2 items from 2014
“Man, this is so cool!”
That was Jeff Bridges’ reaction Saturday night to receiving the King Vidor award for excellence in filmmaking at the 20th San Luis International Film Festival. “It’s wonderful to be acknowledged for my work like this,” he added.
James Cromwell presented the award before an enthusiastic capacity crowd at the Fremont Theater, followed by the actors swapping stories for 30 minutes, a Q-and-a and a screening of Bridges’ signature film, 1998′s “The Big Lebowski” — starring as Jeff “The Dude” Lebowski.
Bridges appeared to genuinely enjoy the event, offering a variety of unaffected and unrehearsed answers.
“When ‘The Big Lebowski’ comes on TV, it’s like ‘The Godfather’ – I’m hooked,” he told the audience. “I always think that I’ll stop after John Turturro licks the bowling ball…. The movie is like candy; it’s so well made. The Coen brothers are so cool.”
Cromwell recalled »
- Dave McNary
Odd List Ryan Lambie 4 Feb 2014 - 06:48
We head back to the 80s and 90s to look at eight famous battles between directors and studio executives over a movie's final cut...
If filmmaking is a compromise between art and commerce, then the final cut is often the point in the process where the tug-of-war between the two becomes the most intense. In their desire to make a film more profitable - often after feedback from preview screenings - studio executives will sometimes request re-edits or the shooting of additional scenes. And occasionally, when directors attempt to resist those changes for whatever reason, the resulting tension between director and studio can reach breaking point.
To illustrate the different ways these tussles over a film's final cut can play out, we're heading back to the 80s and 90s. In some instances, the films that emerged from the editing room were considered to be influential triumphs. »
2 items from 2014
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