A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by
John Vogel <firstname.lastname@example.org>
Steve McQueen was married to actress Ali MacGraw at the time. Right before filming the dangerous and climactic scene in the Promenade Room, he told everyone, "If anything happens to me, Ali gets my pickup truck." See more »
When the electrical junction box explodes open in the storage closet on the 81st floor, a fairly thick wire flops down and sparks. The thick wires in such a box are made out of bundles of copper wire, too stiff to flop down as shown in the movie. See more »
[the firemen are trapped in an elevator shaft]
We'll go down by rope. We're gonna rappel down to 65, get on top of that elevator, use it as an exit.
I can't make it. I'll fall. I know I'll fall.
Okay. Then you better go first. That way when you fall, you won't take any of us with you.
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The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »
When I was an impressionable teenager in 1975 I saw Towering Inferno 4 times at the cinema, Still a record for me, and despite the years and jaded view of middle age, this is still a thrilling film, mainly because the effects are so realistic, no CGI then, and the characters are so presented well (if a bit archly at times). I still cannot decide if the ending would actually put the fire out, but who cares, that countdown still gets to me. I forgot how good Paul Newman was in his role, and I can never forget Fred Astaire, such a smooth performance. Great cinema, daft in parts, but the best films always are.
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