A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <firstname.lastname@example.org>
Scriptwriter Stirling Silliphant combined the two novels to create one screenplay. The combined three words that make up the titles of the two novels were combined to give the name of the film, and the name of the building that is on fire (The Glass Tower). See more »
When the breeches buoy falls, the explosion is far above it, yet the ropes are anchored well inside the Promedade Room. See more »
There never were any firemen, were there?
I said that to make it easier on you. I switched off the phones. There's no way to call out. Nobody knows we're up here.
Well, I always did want to die in bed.
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The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »
When I was an impressionable teenager in 1975 I saw Towering Inferno 4 times at the cinema, Still a record for me, and despite the years and jaded view of middle age, this is still a thrilling film, mainly because the effects are so realistic, no CGI then, and the characters are so presented well (if a bit archly at times). I still cannot decide if the ending would actually put the fire out, but who cares, that countdown still gets to me. I forgot how good Paul Newman was in his role, and I can never forget Fred Astaire, such a smooth performance. Great cinema, daft in parts, but the best films always are.
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