Roberto has a new job as the teacher at a nursery school. The first child he meets is Gianluigi, who's mute. Roberto is spirited, bringing a TV into class, then a donkey. He takes children ... See full summary »
Director Mario Fererri reenacts the events leading up to the Battle of the Little Big Horn in this wild, highly stylized surreal farce set in and around a gaping excavation for a huge urban renewal project in 1974 Paris. The anachronistic backdrop highlights the incongruity of the broad comic characterizations of real life figures George Armstrong Custer, Sitting Bull, and Buffalo Bill. Written by
Not just another ordinary version of the battle at Little Big Horn
General George Custer can't wait to crush the Indians in Marco Ferreri's Touche Pas à la femme blanche. It's the only thing he can talk about. Meanwhile, he also falls in love with Marie-Hélène, who can't be touched by an Indian, especially Custer's informant. The informant awaits his moment.
Just another ordinary version of the battle between settlers and Indians at Little Big Horn? Far from it! The ever wayward filmmaker Marco Ferreri chose to film the battle of Little Big Horn at the place where Les Halles - the Parisian vegetable market - was taken down in 1974. In fact, it was actually taken down during the filming of this movie. The demolishers were probably rubbing their eyes in astonishment. Catherine Deneuve, right here, in this mess?
I enjoyed the movie immensely. All the actors wear the same deadpan expressions as if they really are blind to the fact that they are acting out a traditional western story in a modern setting. Unlike in Les Visiteurs, no jokes about the confrontation with modernity. The characters just do not seem to see it, as if they live in another dimension. It creates many brilliant moments, such as when a cannon is fired and a building collapses. Or if Custer points to a Coca-Cola advertisement and says: "My wife."
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