Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Casey Ryback hops on a Colorado to LA train to start a vacation with his niece. Early into the trip, terrorists board the train and use it as a mobile HQ to hijack a top secret destructive US satellite.
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <firstname.lastname@example.org>
For years, during the 80's and 90's, this is the movie Swedish TV used to show on New Years Eve, just after midnight. See more »
When O'Halloran is first setting up the forward command on 79 he asks Jernigan for a list of business tenants on 81 or above. Yet, according to the man showing an apartment to a couple near the beginning of the movie, the commercial tenants only go up as far as 80. From 81 up it's all residential. See more »
You know, we were lucky tonight. Body count's less than 200. You know, one of these days, you're gonna kill 10,000 in one of these firetraps, and I'm gonna keep eating smoke and bringing out bodies until somebody asks us... how to build them.
[looks up at the smoky building]
Okay. I'm asking.
You know where to reach me. So long, architect.
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In the comic magazine MAD's version of the film, there is a question asked by the character played by Fred Astaire, that does NOT appear in the film, but by logic should have been asked: "Ten minutes ago we couldn't get down from the building. Now we all are down on the street. How did that happen?" See more »
When I was an impressionable teenager in 1975 I saw Towering Inferno 4 times at the cinema, Still a record for me, and despite the years and jaded view of middle age, this is still a thrilling film, mainly because the effects are so realistic, no CGI then, and the characters are so presented well (if a bit archly at times). I still cannot decide if the ending would actually put the fire out, but who cares, that countdown still gets to me. I forgot how good Paul Newman was in his role, and I can never forget Fred Astaire, such a smooth performance. Great cinema, daft in parts, but the best films always are.
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