A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <email@example.com>
Paul Newman's and Steve McQueen's names are staggered in the opening credits, closing credits, and on the posters so that, depending on which way you read it (top to bottom or left to right), both appear to get top billing. This is known as "diagonal billing", This strategy was being worked on when Newman and McQueen almost co-starred together in Butch Cassidy and the Sundance Kid (1969), but McQueen eventually dropped out of the project and was replaced by the lesser known Robert Redford. See more »
When Will Giddings is on fire you can see gloves and obvious mask his body double is wearing. See more »
There never were any firemen, were there?
I said that to make it easier on you. I switched off the phones. There's no way to call out. Nobody knows we're up here.
Well, I always did want to die in bed.
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In the comic magazine MAD's version of the film, there is a question asked by the character played by Fred Astaire, that does NOT appear in the film, but by logic should have been asked: "Ten minutes ago we couldn't get down from the building. Now we all are down on the street. How did that happen?" See more »
"Grand Hotel"-styled disaster epic that, along with the original "Airport" and "The Poseidon Adventure", became a monstrous money-maker which dominated not only economically, but also critically. "The Towering Inferno" is an intense affair as a high-rise skyscraper in San Francisco seems to be a state-of-the-art marvel, but sometimes things are not as perfect as they seem. There are still flaws in the building and naturally a small spark in a utility room will lead to an overwhelming night of terror and heroism. A who's who cast in Hollywood at the time makes up the mind-blowing list of performers. Paul Newman, Robert Vaughn, William Holden, Faye Dunaway, Steve McQueen, Susan Blakely, Richard Chamberlain, Robert Wagner and Jennifer Jones all make lasting impressions. However it is Fred Astaire (in an Oscar-nominated role of a lifetime) and then-Buffalo Bill superstar O.J. Simpson (showing the style, grace and power that he showed on the playing field here in his debut screen performance) that stand out and create a higher dimension to an honestly corn-filled story. A terribly difficult production to pull off due to the very large scope involved. The technical effects compete well with the all-world performers to make a stunningly impressive movie. Near the top of the usually ho-hum genre of the period. 4 stars out of 5.
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