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The Towering Inferno (1974)

6.9
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Ratings: 6.9/10 from 25,322 users  
Reviews: 187 user | 88 critic

At the opening party of a colossal, but poorly constructed, office building, a massive fire breaks out that threatens to destroy the tower and everyone in it.

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(novel), (novel), 2 more credits »
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Title: The Towering Inferno (1974)

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Won 3 Oscars. Another 9 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
Patty
...
Simmons
...
Lisolette
...
Jernigan
...
...
Bigelow
...
...
Paula Ramsay (as Sheila Mathews)
Norman Burton ...
Giddings (as Normann Burton)
Jack Collins ...
Mayor Ramsay
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Storyline

Doug Roberts, Architect, returns from a long vacation to find work nearly completed on his skyscraper. He goes to the party that night concerned he's found that his wiring specifications have not been followed and that the building continues to develop short circuits. When the fire begins, Michael O'Halleran is the chief on duty as a series of daring rescues punctuate the terror of a building too tall to have a fire successfully fought from the ground. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Plot Keywords:

fire | trapped | party | architect | skyscraper | See more »

Taglines:

"The Towering Inferno" Is Not Just The Story Of The World's Tallest Building In Flames, It's The Story Of People... See more »

Genres:

Action | Drama | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 December 1974 (USA)  »

Also Known As:

Flammendes Inferno  »

Box Office

Budget:

$14,000,000 (estimated)

Gross:

$116,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm magnetic prints)| (35 mm optical prints)| (70 mm prints) (Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The role of Lisolette Mueller (as played by Jennifer Jones) was originally offered to Olivia de Havilland. See more »

Goofs

After the helicopter has crashed on the top of the tower during an aborted rescue, the second of the two ladies who caused the crash by running into the path of the helicopter gets up from the ground, revealing a knee pad she was wearing to protect her knees under her dress. See more »

Quotes

Chief O'Hallorhan: [picking up a security phone] This is O'Hallorhan, who am I speaking to?
Flaker: [into the phone] Chief Flaker, sir. US Navy Air Rescue.
Chief O'Hallorhan: It's about time, we can use your rescue choppers.
Flaker: I've ordered them right away. I'd like to set up communications next to the forward command center.
Chief O'Hallorhan: No no, too dangerous! Stay out of those elevators!
Flaker: Well then, sir, we'll just trot right up the stairs.
Chief O'Hallorhan: Yeah, you'll just trot right up to 79, huh?
Flaker: [chastened] Standing by in the lobby, sir.
Chief O'Hallorhan: Thank you.
See more »

Crazy Credits

The 20th Century Fox and Warner Bros. Pictures logos don't appear in the beginning. See more »

Connections

Referenced in Futurama: Stench and Stenchibility (2013) See more »

Soundtracks

The Morning After
(uncredited)
Written by Al Kasha and Joel Hirschhorn
Played at the party when Roberts is first reporting the fire to Duncan
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fire cracker
19 April 2004 | by (St. Louis, Missouri) – See all my reviews

The all-star blockbuster THE TOWERING INFERNO proves that you can make a bad film that still manages to be a great movie. Contrary to conventional wisdom, special effects and elaborate stunt work can actually be the star of a movie and provide ample compensation for poor writing, clumsy direction and really amateurish acting.

THE TOWERING INFERNO is, of course, a disaster movie, the methodical destruction of a high-rise skyscraper, along with many of its tenants. It came on the heels of THE POSEIDON ADVENTURE and quite honestly is no match for that film's delicious mix of sappy sentimentality and hammy heroics. But, while its dramatic quality is only marginally superior to hack films like AIRPORT '75 and the atrocious EARTHQUAKE, INFERNO provides a masterful blend of audience manipulation and technical craftsmanship. As Paul Newman pointed out to the press, neither he nor his perpetual professional rival Steve McQueen are the star of the film: the fire is the star. And as appropriate to any star, the fire, in all of its glorious mayhem, is lovingly filmed and given a wide berth to overact with style.

The rest of the cast should be so lucky. The remarkable, once-in-a-lifetime cast (Newman, McQueen, Faye Dunaway, William Holden, Fred Astaire, etc.) behave like troopers, even though they are primarily reduced to being little more than high priced props. Most of the scenes involving actual human interaction seem rushed and the inept line readings of the inane dialogue suggest that no one bothered with retakes, let alone rehearsals. But such moments are little more than filler, marking time between some of the most remarkable actions sequences ever filmed. The helicopter rescue of the derailed scenic elevator is heartstoppingly thrilling, even as you realize that it is absolutely physically impossible. And it is overshadowed by the explosive final showdown with the villainous fire. Hollywood has cinematically destroyed greater amounts of real estate, but seldom with such style.

As art, THE TOWERING INFERNO is a fizzle, but as a cheap carnival thrill show it's pretty hot stuff.


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