rispal ...
Maton
Bruno Boëglin
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Storyline

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: whether it's cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She's on her own search for seemingly unattainable sexual pleasure. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 May 1974 (USA)  »

Also Known As:

Going Places  »

Company Credits

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Technical Specs

Runtime:

(restored: 1999)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Director Bertrand Blier revealed, in an interview, that to allow US releases he had to cut the projected end: a final car crash causing the death of the three main characters (Gerard Depardieu, Miou Miou and Patrick Dewaere). See more »

Connections

Spoofed in Les bidasses s'en vont en guerre (1974) See more »

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User Reviews

 
Shocking and offensive but strangely lyrical and charming
17 February 2005 | by (Virginia, USA) – See all my reviews

I had mixed feelings for "Les Valseuses" (1974) written and directed by Bertrand Blier when I started watching it but I ended up liking it. I would not call it vulgar ("Dumb and Dumber" is vulgar, "The Sweetest Thing" is both vulgar and unforgivably stupid); I would call it shocking and offensive. I can understand why many viewers, especially, the females would not like or even hate it. It is the epitome of misogyny (or so it seems), and the way two antiheroes treat every woman they'd meet seems unspeakable. But the more I think of it the more I realize that it somehow comes off as a delightful little gem. I am fascinated how Blier was able to get away with it. The movie is very entertaining and highly enjoyable: it is well written, the acting by all is first - class, and the music is sweet and melancholic. Actually, when I think of it, two buddies had done something good to the women they came across to: they prepared a woman in the train (the lovely, docile blonde Brigitte Fossey who started her movie career with one of the most impressive debuts in René Clément's "Forbidden Games"(1952) at age 6) for the meeting with her husband whom she had not seen for two months; they found a man who was finally able to get a frigid Marie-Ange (Miou-Miou) exited and satisfied; they enlightened and educated young and very willing Isabelle Huppert (in one of her early screen appearances.) Their encounter with Jeanne Moreau elevates this comedy to the tragic level. In short, I am not sure I'd like to meet Gérard Depardieu's Jean-Claude and Patrick Dewaere's Pierrot in real life and invite them over for dinner but I had a good time watching the movie and two hours almost flew - it was never boring.


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