A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <email@example.com>
During filming an actual fire broke out on one of the sets and Steve McQueen found himself briefly helping real firemen put it out. One of the firemen, not recognizing McQueen, said to the actor, "My wife is not going to believe this." To this McQueen replied, "Neither is mine." See more »
When Roberts calls Duncan at the party to tell him that Will Giddings has been burned and, eventually, that there's a fire, Duncan tells him to get to the party saying "I'm not going to concern myself with a fire in a storage room on 81..." The dialogue is clearly continuous throughout, but at that point Doug has not mentioned either the floor number nor that the fire was in a storage room. See more »
When I was an impressionable teenager in 1975 I saw Towering Inferno 4 times at the cinema, Still a record for me, and despite the years and jaded view of middle age, this is still a thrilling film, mainly because the effects are so realistic, no CGI then, and the characters are so presented well (if a bit archly at times). I still cannot decide if the ending would actually put the fire out, but who cares, that countdown still gets to me. I forgot how good Paul Newman was in his role, and I can never forget Fred Astaire, such a smooth performance. Great cinema, daft in parts, but the best films always are.
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