A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <email@example.com>
The First Interstate Tower in downtown Los Angeles was completed the same year this film was released (1974). 14 years later, in May of 1988, the FI Tower experienced a real-life fire which burned out 4 1/2 floors , ruined many floors above with smoke and floors below with water, and closed the building for almost five months. The fire happened late at night, when only a few dozen people were in the building, and no crowds, traffic or other demands on water hampered firefighters. Only one death occurred, when someone used an over-ride key to force an elevator to the floor where the fire had started, and perished much as was shown happening to elevator riders in the film. The Los Angeles Herald ran side-by-side photos of the actual fire and the fire from The Towering Inferno on its front page the following day. The story of the real fire was told in the 1991 TV film "Fire! Trapped on the 37th Floor" See more »
Lifting the brakes on the scenic elevator would not involve cutting wires and shimming relays (unless there was still power, in which case the brakes wouldn't need to be lifted. Manually lifting the brakes would require large wrenches on the elevator machine itself, and could not be done in 30 seconds. See more »
[Chief O'Hallorhan has just found out the fire is heading towards the elevator shaft]
You'd better call Duncan, tell him to stop those people in the car room from using that express elevator, or somebody's going to get killed.
[Roberts picks up the phone to comply]
[addressing a colleague]
OK, Kappy... ring in a third alarm. I want some rescue squads here and I also want choppers. We're going to need them if we're going to get those people. - All right, come on, firemen. I'll be on 81.
[...] See more »
In the comic magazine MAD's version of the film, there is a question asked by the character played by Fred Astaire, that does NOT appear in the film, but by logic should have been asked: "Ten minutes ago we couldn't get down from the building. Now we all are down on the street. How did that happen?" See more »
Your typical dumb disaster flick, produced by the king of the genre, Irwin Allen, made notable by the presence of Steve McQueen and Paul Newman who finally agreed to share the screen as equals, something they almost did in "Butch Cassidy and the Sundance Kid." The ever competitive McQueen made his film debut with a bit part in "Somebody Up There Likes Me" in which Newman starred, and one of his ambitions was to finally get top billing over his number one rival. Even with the so-called "diagonal billing" employed in the film and its advertising (with Newman's name elevated slightly above McQueen's), those of us who read from left to right can see that McQueen got his wish. He also got the best role. He's the firefighter, a tight jawed man of action, while Newman is saddled with the less sympathetic role of the architect. But the real star is the burning building. It burns, and impressively at that, but there's something very claustrophobic about this situation which results in less action than Allen's previous smash, "The Posiedon Adventure."
But the acting is better. In addition to McQueen and Newman, the cast includes Richard Chamberlain (particularly good), William Holden, Faye Dunaway, and Fred Astaire. That's an improvement over Carol Lynley and Eric Shea, both of whom Gene Hackman had the misfortune of emoting with two years earlier. Whatever one thinks of this particular genre, "The Towering Inferno" is probably the best of the bunch.
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