A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <firstname.lastname@example.org>
In The climax Fred Astaire was not acting when the explosions happen he was very scared indeed. See more »
Steve McQueen's hair appears to change for certain scenes. For the scenes shot on location in San Francisco's Bank of America lobby, which substituted for the Glass Tower lobby, his hair is cut short and tight while the scenes shot in the studio back in Los Angeles, his hair appears a little longer and thicker. There must have been a gap in shooting locations. One example is when McQueen's character arrives at the fire, he walks with Roberts and others to the elevator to set up Forward Command. As he walks in the elevator(in San Francisco), the camera cuts to inside the elevator(LA Studio) a split second later and his hair is obviously longer. See more »
[Duncan is talking about Roberts' unemployment after the Tower job]
You know, there's a saying that goes "No matter how hot it gets up there during the day...
James Duncan, Doug Roberts:
There isn't a damn thing you can do at night."
That's right. Now what the hell are you going to do at night in the middle of nowhere?
Sleep like a winner.
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The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »
"Grand Hotel"-styled disaster epic that, along with the original "Airport" and "The Poseidon Adventure", became a monstrous money-maker which dominated not only economically, but also critically. "The Towering Inferno" is an intense affair as a high-rise skyscraper in San Francisco seems to be a state-of-the-art marvel, but sometimes things are not as perfect as they seem. There are still flaws in the building and naturally a small spark in a utility room will lead to an overwhelming night of terror and heroism. A who's who cast in Hollywood at the time makes up the mind-blowing list of performers. Paul Newman, Robert Vaughn, William Holden, Faye Dunaway, Steve McQueen, Susan Blakely, Richard Chamberlain, Robert Wagner and Jennifer Jones all make lasting impressions. However it is Fred Astaire (in an Oscar-nominated role of a lifetime) and then-Buffalo Bill superstar O.J. Simpson (showing the style, grace and power that he showed on the playing field here in his debut screen performance) that stand out and create a higher dimension to an honestly corn-filled story. A terribly difficult production to pull off due to the very large scope involved. The technical effects compete well with the all-world performers to make a stunningly impressive movie. Near the top of the usually ho-hum genre of the period. 4 stars out of 5.
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