Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ...
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Raymond St. Jacques,
Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry and she puts a hit on Truck. The man who agrees to kill Truck is named Blue. The question is whether Truck can survive with Blue and his gang on his trail. Written by
Josh Pasnak <firstname.lastname@example.org>
Originally developed as a film for actor Robert Mitchum. After Mitchum, James Coburn was attached to star as Truck Turner, but that fell through as well. Having already invested in the script, American International Pictures decided to turn it into an "urban picture" and cast a black actor. Dick Anthony Williams, best know for his work in The Mack (1973) and Slaughter's Big Rip-Off (1973) was initially cast, but was quickly replaced by Isaac Hayes, who wanted to get into acting. It was also felt that Hayes had a bigger name draw than Williams. See more »
The camera and operator are visible when Blue tries to open the door to his car after being shot in the back. See more »
So, this is your idea of a good night, huh. Get me drunk and then screw me.
Okay, okay, we'll get something to eat first.
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Truck Turner is an ex-football star, built like a Mack truck. Fortunately his name IS Mac (though why they released it as BLACK BULLET in Australia is beyond me) which makes for a sensible nickname. There is practically nothing else remotely sensible thereon in, when Mac goes head-to-head with a bunch of no-good well, macks (pimps).
It is a typically paradoxical blaxpolitation film. It serves as both a reminder why the genre were so enjoyable - brazen heroes and villains, loads of sexy chicks for each, a top soul soundtrack - and why it had to die eventually - the burden of uninspired cashing in, here there and everywhere.
BLACK BULLET is as b-grade as they come, and it's surprisingly nasty in places. With a similar cast and crew to the far-superior BLACK BELT JONES (a blaxploitation gem), you expect tongue in cheek, but by the time you've heard the world `bitch' a thousand times, it starts to lose its comic gleam.
But at the end of the day it's all in good fun. It's just a shame the modern gangstas didn't get the joke.
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