A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <email@example.com>
Steve McQueen and Faye Dunaway left strict instructions that they should not be approached by visitors to the set. McQueen also refused to give any interviews. Paul Newman asked only that he not be "surprised". See more »
When Roberts calls Duncan at the party to tell him that Will Giddings has been burned and, eventually, that there's a fire, Duncan tells him to get to the party saying "I'm not going to concern myself with a fire in a storage room on 81..." The dialogue is clearly continuous throughout, but at that point Doug has not mentioned either the floor number nor that the fire was in a storage room. See more »
[on security phone with Wes]
Doug... I'm up on 83 with Will. Listen, we got a little wiring problem. If we've got an overload it could be trouble. Shut down as many of the Zone One systems as you can.
[into the phone]
I'm afraid I can't do that, Mr. Roberts. We've got all the lights on for the dedication ceremony.
All... you mean the whole building?
Well, we're taking the overload just fine.
Well shut it down, right away!
But I can't do that without a direct okay from Mr. ...
[...] See more »
The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »
With the likes of INDEPENDENCE DAY and DIE HARD, which were both influenced by THE TOWERING INFERNO, a new awareness of the potential of the disaster film emerged, culminating in the likes of DEEP IMPACT, ARMAGEDDON and the more recent THE CORE.
The definition of 'all-star cast' and 'star-studded' has changed substantially in the last few years and in fact, the true star of THE TOWERING INFERNO wasn't any actor or star, but the late Irwin Allen, whose career in this type of film ended with the poorly-received WHEN TIME RAN OUT.
The film, which was adapted from two source novels, THE GLASS INFERNO and THE TOWER (both of which were bought by rival studios Fox and Warner to compete at the box-office - and then decided at the last minute to pool their resources into creating a single script) is impressive in scope and design.
For the uninitiated, one of the books deals with a disgrunted ex-employee who decides to cause an accident which starts a fire and in some ways that would have made a more intriguing storyline, but the plot of the actual film which involves cost-cutting to electrical circuits which causes the fire int the first place works as it is.
At a running time of 158 minutes some may think the film too long. In this day and age there would have possibly been test screenings and some cutting of the film, but since the success of TITANIC at the box-office longer films have become the norm. Indeed, the more recent HARRY POTTER and LORD OF THE RINGS movies are in this bracket (although the upcoming KILL BILL story that the three-hour film will be split in two may pave the way for shorter lengths!!) Mind you, THE GREAT ESCAPE is of similar length and that film moves at a cracking pace.
Steve McQueen is on screen less than some of the other stars in the film, but his performance is the best and complements others on show.
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